Shady (395)


01. BloodyChuck & Ca$his – Intro
02. Ca$his – Get Loose (Prod. By Sarom)
03. Ca$his – Choppen On Ya Block (Prod. By Rikanatti)
04. Ca$his – Hip Hop (Prod. By Rikanatti)
05. Ca$his – Smoke Session (Prod. By Rikanatti)
06. Ca$his – Sumthin You Said (Prod. By Rikanatti)
07. Ca$his – Ur Outta Here (Prod. By Rikanatti)
08. Ca$his – Bigga Than Me (Prod. By Rikanatti)
09. Ca$his – Here We Go (Prod. By Rikanatti)
10. Ca$his – Just Another Day (Prod. By DJ Khalil)
11. Ca$his – Let U Live (Prod. By Rikanatti)
12. Ca$his – Take You Home (Prod. By Rikanatti & Steve Dang)
13. Ca$his – 9 Six Shit
14. Ca$his & Carlito Rossi ft. Chamillionaire & BloodyChuck – What Up (Prod. By Rikanatti)
15. Ca$his ft. Kobe – No Time To Relax (Prod. By Top Flight)

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Videos After The Jump

Eminem stopped by Le Grand Journal and blessed the audience with a bit of the old and new.

Slim performed the classic track "Stan" as well "Forever" and his new single "Not Afraid" off of his highly anticipated new album 'Recovery'.

'Recovery' hits stores June 22.

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Eminem "Not Afraid" Live


Eminem "Stan" x "Forever" Live
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Video After The Jump

Brooklyn's Joell Ortiz has linked up with Jim Jones and dropped visuals for their remix of Lloyd Banks smash hit "Beamer, Benz Or Bentley".

The Slaughterhouse MC cleverly flipped the song into the hilariously titled "Nissan, Honda, Chevy".

This was initially a solo freestyle by Joell before Jim Jones heard it and decided to hop on it.

Check it out below.

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01. Intro
02. You Ready? (prod. Silent Riot)
03. Ask About Me (prod. K.I.D.D.)
04. Jive Sucka
05. Gun Game Freestyle
06. Diamonds and Gold f. Mr. Porter (prod. Mr. Porter)
07. Bury Me a G Freestyle
08. Hurry Up and Buy (prod. Mr. Porter)
09. Think U Tuff f. Maestro (prod. K.I.D.D.)
10. Die Young (prod. Mr. Porter)
11. The Same Thang f. (Bizarre\Big Dame)
12. Intermission/It’s On Freestyle
13. Clyde The Glyde (prod. Mr. Porter)
14. Strong Arming pt.1 f.Marv Won (prod. Salam Wreck)
15. Where The Heart Is (prod. Mr. Porter)
16. Killem All! f. Swifty McVay (prod. Dubb)
17. Ghost of Pussy Past
18. Just Thoughts (prod. Salam Wreck)
19. Money Clip f. Royce Da 5′9″ (prod. K.I.D.D.)
20. Rondell’s Beat Tape (Skit) f. Eminem
21. One More Step Freestyle f. Beez
22. Retribution (prod. Salam Wreck)
23. Outro

