Straight out of Cashville comes G-Unit's own Young Buck with a new song entitled "Fish Scale" featuring Cub Da Cookup Boss. Check it out up top.
Follow Young Buck on Twitter and Instagram @YoungBuck @Buckshotz
http://instagram.com/buckshotz/
Follow Me
 |
 |
 |
 |
 |
 |
Ca$his teams up with Emilio Rojas for his new single entitled "A-Rod." This is off of his forthcoming album, County Hound 3. The track was produced by Rikanatti and Lil Lyss.
Purchase it now from iTunes https://itunes.apple.com/us/album/rod-feat.-emilio-rojas-single/id943473675.
Follow On Twitter @TheRealCashis @emiliorojas @LilLyssOfficial @Rikanatti
https://twitter.com/LilLyssOfficial
https://twitter.com/therealcashis
https://twitter.com/emiliorojas
Follow Me
|
|
|
|
|
|
Here's another new song from Slaughterhouse emcee Joe Budden from his #SomeLoveSeries. The New Jersey native is giving fans a new song every week leading up to the release of his Some Love Lost EP on November 4. None of these songs will appears on the project.
"Dream On" was produced by Darknight and 8 Bars.
Download it for free here https://soundcloud.com/joebudden/dream-on
Follow Joe Budden @Joe Budden on Twitter and Instagram
http://instagram.com/joebudden
Follow Me
|
|
|
|
|
|
Joe Budden is releasing a new song every week as part of his #SomeLove Series. This is leading up to the November 4th release of his Some Love Lost project.
The 2nd leak is entitled "Devil in My Room" featuring Joe's Slaughterhouse partner in rhyme Crooked I. Produced by Darknight and 8Bars. Download it for free here https://soundcloud.com/joebudden/devil-in-my-room-feat-crooked-i.
Follow Joe and Crooked I @JoeBudden @CrookedIntriago on Instagram and Twitter
https://twitter.com/CrookedIntriago
http://instagram.com/mrcrookedi/
http://instagram.com/joebudden
Follow Me
|
|
|
|
|
|
After reuniting at Hot 97's Summer Jam on Sunday, June 1, 50 Cent, Lloyd Banks, Tony Yayo, Young Buck and Kidd Kidd, together known as G-Unit, are right back with a fire track. The group borrow's Hit-Boy's instrumental to "Grinding My Whole Life" and flip it into a new heater entitled "Talkin Bout."
Download it here http://linkmixes.com/1b0h1ym9mphk
Follow G-Unit on Twitter, Instagram, Facebook, YouTube and Thisis50 - @50Cent @TonyYayo @LloydBanks @ItsKiddKidd @YoungBuck
https://www.facebook.com/50cent
https://twitter.com/ItsKiddKidd
https://www.facebook.com/RealKiddKidd
http://www.thisis50.com/profile/tonyyayo
http://www.thisis50.com/profile/KiddKidd
http://www.thisis50.com/profile/LloydBanks
http://www.thisis50.com/profile/50cent
https://twitter.com/Lloydbanks
https://www.youtube.com/user/lloydbanks
https://www.youtube.com/user/50CentMusic
https://www.youtube.com/user/Thisis50Interviews
https://www.youtube.com/user/ItsKiddKidd
Follow Me
|
|
|
|
|
|
G-Unit is not slowing down as they celebrate their reunion. 50 Cent, Kidd Kidd, Lloyd Banks, Young Buck and Kidd Kidd hop on Drake's "0 to 100" track and flip into a song they call "Real Quick."
