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As promised T.I. releases the second installment of his Get Dough or Die mixtape series. Features include Yo Gotti, Doe B, Troy Ave, Spodee, Trae Tha Truth,Shad Da God, Iggy Azalea, Trey Songz, B.o.B, Rich Homie Quan, Problem, Young Thug and more.

Download it from Datpiff: http://www.datpiff.com/Hustle-Gang-GDOD-2-mixtape.646564.html

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G.O.O.D. Music emcee Pusha T hops on the Mike Will Made It-produced instrumental for Rae Sremmurd's buzzing single "No Flex Zone." Download it here http://linkmixes.com/q0ez2nstvtr6.

Rae Sremmurd's original version can be purchased from iTunes https://itunes.apple.com/us/album/no-flex-zone-single/id876111383.

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G-Unit continues to rip other artists instrumentals since reuniting at Summer Jam 2014. Today they remix Future's song "Move That Dope." Track produced by Mike Will Made It. Download here http://linkmixes.com/1ru0qgl2rn7s

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After hearing the news about Floyd Mayweather Jr. being devastated to learn that his former fiancee Shantel Jackson was now seeing Nelly, 50 Cent called Money May to give him some brotherly advice. This is pure comedy.

"Floyd is my brother I'm just making fun of bullshit. LMAO #SMSaudio #Animalambition," 50 wrote

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Every NFL rookie has to go through it, unless you're Dez Bryant of the Cowboys, but that's another story. You can't escape getting hazed by the veterans when you're fresh out of college.

Usually rookies get their heads shaved bald, carry the veterans pads after practice or pay for dinners for the team.

The Houston Texans came up with a creative and hilarious way to have Trinton Holiday, the 5'5 150 pound rookie out of LSU get his hazing.

They made him ride around on a pink tricycle.

"I think it was a rookie hazing, just a joke, a way for the guys to get a laugh," Holliday told the Houston Chronicle. "Some guys told me coach (Gary Kubiak) did it, but I'm not 100 percent sure about that."

"You know, it's not my color. After practice, Andre Johnson told me that I was going to have to take a lap on it, so I got on it."

Now that's damn funny right there.

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Video After The Jump

Ice Cube seemingly has done it all. From his beginning as a member of legendary West Coast hip hop group along with Dr Dre, Eazy E, MC Ren & DJ Yella. To his successful solo career that has seen him release nine solo albums. In addition he's dropped two albums with Mack 10 and WC as Westside Connection.

Cube, real name O'shea Jackson is also a bonified movie star, having starred in 25 films, most notably the 'Friday' series, 'Boyz In The Hood', 'Barbershop' and 'Are We There Yet?'.

Having accomplished so much you might wonder what Cube has up his sleeve next and what motivates him.

Angie Martinez, Stephen A. Smith and Harry Allen pick Cube's brain on the BET show 'Food For Thought: Conversations With Ice Cube' to see what he's up to.

Stephen A. gets the ball rolling by asking, "What was the defining moment that really shaped Ice Cube?"

"You know it happened way before I started rapping. I was fortunate, my father was right there in the house with me," Cube tells him. "When the father stays with the son, even with the daughter it gives them a better chance to navigate this world."

Angie asks Cube how he's managed to keep his 18 year marriage and family together when so many marriages end in divorce after a few years.

"You know that's the first career, the family, you know what I mean? You gotta make that work," he explains. " If you don't make that work then everything else could suffer. That is the foundation that keeps you focused. It keeps my priorities in line, it's got me where I am. A lot of people worry about a lot of things, but you're responsible for your kids you know. That's your project, that's what you're the God of in a way. So if you can't do that right, everything else you try is probably gonna fail."

Cube goes on to talk about he avoided getting the shaft from Jerry Heller by not taking the $75,000 he was being offered to sign a contract when all the other members of NWA were more than happy to take the money. And how he got his introduction to the Bomb Squad who produced his first solo album.

A question a lot of hip hop fans want the answer to is how Cube got into acting initially.

"You know I never wanted to be an actor, I never thought I could even be an actor. At that time I wanted to be the best rapper in the world and that's all I cared about," he tells Stephen A. " I went up to the Arsenio Hall Show [in 1989]. I wanted to ask Arsenio 'why you aint have NWA and Eazy E on your show'. And this intern come up, John Singleton, he said 'what up man, you Cube huh? I'm at USC, I'm a student at film school right now. I'm writing a movie I want you to be in it.' Cube says of meeting the future director of his first movie 'Boyz In the Hood'.

"I'm like aight dude, If you aint Spike Lee watch out. Fast forward, another year go by it's '90. My manager say 'yo somebody want you to be in a movie, these pages came in'. he's like 'just go'. I go and when I walk in it's John. He done graduated, he done put his movie together. He's like 'remember me? I told you I was gonna have you do it.'"

Cube went on to star as Dough Boy in the film 'Boyz In Da Hood' and the rest is history.

Cube said he's ready make another 'Friday' movie if he can get Chris Tucker to reprise his role as Smokey.

