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Kanye West should consider himself lucky Drake isn't firing back at Pusha T, 'cause the track he recorded would've blown up Ye's career ... according to James Prince.
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SANTA FE, Texas (Reuters) - Texas officials charged a 17-year-old student with murder in the shooting of 10 people, including fellow pupils, at his high school on Friday in an attack similar to the massacre at a Florida high school earlier this year.
Students said a gunman, identified by law enforcement as Dimitrios Pagourtzis, opened fire in a classroom at Santa Fe High School shortly before 8 a.m. CT (1300 GMT) on Friday, and that they fled in panic after seeing classmates wounded and a fire alarm triggered a full evacuation. Ten people were hurt in the attack, Texas Governor Greg Abbott said.
It was the latest in a long series of deadly shootings at U.S. schools. Seventeen teens and educators were shot dead at a Parkland, Florida, high school in February, a massacre that stirred the nation’s long-running debate over gun ownership.
The Galveston County Sheriff’s Office identified Pagourtzis and said he had been charged with capital murder in a post on its Facebook page. More charges could follow.
Speaking to reporters before the teen was identified, Abbott told reporters that the suspect had used a shotgun and a .38 revolver taken from his father in the fourth-deadliest mass shooting at a U.S. public school.
“Not only did he want to commit the shooting, but he wanted to commit suicide after the shooting,” Abbott said, citing a police review of the suspect’s journals. “He didn’t have the courage to commit suicide.”
Two other people are in custody, Abbott said.
Investigators are talking to the suspect, Steven McCraw, director of the Texas Department of Public Safety, said.
Abbott said that investigators had seen a T-shirt on the suspect’s Facebook page that read “Born to Kill.”
Explosive devices had also been found at the school, located about 30 miles (48 km) southeast of Houston, and off campus, Harris County Sheriff Ed Gonzalez tweeted.
Police were searching two homes and a vehicle linked to the suspect, where they have found multiple homemade explosive devices, Abbott said.
‘THE GUY BEHIND ME WAS DEAD’
Courtney Marshall, a 15-year-old freshman at the school, said the gunman came into her art class shooting.
“I wanted to take care of my friends, but I knew I had to get out of there,” Marshall said, saying that she saw at least one person hit. “I knew the guy behind me was dead.”
Orlando Gonzalez said that his 16-year-old son Keaton, fled the attack, but one of his friends was shot and wounded.
“I was really worried, I didn’t know what was going on ... I almost couldn’t drive,” Gonzalez said. “I just imagine what he’s going through ... He’s still scared.”
The school has some 1,462 students, according to federal education data.
U.S. President Donald Trump called the latest school massacre “absolutely horrific.”
“My administration is determined to do everything in our power to protect our students, secure our schools and to keep weapons out of the hands of those who pose a threat to themselves and to others,” Trump said at the White House.
Days after the Parkland shooting, Trump said that elected officials should be ready to “fight” the powerful National Rifle Association lobby group. Early this month he embraced that group, telling its annual meeting in Dallas “your Second Amendment rights are under siege.”
The Second Amendment of the U.S. Constitution protects the right to bear arms.
No major federal gun controls have been imposed since Parkland, though the administration is pursuing a proposed regulatory ban on “bump stocks,” which enable a semi-automatic rifle to fire a steady stream of bullets. The devices were used in an October 2017 mass shooting in Las Vegas that killed 59 people but have not played a role in other major U.S. mass shootings.
Additional reporting by Ernest Scheyder and Liz Hampton in Houston, Gina Cherelus and Peter Szekely in New York and Mark Hosenball and Ian Simpson in Washington; Writing by Daniel Wallis and Scott Malone; Editing by Bernadette Baum and Susan Thomas
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In this clip, Lil Durk spoke about the tragic passing of Fredo Santana. He outlined how close they were and praised Fredo for being a standup person. Durk detailed some of the battles that Fredo had with the drug abuse but said that after leaving the hospital his intentions were to get clean.
Lil Durk went into his own drug use but said that he's looking to use Fredo Santana's death as a wake-up call and he hopes others do as well.
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In this clip, Lil Durk spoke about his time at Def Jam and the creative differences that eventually led to them parting ways. Durk was forthcoming when he said that they didn't have a good relationship and that his independent output will be what he wants the fans to hear from him.
Durk also spoke about his relationship with French Montana and being a Coke Boys affiliate. He said French showed him a side of life he always wanted to experience and if he were more mature back then he would've signed to French.