Download Here https://soundcloud.com/50_cent/g-unit-real-quick
Follow G-Unit
Follow G-Unit on Twitter, Instagram, Facebook, YouTube and Thisis50
@50Cent @TonyYayo @LloydBanks @ItsKiddKidd @YoungBuck
https://twitter.com/50cent
https://www.facebook.com/50cent
http://instagram.com/50cent
https://twitter.com/ItsKiddKidd
https://www.facebook.com/RealKiddKidd
https://twitter.com/youngbuck
http://www.theyoungbuck.com/
https://twitter.com/TonyYayo
http://www.thisis50.com/profile/tonyyayo
http://www.thisis50.com/
http://www.thisis50.com/profile/KiddKidd
http://www.thisis50.com/profile/LloydBanks
http://www.thisis50.com/profile/50cent
https://twitter.com/Lloydbanks
https://www.youtube.com/user/lloydbanks
https://www.youtube.com/user/50CentMusic
https://www.youtube.com/user/Thisis50Interviews
https://www.youtube.com/user/ItsKiddKidd
Follow Me
|
|
|
|
|
|
Here is the official music video for 50 Cent's new single "My Life" featuring Eminem and Adam Levine. The song is off of 50's upcoming Street King Immortal album, which will be released on February 26, 2013.
Download the single now on iTunes https://itunes.apple.com/us/album/my-life-feat.-eminem-adam/id577670921?ign-mpt=uo%3D4
Slaughterhouse emcee Joell Ortiz continues his assault on other rapper's instrumentals. On this go around Joell puts his own spin on A$AP Rocky's "Fucking Problem."
Kidd Kidd is next up to bat to G-Unit 2.0. Fellow Rida Gang member Precious Paris made her presence felt when she dropped her From Paris with Love mixtape earlier this year. Now Kidd Kidd will be releasing his Street Fame mixtape in November.
The first single off of the tape features former Hot Boys rapper Juvenile.
Follow Kidd Kidd on Twitter @ItsKiddKidd.
Like him on Facebook
Slaughterhouse drops another track off of their upcoming Gangsta Grillz mixtape. This one is a 14-minute long gem.
The group's album welcome to: Our House drops on August 28th.
New fire off of 50 Cent's upcoming Gangsta Grillz mixtape "The Lost Tape," dropping May 22.
Shortly after announcing that he had left D12, Mr. Porter aka Kon Artist wanted to lighten the mood so he let loose this gem via Twitter.
A solo project entitled The Memo will be dropping later this year.
Written by @thisisdscott of Complex
Exactly nine years ago today—on February 4th, 2003—approximately 400,000 people made their way to a record shop (Apple’s iTunes Music Store wouldn’t open its digital doors for another two months) and laid down their hard-earned ducats for 50 Cent’s major label debut, Get Rich or Die Tryin’.
By the end of that week, the Jamaica, Queens native would move over 872,000 units, entering at the top of the Billboard Albums chart. By the end of 2003, the RIAA reported six million sales of the album that earned five Grammy nominations, including Best New Artist and Best Rap Album. It was kind of like a big deal.
This was due in large part to the fact that 50 Cent himself had become such a huge deal. Nearly a decade after the deaths of two of hip hop’s biggest and best, 50 was presented as a hybrid of Biggie and Pac. Like the Notorious one, he started selling drugs at a young age on the streets of NYC. He took to rapping, seeing it as a way to turn his misery into monetary gain. The late, great Jam Master Jay taught him how to count bars, craft choruses, and make a song.
Like Tupac Amaru, 50 had no qualms about saying exactly what was on his mind regardless of who it might offend. An early hit was the beef-baiting “How to Rob” which, as the title suggests, had 50 detailing how he would relieve famous rappers—Jay-Z, DMX, Puffy and others—of their belongings. Also like Pac he was marked for death.
In 2000, as he sat in the back seat of a car in front of his grandmother’s house, he was shot nine times at close range. His story was mythical and marketable, and it ushered in a new hyper-gangster era of rap, where just talking about past wars wasn’t enough. You had to have the battle scars the prove it. As Jimmy told Nucky in the first season ofBoardwalk Empire, it was no longer enough to be a “halfway gangster”.
