In 1995 when Suge Knight bailed Tupac Shakur out of Clinton Correctional Facility while he appealed his rape conviction, he also signed him to a deal with Death Row Records.
At the time the label was co-owned by Dr. Dre and Suge.
There were rumors of tension (although never confirmed) among some artists at the label because 'Pac instantly became it's biggest star.
50 Cent recently weighed in on the situation. Because Dre was unhappy at the time and Suge was desperate to make sure he held onto 2Pac, 50 believes Suge was plotting against his business partner.
"Suge was gonna kill Dre," theG-Unitmogul said viaHipHopDX.
"How do I keep [2Pac]?" 50 said of Suge's possible thought process at the time.. "Maybe I'll give him Dre's half. I don't know. Something might have to happen to Dre."
Luckily, we'll never know what Suge had planned because Dre walked away to start his own label, Aftermath.
The "My Life' rapper went on to say that he and Dre are not as close as they once were.
"I don't call to talk to him for no reason," 50 continued. "I think that relationship was business. For a long time, I was a New York Knick player in the middle of the LA locker room. Interscope was the West Coast when it was East Coast-West Coast going on, and I never really saw them respond properly to Game's disrespect when it happened 'cause they had some sort of allegiance to the West or something. I was like, ' You know I wrote the records?' Overall, I think the disconnect between me and Jimmy created the distance between me and Dre."
Tony Yayo chimed in on the Dre situation. In his opinion the producer wasn't loyal to G-Unit, even after they fought off his attacker at the 2004 Vibe Awards.
"We beat somebody up for Dr. Dre," Yayo said. "I could say it now. No disrespect to LA, but it was a whole bunch of New York dudes beating somebody up for Dre. He's cool. I like his music and everything. I just feel when you beat somebody up I feel like they owe you a little bit."
What's your take on G-Unit's relationship with Dr. Dre? And the idea that Suge was plotting Dre's demise?
During 50 Cent's recent conversation with DJ Self he explains why he's become a fan of Troy Ave's music and talks about Chris Brown becoming a father.
"I've seen [that kind of situation before]. That's a stick up," 50 said about Chris Brown's situation. "Whenever you see it public without the man that is actually generating the interest [talking about it] then you know what that is. You know where that's coming from and it's not a positive place because it could be dealt with [privately]. Really what we're talking about is a car note. And you're traveling so you don't get to drive that car. That's what that is, child support."
G-Unit is making the promotional rounds to promote their Beast Is G-Unit EP. Angie Martinez invited 50 Cent, Lloyd Banks and Tony Yayo to the studio to chop it up.
Everybody took shots of Effen Vodka, including 50 Cent. Talked possible 'Get Rich or Dyin 2' movie, His youngest son Sire being the face of a kid's company, problems with his oldest son Marquise, their fast transition to success, not letting money change them, 50's taste in women, Vivica Fox, Ciara, Chelsea Handler, season 2 of Power, Frigo deal, was 50 a bully on the block in Queensbridge?
2Elevenis back with his lyrical ski mask and gloves preparing to release a new EP entitledThe Robb Report. He calls on producerLexi Banksfor the lead single off of the project,"Promise."
The fight that everyone has been hoping to see will finally go down on May 2nd at The MGM Grand Garden Arena in Las Vegas.
Floyd "Money" Mayweather Jr. and Manny Pacquiao will step into the ring to settle once and for all who is the best pound-for-pound boxer in the world today.
50 Cent offered his opinion on the fight and his current relationship with Floyd while chatting with EntScoop.
"It's the biggest fight we can make right now for the sport of boxing," 50 said. "Champ, like I've said consistently is like my younger brother. I actually ran into him recently at the Chris Brown concert. He came and we talked a little bit. Even if I was angry with him, in the heat of that I would stop in the middle of a fight this big. I should be out there."
Here's DJ Whoo Kid's highly entertaining interview with NEHipHop.
After sponsoring his show at Goodlife Bar in Boston last Saturday we had the chance to conduct an interview with DJ Whoo Kid that is without question the most honest, blunt in your face conversation we have captured to date.
In it he starts off talking about his events with Diddy and the hilarious "fountain of youth" Diddy has discovered. Next up Whoo Kid tells how he got Young Buck into the G-Unit reunion, how he'd like to get The Game back and announces upcoming solo work with each of the individual members. From there he goes on to explain how important he finds it to be diverse not only with the music he's involved with but also with the guest on his radio show - even going as far as to tell us never before heard trade secrets.