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Music guests Migos' Offset and Metro Boomin perform "Ric Flair Drip" with Ric Flair himself for the Tonight Show audience.
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When it comes to female MCs, the undisputed Empress and High Priestess is none other than the pioneering legend Roxanne Shante.
Roxanne has had her story told in a dramatized biopic which received critical acclaim after premiering at the 2017 Sundance Flim Festival.
Lord Jamar and Rah Digga, with guest panelist Skitzo, give their thoughts on the movie and also talk about their favorite artist biopics to date.
Peace!
0:00 - 3:10 The Roxanne Shante biopic and Lord Jamar's crush on Roxanne Shante
3:11 How Roxanne Shante inspired Rah Digga to pick up a pen (and take aim at "The Real Roxanne"!)
5:06 What Puerto Ricans used to be called in NY
6:33 Panels thoughts on the Netflix Roxanne Shante movie
12:49 What is your favorite artist biopic?
14:38 IG Live - Callers thoughts on the Roxanne Shante movie
20:24 Outro
Social Media:
Lord Jamar - @LordJamar (IG and Twitter)
Rah Digga - @TheRealRahDigga (IG and Twitter)
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In the tradition of Amblin classics where fantastical events occur in the most unexpected places, Jack Black and two-time Academy Award® winner Cate Blanchett star in The House with a Clock in Its Walls, from Amblin Entertainment. The magical adventure tells the spine-tingling tale of 10-year-old Lewis (Owen Vaccaro) who goes to live with his uncle in a creaky old house with a mysterious tick-tocking heart. But his new town’s sleepy façade jolts to life with a secret world of warlocks and witches when Lewis accidentally awakens the dead.
Based on the beloved children’s classic written by John Bellairs and illustrated by Edward Gorey, The House with a Clock in Its Walls is directed by master frightener Eli Roth and written by Eric Kripke (creator of TV’s Supernatural). Co-starring Kyle MacLachlan, Colleen Camp, Renée Elise Goldsberry, Vanessa Anne Williams and Sunny Suljic, it is produced by Mythology Entertainment’s Brad Fischer (Shutter Island) and James Vanderbilt (Zodiac), as well as Kripke.
Executive produced by William Sherak, Tracey Nyberg and Laeta Kalogridis, The House with a Clock in Its Walls will be released by Universal Pictures September 21.
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Iggy Azalea was the musical guest on The Late Late Show with James Corden Tuesday, March 20. She used the occasion to perform the song "Savior."
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OG Boskoe100 chops it up about Tekashi69's interview on The Breakfast Club Friday, March 23. He criticized 69 for "being ignorant" and gave Charlamagne Tha God props for putting him in his place.
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Slim400 talks with HHR about his problem with 6ix9ine, his affiliations growing up in LA, and why he's closely tied to YG and his 400 label. We chopped it up with Slim to talk all of the above and more.
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Check out episode nine of the Yanadameen Godcast with Lord Jamar & Rah Digga. They talk gun control, review Nipsey Hussle's "Victory Lap" album and more.
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RiFF RAFF and DJ Afterthought stop by Sway In The Morning to talk about their recent signing with Beartrap Sound and the new music they are working on. Never one to shy away from the mic, RiFF RAFF takes on the 5 Fingers of Death once again!
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In this VladTV exclusive, Geto Boyz member Willie D speaks on what it’s like being in a rap group. He says the group is still together but they essentially break up when after doing shows. Willie D even recalls getting into a physical altercation with Bushwhack Bill.
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On this morning's Rumor Report, DJ Envy and Charlamagne Tha God talked about 50 Cent and Lloyd Banks not being on speaking terms, Max B possibly coming home this year and Quavo's alleged altercation with Eric The Jeweler.
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“Been a lot of places when I stare at the map,” Evidence rhymes on a song from his latest album ‘Weather or Not,’ “But never been to therapy—for me, that's rap.”
During a recent visit to MASS APPEAL HQ, the esteemed L.A. rapper and producer stopped by the studio for some real talk. "I think it’s therapeutic to rap," states Evidence, who recorded a very personal song after his mom passed away. “That song is what made me go solo,” he says of the track that was initially recorded for the last Dilated Peoples album in 2006. “It just felt weird putting it on there…. This song was out of place.”
Twelve years later Evidence has released another raw emotional track. “Now the mother of my son is fighting cancer,” he says. “If I just shut up all the way, I feel like I’m living a lie.”