"I got a petition I want you to sign. We need him [Chris Tucker] back. Wouldn't you want a fourth one with Chris, Mike Epps, Katt [Williams], Terry Crews in there, get Tiny [Lister]. You know bring everybody back."

Check out the rest of the interview below, Cube is one hell of a good role model and someone people should respect for how he's conducted himself on stage and off.

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Videos After The Jump The 2010 NRJ Music Awards took place in Cannes Saturday (January 23). This is the biggest awards ceremony in France. Some of the brightest International stars in the world today were there to perform including Robbie Williams, Kelly Rowland, Black Eyed Peas, Jay-Z, Rihanna and David Guetta. Beyonce received the NRJ Award Of Honor and Rihanna took home the prize for International Female Artist Of The Year. Black Eyed Peas " I Gotta Feeling" Kelly Rowland and David Guetta "When Love Takes Over" Rihanna "Russian Roulette" Jay-Z "Empire State Of Mind" featuring Bridget Kelly Black Eyed Peas "Meet Me Halfway" Robbie Williams "Morning Sun" Beyonce presented the "NRJ Award Of Honor" by Pharrell Williams Rihanna wins the "NRJ International Female Artist Of The Year"

Black Eyed Peas

Fergie

Ke$ha

Kelly Rowland

Rihanna

Pharrell Williams

Dita Von Teese Follow Me @Twitter.com/ChasinMoPaper
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Videos After The Jump Late Night With Jimmy Fallon has turned into "Must Watch TV" for the artist performances alone. With the best band in hip hop bar none, The Roots serving as Jimmy's in house band. Each performance by guest artists are instantly enhanced. To top that off Roots emcee Black Thought often lends his lyrical abilities providing never heard before remixes to classic joints. Clipse appeared last night (Wednesday January 6) and got it in. First performing a web exclusive version of their classic "Grindin" (Available only on Jimmy's website). Then followed that up with their smash hit "Back By Popular Demand (Popeyes)". Off their new album 'Till The Casket Drops' which is in stores now. Clipse Performing "Grindin" featuring The Roots Clipse Performing "Popular Demand (Popeyes) featuring The Roots Follow Me @Twitter.com/ChasinMoPaper
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For those who have an intravenous Internet hookup, Jay-Z's long-delayed, much-anticipated "Blueprint 3" leaked sometime in the wee hours Monday morning and made it's debut Tuesday on Rhapsody's and MTV's websites. We listened to the entirety of Sean Carter's 11th album in one fell swoop -- not even taking a break to sip overpriced Champagne, smoke overpriced cigars or take our Maybach out for a leisurely spin. That's either dedication or... a paying assignment from our editor. "What We Talkin' About" (ft. Luke Steele of Empire of the Sun) Jay-Z has enlisted Luke Steele of Australian hairspray techno auteurs Empire of the Sun to sing the hook. For those doing the math at home, that means that the man behind this album has more face-time on a Jay-Z album than longtime collaborators DJ Premier and State Property. In the course of the cut, Jay-Z claims, "I'm not talking about profit; I'm talking about pain." Within 30 seconds, he's bragging about being bff's with Barack Obama. Apparently, Jay-Z feels the pain of the potential loss of the public option more than we will ever know. Hova also declares "I'm not talking about [rivals] Jimmy [Jones], Game or Dame [Dash]," thus robbing him of any semblance of conflict that might make his music that much more interesting. "Thank You" Rather than use the liner notes, Jay-Z decides to write a song thanking the fans for supporting him. He mentions that he has 10 No. 1 albums -- a factual inaccuracy. He has 10 official solo albums released prior to this one, and not all reached No. 1. You'd think that with all of his money, he could at least pay sidekick Memphis Bleek to fact-check for him. He also mentions his predilection for wearing really nice suits and going to the opera. "D.O.A." The long-ago leaked first single proves that no matter how cranky and cantankerous Jay-Z sounds, a Janko Nilovic sample can salve all wounds. Moreover, whether you agree or not with his traditionalist stance, Jay at least has a coherent point here. "Run this Town" (ft. Rihanna & Kanye West) The second single currently earning heavy urban radio play. You've probably heard it. If not, let me give you a hint about who runs this town -- it rhymes with May-B. "Empire State of Mind" (ft. Alicia Keys) Essentially, a list of New York City streets with the titular inspiration seemingly swiped from Nas' "New York State of Mind." For the 723rd time, Jay-Z compares himself to Frank Sinatra, an analogue that's becoming ill-fitting. There's something timeless about Sinatra's catalog and his choice of collaborators. Something tells me that Mr. Hudson, featured on the last track of "Blueprint 3," is no Antonio Carlos Jobim. Even Alicia Keys can't save this track from foundering. "Real as it Gets" (ft. Young Jeezy) This feels like a shameless shill to get Southern rap fans to buy the album, lured by the promise of a Young Jeezy cameo. When used properly, Jeezy's gravelly timbre can produce earthshaking force; but on "Real," the result is both rappers abandoning their gritty street raps for self-worshiping ennui. It's hard to blame them; it's tough to stay hungry when you have a personal chef. "On to the Next One" (ft. Swizz Beatz) The first track yet that doesn't make me want to skip onto the next one. Swizz Beatz is clearly channeling "A Milli," and while he doesn't get the exact same results, he clearly creates one of the album's standout tracks, sounding simultaneously au courant and catchy. Jay-Z continues his recurring obsession with being artistically progressive and moving forward. "Off That" (ft. Drake) Timbaland's beat sounds like one of the better castoffs from the last Justin Timberlake album, and Drake's hook is cool and self-assured. But there's something here that reads as stasis: Timbaland continues to envision the future as silver suits and astronaut ice cream, while Jay sounds like he would probably try to lecture the “Say Hey” kid for wearing tight pants. "A Star is Born" (ft. J. Cole) Featuring a guest appearance from J. Cole, the fledgling artist whom Jay-Z has signed to Roc Nation. Cole acquits himself fine with a nimble resonant verse about coming from poverty, though his performance lacks the appeal of past Jay proteges Beanie Sigel, Kanye West or Memphis Bleek. "Venus vs. Mars" A naked play to entice female listeners, with Timbaland delivering a monstrous beat. Unfortunately, Jay utilizes the lurid leering tone of the rich guy at the bar promising helicopter rides to any nubile female who will look in his direction. In 10 years, "Venus vs. Mars," will go down in history as the first rap song ever inspired by a self-help romance guide intended to illuminate gender differences. I can't wait until Drake releases his prog-rap opus, "He's Just Not That Into You." "Already Home" (ft. Kid Cudi) The most organic and hence best song on the album. Kanye fulfills his symphonic "Late Registration"-era aspirations and Jay fills it with regnant "Blueprint" majesty. The decision to pair up with Kid Cudi and Kanye West finally yields some dividends for Jay's experimentation. Granted, it's not exactly the London Muddy Waters Sessions, but it works. Kid Cudi's stoned insularity proves a nice foil to Jay's swagger and the song sounds fun and spontaneous. "Hate" (ft. Kanye West) The logical continuation of the "Graduation" dud "Drunk and Hot Girls," "Hate" sounds like the result of staying up all night in the studio mixing various liquors and then letting the tape recorder roll. You're in that deluded state where you think that everything you record is genius and filled with revelations. Then you wake up the next morning to realize that except for three seconds, everything you made was garbage. Except that never happened, and Jay and Kanye decided to put it on the album. "Reminder" Where Jay-Z reminds us that he's better than you and me. Presumably, this is supposed to even out the hospitality of "Thank You." "So Ambitious" (ft. Pharrell) Apparently, all ambition means these days is making songs that both Pharrell and Jay would've scoffed at during their "Roc La Familia"-era salad days. "Young Forever" (ft. Mr. Hudson) Sampling "Forever Young" on the the final track is one of the worst decisions of Jay-Z's legendary career and confirms everyone's deepest fears about the album: that it's a Hail Mary attempt by a veteran artist to stay relevant. There's maturing gracefully and then there's this -- a maudlin cut that sounds like bar mitzvah montage rap. After hearing this, cleanse with "Brooklyn's Finest" on repeat. Verdict: Regardless of this lackluster effort, nothing can alter Jay-Z's place as one of the greatest rappers of all time. That said, despite several strong moments, "Blueprint 3" documents an artist who refuses to wallow in the past, but lacks a (ahem) blueprint for the future. As with all Jay-Z albums, it tries to be all things to all people, and occasionally succeeds, but more often than not, it offers a tepid futurism. If Jay-Z is rap's Rolling Stones, this is his "Dirty Work," even if he maintains that he doesn't like his colors too bright. LA Times Review
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Man Facing 6 Months In Jail For Yawning