After explaining how he keeps his interviews interesting and gets starts to open up in a different way Whoo Kid tells why hip-hop is full of liars, how hip-hop is an illusion, how lying helped get him to where he is in his career and how he learned from Russell Simmons, Lyor Cohen and Jimmy Iovine. Before checking out Whoo Kid details his use of social media, how world travel taught him the ignorance of monogamy and the nick name Chaka Khan gave him. At 18 minutes this interview flies bad as it's incredibly entertaining. Enjoy!
Bobby Shmurda called back into Hot 97 from jail on Thursday, March 5, to finish a conversation that was abruptly cut off last week. Today he had his GS9 partner Rowdy Rebel there with him.
Both said they're not getting any support from Sony or Epic Records. Bobby clarified that the guy saying he's his uncle really isn't related to him and is a fraud, says he's been trying to get in touch with 50 Cent to manage him, has to get money from his mom for commissary because his GS9 affiliate Abillyon went ghost on him and more.
Brooklyn, New York emcee Papoose is back like her never left. He decides to snatch Meek Mill's"Monster" instrumental and make it his. The track was produced by Meek's go-to beat maker Jahlil Beats.
Follow Papoose on Twitter and Instagram @Papooseonline @Papoosepapoose
The Manny Pacquiao vs. Floyd Mayweather fight is already drawing early interest from those interested in making a buck on the fight.
Sports Illustrated estimates that as much as $50 million could be legally wagered on the fight.
50 Cent talks about betting on the Floyd Mayweather Jr. vs. Manny Pacquiao fight at the 40:00 minute mark.
One person who is betting big on Mayweather is 50 Cent. He told The Breakfast Club he's putting up $1.6 million on his "baby brother" Floyd to win.
"I got champ. Champ gon' smoke 'em," 50 said. "
Vaccaro's South Point sports book favor Mayweather at -200, while Pacquiao stands at -170. Vaccoro added that they've never seen this amount of betting two month prior to a fight.
When it comes to lyrical ability Ma Barker takes a back seat to nobody. Carrying New York City on her back, the ex-wife of rap legend Kool G. Rap and CEO of Gwap Girls Ent. remixes Jay's 2004 smash hit single, "99 Problems," for her latest music video.
Visuals directed by D Lake.
Follow Ma Barker On Twitter @TherealMaBarker, Instagram @IAmMaBarker and YouTube
A decade ago 50 Cent released his second solo album entitled The Massacre. Right out of the gate the album was an incredible success, selling over 1.14 million copies in its first week.
Led by the hit singles "Candy Shop," "Just a Lil Bit," "Disco Inferno" and "Outta Control," The Massacre went on to sell more than 13 million copies worldwide.
On August 25, 2005, 50 released a special edition of the album which included a music video for every song and included the remixed version of"Outta Control"featuringMobb Deep.
The G-Unit leader sat down with XXL to talk about the album. Check out the interview below.
XXL: The Massacre was your second album, coming off the biggest debut for a rapper in history. What was your mindset when you got back in the booth to start working on the followup to Get Rich Or Die Tryin’? 50 Cent: The first record that I wrote that was supposed to be my second album, I did it so fast. It was like three days, over a weekend. I recorded 12 records, but they were all two verses. They were incomplete songs and I knew I had to go back to come up with something to bring the lyrics all the way to standard, but I got what I was trying to get out. The concepts where there, the choruses were playin’, the outline for the album was there. But it had happened so fast that I was like, maybe I should just keep writing. It’s always good to keep writing until you actually meet the deadline, but I ended up flying to Los Angeles because [Interscope boss] Jimmy [Iovine] wanted to meet with me. They wanted to see if I would work with this other artist that Dre was working with, which was Game. And they said, “The kid can rap, but he’s not a great songwriter.”
My song structure is the strongest portion of my writing habits. I learned to count bars and write music under Jam Master Jay. And because he was a producer, it was a consistent thing; it was like, training an artist to be a songwriter for other people, the way a songwriter would approach the studio like, “Every night let me write a few songs, two or three songs.” But I’m doing it for myself as an artist. A lot of the time the songwriters who are really talented get more excited about the person they’re writing [for] than they are about themselves. So they can write a hit record for Beyonce or for Usher but they ain’t gonna write that when it come time for them to write for themselves. And I was always intending to write music for me. So it just locked in.
When Jimmy called for me to do it I was like, “Alright, cool, I’ll fix it,” and I gave it [to Game]. I only worked with him for about, I think, four days. ‘Cause I had this album already planned so I was like, “Yo, just do this.” And one by one he went through, ’cause he can rap; he wrote the verses and stuff. And when I got back the only one that wasn’t done was “How We Do.” ‘Cause Dre produced that one, and when I got the record I made “How We Do,” but I was making it for me. And Dre, he got a problem with pushing the button; like, he won’t push the button for his artists for Lord knows how long they’ve been sitting there. He had Joe Beast, he had Brooklyn, Bishop Lamont, Rakim, Busta Rhymes, Raekwon. Slim The Mobster. None of them got out. He was in love with “How We Do” and I was like, “Yo, I’ll give him that if you put it out right now.” And we just put it out. Put it together. Sold about five million records for Game’s album [The Documentary] and then I came back.