When he started writing “By My Side Too” he wrote the first line—“My lady losing her hair.” When he told a friend about it, his friend said “Don’t write that, you’re gonna bum me out.”
Fortunately, he ignored that advice. "I just kept revisiting it, probably because I’m going to treatment with her every day.” The feedback has been powerful. “There’s a bigger reward for wearing your heart on your sleeve, than it is for keeping it covered up," Evidence says. "The payoff is way bigger than ‘I like how your syllables lock up!’”
The wide-ranging conversation touches on Evidence's come-up, starting with memories of living next to producer QD3 in Venice, California. “My introduction was through a producer’s eye," he recalls. "I got to see a record through.” Before long he started making his own beats because he got “a little bit frustrated calling other people for beats.”
Elsewhere in the interview, Evidence touches on the inspiration behind his "Weather Man" persona, and why he'll be abandoning that approach on his next album.
“I wanna be known as more of like a RZA or El-P or Kanye—someone who’s just automatically known as a double threat, someone who can make beats and can rap, who can do it all.” With that in mind, he's drawing inspiration from the classics. “I loved Mobb Deep’s second album,” he says. “Havoc did most of it. He shaped the sound of that record. That’s what I wanna try to do is find my own sound, not just do well on Premier’s sound, do well on Alchemist sound.”
One thing he's not about to do is chase current rap trends. “There’s a formula to make a record," Evidence observes. "It’s very known. It’s very easy to do. It’s pop music. If I liked that type of stuff I’d probably be a bigger artist. It’s just not fulfilling to me, so here I am.”
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(Washington Post) “The Shape of Water” dominated the nominations for the 90th Academy Awards on Tuesday morning, landing 13, one shy of the record. Guillermo del Toro’s grown-up fairy tale romance between a mute woman and a misunderstood aquatic monster is up for best picture, best director, best screenplay and acting awards for Sally Hawkins, Octavia Spencer and Richard Jenkins, in addition to a number of technical categories.
Not far behind was “Dunkirk,” Christopher Nolan’s war epic, which landed eight noms, including best picture, director (Nolan’s first for directing) and cinematography but no acting prizes.
“Three Billboards Outside Ebbing, Missouri” has been gaining steam over the course of an awards season that has seen it win big prizes at the Golden Globes and the SAG Awards. That movie, about a woman who takes on the police after the murder of her daughter, is up for seven prizes, including best picture, lead actress for Frances McDormand and two supporting actor nominations, for Sam Rockwell and Woody Harrelson.
The Oscars made history Tuesday morning with the nomination of “Mudbound” cinematographer Rachel Morrison. She’s the first woman to be nominated in that category.
Jimmy Kimmel will once again be hosting the ceremony — no doubt doing everything he can to make sure the correct winners are announced after last year’s “La La Land”–“Moonlight” debacle. We’ll see if he can pull it off March 4 on ABC.
The list of nominations for the 90th Academy Awards
Best picture
“Three Billboards Outside Ebbing, Missouri”
“The Post”
“The Shape of Water”
“Dunkirk”
“Lady Bird”
“Get Out”
“Call Me By Your Name”
“Phantom Thread”
“Darkest Hour”
Immediate reaction: Despite some controversy, “Three Billboards” is coming into the Oscars race with major momentum, after sweeping the SAG Awards and taking home the Golden Globe for best drama. But it has stiff competition from “The Shape of Water,” Guillermo del Toro’s fantastical romance, which is up for more awards.
Also notable: The nomination of Jordan Peele’s “Get Out,” which isn’t your typical awards contender. The sleeper hit horror film was considered by some to be a genre movie, which may be how it ended up nominated as a comedy at the Golden Globes. This nomination is a testament to its impressive genre-bending and satirical brilliance.
Best actress in a leading role
Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Saoirse Ronan, “Lady Bird”
Sally Hawkins, “The Shape of Water”
Margot Robbie, “I, Tonya”
Meryl Streep, “The Post”
Immediate reaction: Like the best actor race, this competition seems pretty much locked with McDormand taking home the award for her role as an enraged mother trying to get to the bottom of her daughter’s brutal murder. On Sunday, McDormand won the SAG Award for her portrayal, just weeks after taking home the Golden Globe for best actress in a drama. If there’s a long-shot to beat her it’s Saoirse Ronan, who took home the equivalent prize for comedy.