The rest of the legend is well known: Soon after his witty and brazen independent album Guess Who’s Back? fell into Eminem’s hands, Fif was signed to a $1 million deal with Shady/Aftermath. This process of making yourself hot in the streets with self-produced mixtapes that led to major label deals would become the blueprint that all new rappers would follow.
Get Rich or Die Tryin’, was the perfect storm. Like many other rap classics, it was created in a blur—seven songs in five days with Dr. Dre producing four, Eminem doing two, and the rest handled by a variety of relatively known but highly effective beatsmiths. The impeccable production served as the perfect backdrop for 50’s harrowing hood tales. Like 50’s flow, the production was region-less. There was no boom-bap or carefully chopped soul samples put on a dusty loop.
It sounded like no other New York rap album—or any other rap album for that matter. When 50 calmly says, “God’s on your side? Shit, I’m a-ight with that, ‘cause we gon’ reload them clips and come right back,” on “Heat,” before matter-of-factly adding, “Don’t think you safe ‘cause you moved out the hood, ‘cause your momma’s still around, dog, and that ain’t good,” the gunshot snares and funeral-service organs, make it all seem like a movie. Only it wasn’t.
The most remarkable thing about Get Rich was the light 50 shined on himself and his hood. He wasn’t rapping from the viewpoint of an observer; he was the protagonist of each tale. His rhymes, drenched in anger and anguish, were ones that dudes still clawing their way out of the gutter could relate to. Just as he had years earlier on “Ghetto Quran,” 50 gave the listeners access to a world most people only read about or saw on the nightly news.
If “Many Men (Wish Death)” had been made by any other rapper, the words, “Homo shot me, three weeks later he got shot down / Now it’s clear I’m here for a real reason, ‘cause he got hit like i got hit, but he ain’t fucking breathing,” would be taken as nothing more than clever storytelling. But on Get Rich everything was taken at face value. Fifty’s currency was realness, and he had it by the boatload.
But there was another side to 50 Cent. A side that that fully understood the mechanics of selling records. 50 wasn’t as unhinged as DMX. He was incredibly focused and measured in his savagery, making him sound even rawer than Jay-Z or Nas, something more akin to Kool G-Rap. Even with his unapologetic lyrics, the songs were tailor-made for radio with sticky choruses and polished production.
The album’s breakout Dr. Dre-produced single, “In Da Club.” was a juggernaut of a record that stayed at the top of theBillboard charts for nine weeks. It transcended rap and became a pop staple. When Ice Cube and Ludacris took Oprah to task for not supporting hip hop, the talk show queen called up Power 105.1 to clear the air, saying that she occasionally listened to “In Da Club” on her iPod.
Even after ridiculing Ja Rule for his thug-love music, 50 wasn’t above dabbling in love and hip hop himself with the album’s third single, the Nate Dogg-assisted “21 Questions”. It was as if Fif did these songs just to show that he could; to show that he could do anything he pleased.
Music, like all things, is cyclical. Trends and tastes ebb and flow. But certain records stand out as landmarks. Get Rich or Die Tryin’ marked the end of slick, flashy ladies-man rappers and cleared a space for new voices like Young Jeezy who saw rapping as a way to turn their misery into monetary gain. But what was once novel eventually becomes commonplace. Looking to replicate 50’s success, copycat killers began popping up pushing unbelievable stories in an attempt to out-gangster one another. After 50's debut, crack rap hit a wall. It was a time for a change, which Kanye and Young Money would soon provide. But for that moment nine years ago, before blogs became tastemakers and the streets made hits, 50 Cent was the only thing that mattered.
50 Cent "Heat"
50 Cent "If I Can't"
50 Cent "Back Down"
50 Cent "In Da Club"
50 Cent "Many Men"
50 Cent "21 Questions" ft. Nate Dogg
Follow Me
 |
Lloyd Banks comes back with a ridiculous banger "Jackpot," produced by Jahlil Beats. If you thought G-Unit was dead......think again!
}