I had to go re-write The Massacre, too. I was approaching The Massacre initially without writing anything sexual on the record. I was giving them “Hate It Or Love It” and these other things that didn’t have any sexual energy to them. Before I Self-Destruct was aimed at the street; I was making a street record. I wanted people to embrace it, but I’m making what I want to make, creatively. So that record is harder. The Curtis album is more like my actual personality. I did things creatively, I collaborated with people, worked with them. Me and Justin, No. 1 records, “I Get Money” and different things.
G-Unit was expanding at that time, too, with Mobb Deep, M.O.P., Olivia… Right. G-Unit was already built, but those new additions were coming. I was building the aura of a company instead of 50 and his homeboys, you know what I mean? Like, D-12 grew up and was around Em prior to his career; those were his friends, so they received the opportunity based on them being friends. And the same for the St. Lunatics, and I point out Nelly because Nelly sold seven million records. That wasn’t no chump change, that was a big album, Country Grammar. The largest debut album prior to [Get Rich] was Snoop’s Doggystyle. And coming off of Get Rich Or Die Tryin’, the first record that I wrote, I didn’t give it to Game. It was “God Gave Me Style.” And I wrote that record because in 2003 if you asked me to make a wish, the only thing I’d ask for was for that record to be a success. Get Rich Or Die Tryin’ meant everything. You see what I’m sayin’?
And as it were, I actually went to my grandmother. I played my grandmother the song. It was the first time I was able to play her a record without kind of cringing. My whole life I had to be two people; I had to be 50 Cent outside and then I had to be Curtis inside with my grandmother. Some of the stuff that I say on the records are 50 Cent lines, and my grandmother looks at me and goes, [Pauses] “Where’d that come from?” So when I played that one she was like, “I like that one. Wow, you done made one for me.” [Laughs] Then she said, “Don’t forget why people like you.” She said, “I know what you’re doing, I know why you’re writing it, but don’t forget why people liked you to begin with.” And I was like, “Oh, shit,” and then next record that I wrote was “Curtis 187.” It was back to the darker [side]. And this is what they always want from 50 Cent.
You could get a "21 Questions" from Drake right now. He’d give you a dope one, some really dope shit. You can get that kinda content on other artists’ albums that we know do that particular style very well. And predominantly they’re that. And for me, there’s things that will get a little darker or harder, now a little more business-oriented, different things that you wouldn’t get from that other guy, you know what I mean? And it’s cool.
At that period… This is what people don’t know. I had a conversation with Jimmy Iovine. Jimmy said, “Wow, fuckin’ amazing. I don’t know how this has so much magic.” Talking about when music connects like that, to that level where everywhere you go, you can spin the globe and anywhere you stop you could say, “50 Cent,” and people would say, “Hell yeah, I like that.” It’s just worldwide. Everybody just likes the idea or the concept of the creator.
Now, you know, the climate has shifted so dramatically. I was hustling before the music started. And when I stopped hustling [the neighborhood] didn’t really understand. They were like, “What? You gonna rap? Whatchu gonna rap about?” I said, “‘Bout what we be doin’.” And they like, “Ugh, I don’t know if that works.” ‘Cause the rappers that they knew in the neighborhood were career rappers like [Mr.] Cheeks. He rapped since we knew him, period. We knew him for rapping, that’s it. So they were like, “Are you sure you can do that shit?” Like, they’d go in the spot and rap until you’d want to ask them, “Please get off the microphone, please go back and sit your ass on the side with everybody else and let’s just party. Play the records.” And they’d just keep kind of going and going and going. But I was already at the roof of what I could get out of the neighborhood. And I knew what come next, ’cause they gotta start trying to get you after that.
There’s only two ways that can go after that. Yeah. So I’m lookin’ at that, and [rap] was a thing that I had passion for that I could put all of my energy into. And it worked. Particularly [with] The Massacre, I had a lot of fun on that record. I had “Ryder Music.” This was my way of doing a soulful song without actually… Like, now the artists are singing. I’m so happy I can say this now; that shit that they’re doing now is singing. What I was doing back then was holding melodies, and it’s all flat monotone in my speaking voice; it’s Donnell Jones, “Oooh, say what say what say what,” it’s not muthafuckin’ Keith Sweat cryin’ and singin’.
These niggas hittin’ notes now. It’s a whole other thing going on. I enjoy it. They’re using street content. Our formats are merging. Nobody’s paying attention to it, but R&B and hip-hop are one thing.