Best actor in a leading role
Gary Oldman, “Darkest Hour”
Timothee Chalamet, “Call Me By Your Name”
Daniel Day-Lewis, “Phantom Thread”
Daniel Kaluuya, “Get Out
Denzel Washington, “Roman J. Israel, Esq.”
Immediate reaction: We can call this race right now: Oldman’s portrayal of Winston Churchill — complete with major prosthetics and spot-on accent — is winning all the awards. Meanwhile, this is Day-Lewis’s last shot at an Oscar, supposedly. He has gone on record saying that “Phantom Thread” was his final film. This is his sixth nomination, and he’s won three. Meanwhile there was no love for James Franco in “The Disaster Artist,” despite the fact that he was a contender at just about every other awards show. Could this have something to do with the recent allegations of sexually exploitative behavior against him?
Best director
Christopher Nolan, “Dunkirk”
Guillermo del Toro, “The Shape of Water”
Jordan Peele, “Get Out”
Greta Gerwig, “Lady Bird”
Paul Thomas Anderson, “Phantom Thread”
Immediate reaction: Shortly after Natalie Portman poked fun at the all-male director lineup at the Golden Globes, the Oscars has responded with a much more diverse field. Gerwig is now the fifth woman to be nominated for best director, and Peele is the fifth black director. It may come as a shock that Nolan — the director of “Inception,” “Memento” and the “Dark Knight” trilogy — has never won an Oscar. Could this be his year, with his nomination for the war epic “Dunkirk”?
Actress in a supporting role
Allison Janney, “I, Tonya”
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”
Mary J. Blige, “Mudbound”
Lesley Manville, “Phantom Thread”
Immediate reaction: We can call this the battle of the moms, because the front-runners play searingly memorable mothers. This is Janney’s first Oscar nomination, and she’s the likely winner for portraying the brutal and vindictive mother of disgraced figure skater Tonya Harding in “I, Tonya.” But Metcalf certainly has a shot, as well, for her more nuanced role as the selectively compassionate matriarch in “Lady Bird.” Then there’s Mary J. Blige, who disappeared into her role in “Mudbound” as a wife and mother just trying to get by and keep her kids safe in the Jim Crow South.
Actor in a supporting role
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
Willem Dafoe, “The Florida Project”
Richard Jenkins, “The Shape of Water”
Christopher Plummer, “All the Money in the World”
Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”
Immediate reaction: There isn’t a lot of drama with these acting categories. Rockwell has won the Golden Globe and the SAG Award for playing a racist rube of a police officer in “Three Billboards.” Given that, he’s widely thought to be the favorite. One of the big shockers of the morning was the fact that his co-star, Harrelson, is also up for a prize. It’s also notable that Plummer made the list. The Oscar winner is up for “All the Money in the World,” a movie he joined after it was already shot — the result of director Ridley Scott deciding to replace Kevin Spacey after the actor was accused of sexual assault.
Best animated feature film
“Coco”
“Loving Vincent”
“The Breadwinner”
“Ferdinand”
“Boss Baby”
Immediate reaction: “The Boss Baby” again!? The movie also made a surprise appearance on the Golden Globes animation list, proving what a subpar year this was for animated features. Still, the absence of “The Lego Batman Movie” seems like a snub. As always, Pixar occupies one of the nomination spots, alongside a couple more artsy picks. If this award is based purely on technical achievement, then the drama “Loving Vincent” should have a fighting chance. Each of the film’s 65,000 frames is an oil painting, created by a classically trained artist mimicking Vincent van Gogh’s work.
Best adapted screenplay
“Call Me By Your Name,” James Ivory
“Mudbound,” Virgil Williams and Dee Rees
“Molly’s Game,” Aaron Sorkin
“The Disaster Artist,” Scott Neustadter and Michael H. Weber
“Logan,” Scott Frank, James Mangold and Michael Green
Immediate reaction: “Molly’s Game” marked Aaron Sorkin’s directorial debut. He wasn’t singled out in that category, but he appears here doing what he does best: writing. This is his third nomination, after having won once already for “The Social Network.” This is the lone nomination for “The Disaster Artist.” It will be vying against “Logan,” which is a bit of an outlier — it’s not often you see a superhero movie up for best screenplay. Although Rees didn’t make the cut for best director, she still got some love from the Academy for her impressive work adapting the screenplay from the novel by Hillary Jordan. Rees is the first black woman in 45 years — and second ever — to be nominated for a screenplay Oscar. The first was Suzanne de Passe for “Lady Sings the Blues” in 1973.