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West Coast super lyricist Bishop Lamont has finally confirmed the rumors. He is no longer a part of Aftermath Records. It was an amicable split with Dr Dre allowing Bishop to leave with 700 plus mastered songs. So expect to see his long awaited album "The Reformation" sometime in 2010. Bishop sounded upbeat in a call placed into The All Out Show with Rude Jude and Lord Sear on Shade 45 radio yesterday (Saturday January 9th). He jokingly referred to himself as a prisoner who has finally been freed. After nearly five years signed with Dr Dre he felt it was just time to move on. Bishop follows the departures in the last several years of artists like Joell Ortiz, Marsha Ambrosius, Dawn Robinson, King Tee and Rakim who were all at one point signed to Aftermath, but never released an album while there. Raekwon was supposed to release 'Only Built For Cuban Linx II'. through Aftermath in 2007, but eventually put it out through EMI in 2009. In Bishop's situation, he seems to point the finger at Interscope Records as the underlying reason his project never saw the light of day. Saying he couldn't get the budget to shoot a video for his Dr Dre produced buzz single "Grow Up" as well as other songs. The Aftermath roster currently looks something like this. 50 Cent, Eminem, Hayes and Slim Da Mobster (who is also signed to Shady Records & G-Unit Records). Meanwhile, Bishop just left New York where his is talking to various labels about a new record deal. Follow Me @Twitter.com/ChasinMoPaper
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jeezywebiblog126.jpg January 16, 2010 Phil Cardona, Shuga Shady, and The Miami Group presentRoom Service Saturdays at Club B.E.D Miamihosted byGrammy Nominated & Multi Platinum Recording ArtistYOUNG JEEZYANDMurph's Mixtape Release PartyRoom Service Dinner Party 8PM-11:00PMLadies 'Free' until 12:30pm with RSVPOpen Bar 11pm-12pm------B.E.D.beverage.entertainment.dining929 Washington Avenue, South Beach305.532.9070
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Video After The Jump Bobbie Davis, the owner of the Shady Lady Ranch Brothel is looking for a few good men. She wants to make history and become the first brothel to "service" both women as well as men. In Bobbi's words: "There are a lot of women that are just dogs and are looking for a good time and don't want the commitment" She says she already has 150 applications from men around the country who would like the job. Initially, she plans on hiring two "studs" and expand from there depending on how well things go.

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With the close of the decade here, there is no shortage of “best of” lists reviewing top achievements throughout the pop culture landscape. But when it comes to most noteworthy music of the ‘00’s, one album that has been showing up on just about everyone’s list is 50 Cent’s 2003 debut Get Rich Or Die Tryin’. The seminal release, which has to date sold over 12 million copies worldwide, transformed the troubled Curtis Jackson, a former Queens, New York drug dealer and local mixtape favorite, into one of the biggest musical acts on the planet. Propelled by the hypnotic Dr. Dre-produced anthem “In da Club” and the backing of hip-hop’s paramount seller Eminem (50 was the first artist signed to Em’s Shady Records, which released the project jointly with Dre’s Aftermath Records), Get Rich represented more than just a commercial triumph. It was a cultural landmark that gave East Coast street rap a fresh platform, opening up a new world for the unlikely entertainment mogul. Looking back on the album, 50 Cent has a more personal attachment to Get Rich or Die Tryin’. “With Get Rich I had so much to prove on that album,” recalls the rapper who dropped his fourth studio album, Before I Self Destruct, in November. “Everything had to be perfect in my head. I wanted to make sure that everything I said captured my true feelings at that time. I just felt like it was God’s plan to be where I was at. My mind frame at that point was the music. Anything that would have come in my way at that point I would have removed it the best way I know how. The ‘hood teaches you to do it in a way that’s not sensible.” One of the aspects that made critics take note of 50 Cent was his surprising vulnerability, a trait that you would not normally associate with a combative, controversial artist who has been involved in high profile verbal sparring with everyone from Ja Rule, Jadakiss, and Game to Kanye West, Rick Ross, and most recently, Jay-Z. But 50 insist he was just keeping it real. “A lot of rappers don’t write about their fears or point out where they didn’t get the best of a situation,” he says. “So the first time I experimented with it was with songs like ‘Many Men.’ I’m telling folks that there is blood in my eyes and I can’t see. I’m hurt at that point. I’m vulnerable.” Yet, after Get Rich, 50 Cent’s life would never be the same as his success spun off a multi-million dollar label (G-Unit Records); a successful G-Unit clothing line; a major film (2005’s Get Rich or Die Tryin’); and a stable of platinum acts (a crew that included Game, Lloyd Banks, and Young Buck). But even as the commercial muscle has dramatically declined for 50 Cent, the spitter insists that he is still the same hungry kid who made the music world take notice. “That’s what people want from me…. to give them the real shit,” he says. “That’s a part of me. It’s necessary to have aggression to survive but that’s not all of me. There’s so much more.” Source: Vibe.com Follow Me @Twitter.com/ChasinMoPaper
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