MSNBC Reports JOLIET, Ill. - Drowsy spectators in one suburban Chicago courtroom might want to stifle their yawns from now on. Clifton Williams, 33, of Richton Park, is facing six months in jail for making what court documents call a yawn-like sound in Will County Judge Daniel Rozak's court last month. The yawn happened as Williams' cousin, Jason Mayfield, was being sentenced for a drug charge on July 23. Rozak found Williams in contempt of court and sentenced him to six months in jail. However, Rozak could free Williams after a status hearing Thursday, if Williams apologizes and the judge accepts. By then, Williams will have served 21 days. Witnesses disagree about whether Williams' yawn was out of line. ‘A very loud statement’ Charles Pelkie, spokesman for the Will County state's attorney's office, said the prosecutor in the courtroom at the time told him that what came out of Williams' mouth could hardly be called a "yawn." "This was a very loud, boisterous, deliberate attempt on the part of this individual to disrupt the proceedings and show disrespect to the court," Pelkie said. "It was not a guy who involuntarily yawned. This guy was making a statement — a very loud statement — in court." Mayfield disagreed, saying it was "not an outrageous yawn." Williams has written his family to say that he can't believe he's in jail "for nothing." A message left for Rozak Tuesday was not immediately returned. Six months is the maximum sentence judges can give for criminal contempt without a jury trial.
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