Best original screenplay
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh
“The Shape of Water,” Guillermo del Toro and Vanessa Taylor
“The Big Sick,” Emily V. Gordon and Kumail Nanjiani
Immediate reaction: There are a lot of familiar names on this list, as Peele, Gerwig and del Toro are all in the best director category as well. It’s a pleasant surprise to see the summer sleeper “The Big Sick” make the list after it was shut out during the Golden Globes. The romantic comedy is based on the real-life relationship of its husband-and-wife writing team.
Best foreign language film
“Loveless”
“A Fantastic Woman”
“The Square”
“The Insult”
“On Body and Soul”
Immediate reaction: “A Fantastic Woman” is getting the most buzz in this category. The Chilean film follows a transgender woman navigating the loss of her boyfriend. The big surprise here is the absence of Germany’s submission, “In the Fade,” which won the Golden Globe and made waves thanks to Diane Kruger’s powerhouse lead performance.
Best documentary
“Faces Places”
“Strong Island”
“Last Men in Aleppo”
“Icarus”
“Abacus: Small Enough to Jail”
Immediate reaction: It’s a shock that “Jane” didn’t make the cut. Brett Morgan’s film about primatologist Jane Goodall could have been the favorite to win. Its absence makes way for the French crowd-pleaser “Faces Places,” which follows the unlikely friendship of the 89-year-old director Agnes Varda and the young muralist JR during a road trip through rural France. Meanwhile, Netflix got a boost in this category thanks to nominations for “Strong Island” and “Icarus.” The streaming network was also behind the feature film “Mudbound,” which is up for four awards.
Best original song
“Remember Me,” “Coco”
“Mighty River,” “Mudbound”
“This Is Me,” “The Greatest Showman”
“Mystery of Love,” “Call Me By Your Name”
“Stand Up for Something,” “Marshall”
Immediate reaction: Benj Pasek and Justin Paul have a shot at winning this award two years in a row. The pair, which recently won the Golden Globe for “This Is Me,” also won the Oscar last year for “City of Stars” from “La La Land.” The nomination for “Mighty River” means that Mary J. Blige will be up for an award in two categories. The Grammy winner co-wrote the song with Raphael Saadiq.
Best cinematography
“Blade Runner 2049,” Roger Deakins
“The Shape of Water,” Dan Laustsen
“Dunkirk,” Hoyte Van Hoytema
“Mudbound,” Rachel Morrison
“Darkest Hour,” Bruno Delbonnel
Immediate reaction: There are two headlines in this category. The first is the fact that Morrison’s presence marks the first time a woman has been nominated for cinematography. The second is Deakins, who is up for his 14th Academy Award and has never won. Will this be his year? It’s certainly possible. His work on “Blade Runner” was stunning; plus it would be a long time coming.
Best production design
“The Shape of Water,” Paul D. Austerberry
“Blade Runner 2049,” Dennis Gassner
“Dunkirk,” Nathan Crowley
“Darkest Hour,” Sarah Greenwood
“Beauty and the Beast,” Sarah Greenwood
Immediate reaction: It’s hard to find much fault in this category where production designers created some memorable visual worlds. This is Austerberry’s first nomination, but he has a good shot for his work on “The Shape of Water,” recreating a midcentury America punctuated by fantastical elements. His big competition is from Gassner who has won once before, decades ago for “Bugsy,” and conjured up a stunning futuristic world with cities filled with fluorescent sensory overload alongside post-apocalyptic desertscapes.
Best film editing
“Dunkirk,” Lee Smith
“Three Billboards Outside Ebbing, Missouri,” John Gregory
“The Shape of Water,” Sidney Wolinsky
“Baby Driver,” Jonathan Amos and Paul Machliss
“I, Tonya,” Tatiana S. Riegel
Immediate reaction: This is a solid list, though it would have been nice to see “All the Money in the World” editor Claire Simpson in the mix. Her work may not have been as flashy as, say, Smith’s, but she managed to reedit all of the scenes with Kevin Spacey — who was replaced by Christopher Plummer — in just nine days.
Best original score
“The Shape of Water,” Alexandre Desplat
“Dunkirk,” Hans Zimmer
“Phantom Thread,” Jonny Greenwood
“Three Billboards Outside Ebbing, Missouri,” Carter Burwell
“Star Wars: The Last Jedi,” John Williams
Immediate reaction: There are a lot of usual suspects in this category, with nine-time nominee (and one-time winner) Desplat and 10-time nominee (and one-time winner) Zimmer, plus the legendary Williams of “Star Wars” fame. He’s already won five and could have easily been nominated for “The Post” as well. But this is the first nomination for longtime Paul Thomas Anderson collaborator Greenwood, who also happens to be a member of Radiohead.
Best visual effects
“War for the Planet of the Apes,” Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist
“Blade Runner 2049,” John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover
“Star Wars: The Last Jedi,” Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould
“Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick
“Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus
Immediate reaction: This is the category where the Academy spreads the love to some of the less typical nominees. There’s simply no other place where “Kong: Skull Island” would have a shot, but the movie impressively conjured up a land where massive beasts, monsters and gorillas roam. Most likely, though, the winner here will be “War for the Planet of the Apes,” which featured motion-capture performances from Andy Serkis and Steve Zahn that were so expressive that they made the ape characters more sympathetic than the humans.
Best costume design
“Phantom Thread,” Mark Bridges
“Beauty and the Beast,” Jacqueline Durran
“The Shape of Water,” Luis Sequeira
“Darkest Hour,” Jacqueline Durran
“Victoria and Abdul,” Consolata Boyle
Immediate reaction: Of course “Phantom Thread” would make the list. The movie follows a fastidious fashion designer who dreams up gorgeously lush dresses. Still, it’s sad to see that Katharine Graham’s caftan in “The Post” didn’t get a mention.
Best makeup and hair styling
“Wonder,” Arjen Tuiten
“Darkest Hour,” Kazuhiro Tsuji, David Malinowski and Lucy Sibbick
“Victoria and Abdul,” Daniel Phillips and Lou Sheppard
Immediate reaction: Gary Oldman is known for being a chameleon; still it was no small task turning the svelte actor into a corpulent World War II-era Winston Churchill for “Darkest Hour.” You can see why that movie is shaping up to be the front-runner.
Best sound editing
“Baby Driver,” Julian Slater
“Dunkirk,” Richard King and Alex Gibson
“Blade Runner 2049,” Mark Mangini and Theo Green
“The Shape of Water,” Nathan Robitaille and Nelson Ferreira
“Star Wars: The Last Jedi,” Matthew Wood and Ren Klyce
Best sound mixing
“Dunkirk”
“The Shape of Water”
“Baby Driver”
“Blade Runner 2049”
“Star Wars: The Last Jedi”
Best documentary short subject
“Heaven Is a Traffic Jam on the 405”
“Edith+Eddie”
“Knife Skills”
“Heroin(e)”
“Traffic Stop”
Best animated short film
“Lou”
“Dear Basketball”
“Negative Space”
“Garden Party”
“Revolting Rhymes”
Best live action short film
“My Nephew Emmett”
“DeKalb Elementary”
“The Silent Child”
“Watu Wote / All of Us”
“The Eleven O’Clock”
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Misty Velvet Dawn Spann was 25 years old when she married her mother Patricia Spann, 42, in Sept. 2016, according to Oklahoma District Court records. Misty now faces a 10-year deferred sentence after pleading guilty to that incestual marriage, according to CBS affiliate KOTV in Tulsa, Oklahoma.
The marriage was annulled six weeks later in the city of Duncan. Misty is now 26 years old.
Records show that the mother lost custody of her children -- who were adopted -- when they were little. KOTV writes that Patricia told investigators she and Misty "hit it off" when they were reconnected in 2014.
Records also state that Patricia thought the marriage was legal because her name was no longer on Misty's birth certificate.
KOTV points out that Patricia married her biological son in 2008, but that was annulled in 2010 after he called it "incestuous."
There is a trial set in January for Patricia. She's charged with incest.
Family members, including Misty's brother, spoke out about the controversial marriage to local media saying that she was pressured into the relationship.
"She forced my sister into this, there's a lot of people that know it," Cody Spann said. "For you to want to put your own daughter through this, what kind of person are you?"
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Remo The Hitmaker is back with another installment of his Freestyle Mondays video series. This time around the multi-talented singer/producer/songwriter goes in over Future's "March Madness."
Follow Remo on social media @RemoTheHitmaker
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Check out Charly Black's interview with DJ Thoro and Thisis50.
Charly speaks on his homeland of Jamaica, going diamond with his hit single titled "Gyal You a Party Animal" and more.
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French Montana appeared on The Tonight Show Starring Jimmy Fallon Tuesday, August 1st. He performed "Unforgettable." with Swae Lee and the Triplets Ghetto Kids dance troupe from Uganda.
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