That’s why we had R&B on our Freshmen cover last year; the line has blurred more than it ever has. Yeah. And when you got artists like Chris [Brown], young male solo artists are hip. So they’re writing content that matches the lifestyle. It’s coming in and it’s actually effective, it’s working. The shit Trey [Songz] is doing is dope. Jeremih is one of those guys, he’s the sleeper, he’s the one who’s gonna get there whether people want it or not. "Down On Me,” there was no reason for me to do the record, they couldn’t pay me. I did the record because I knew what he was gonna be. Ask YG; I did his first record, "Toot It," because I knew what he was gonna be. You see what I’m saying? It takes time for an artist to develop.
A big window of time, if you was in love with hip-hop, you know who you saw right at the head of it with no confusion at all. I don’t think [new artists] can be like 50 Cent. I don’t think they’ve been forced to be under as harsh circumstances as I’ve been under. So they can’t beat me at what I was doing at that point. That was me being me; there’s people who can be better at you than things, but not better than you at being you.
So the initial basis of The Massacre was given to Game for The Documentary. Right; that was my first shot at The Massacre. And then I came back around and I wrote “Ryder Music” and I wrote pieces that I felt like were… I make music that’s personal and then the depth of the storytelling becomes next level. Like, some of those things Drake is telling you on those records, he experienced. Some of it is good writing but the other shit is part of his experience, because he wouldn’t have those details he has in it in his process.
And that leads to somebody finding the girl who worked at the Hooters on Peachtree in Atlanta. Right, that he knows. Yeah, it’s real shit. The process is a beautiful thing when you can look at it and see it and appreciate it. ‘Cause I had the opportunity to take a step back and watch it. And I see where it’s going. It kind of got to “Kumbaya, my Lord,” like everybody was trying to be friends by the fire. Our culture is competitive, it’s not everybody friends by the fire. You haven’t even heard artists have a dispute. If they do, it’s a couple punch lines and then they disappear, everybody fades; it’s so subtle. Don’t think they all like each other, ’cause they don’t.
Jay Electronica doesn't drop new music as often as fans would like, but when he does it's always something meaningful. Here's a song entitled "Road to Perdition" featuring a Jay Z voice sample.
Follow Jay Electronica and Jay Z on Twitter @JayElectronica @S_C_
Dark Lo Tha Crook is simply killing everything moving musically. The Original Block Hustlaz recording artist just re-released released his Ron Harvey Jr. project with five bonus tracks. "Gambling Spot" and "Old Money" are two of the five.
Purchase Ron Harvey Jr: Reloaded now from Amazon and iTunes.
Posted by ChasinDatPaper on February 27, 2015 at 12:05am
Video After The Jump
Given his close affiliation with Prodigy and Havoc of Mobb Deep, it's only fitting that Nyce Da Future pay tribute to the most infamous duo by remixing their 2004 banger entitled "Amerikaz Nightmare" with assists from two of his Nueliphe World partners in rhyme, Kay 1Ner and Mic Check.
The video was shot, directed and edited by Fes Taylor for Black Out City Films.
50 Cent is amazed at how much Empire copied from his show Power. While he's happy to see it doing well because of his relationships with actor Terrence Howard and musical director Timbaland, he couldn't help taking a slight jab at it.
“It’s like “Glee,” with a little hip-hop music in it," he joked.
50 said he might have to catch up with Taraji P. Hensonafter she had a few words to say about his previous criticism of the show.
“Taraji, you fine motherfucker, I’m happy to date you one day," 50 told MTV. "How you know this ain’t the love connection connection we been waiting for girl? you know I say things I don’t mean.”
Posted by ChasinDatPaper on February 26, 2015 at 12:30pm
RKulture had the opportunity to pickKidd Kidd'sbrain during a recent interview. Topics ranged from when theG-Unitrecording artist realized he wanted to be a rapper to what hip hop means to him.
Check it out below.
What was life like growing up in New Orleans?
Tell you the truth, if you listen to my music, you hear everything about me. All I rap about is my life experiences in New Orleans. Just growing up hard, struggles and everything we go through. Coming from the bottom, you know how Drake says “started from the bottom”, I started from the bottom for real, in all aspects.
At what moment did you realize, “I want to be a rapper”?
When I was a little kid. I was about 2 or3 years old and I was impersonating LL cool J(laughs). I knew music was always in me. I wrote about everyday stuff happening, so if it was about stealing a nigga bike, or taking candy or fighting, I just wrote what was happening around me. Then a dude from around my way named Mule, just like how Jay Z had Ty Ty, Mule was the one that told me I had a story to tell. So that’s who made me believe and who brought me to Wayne. He made me believe I could do this cause it was a just a dream that I saw on TV. The poverty, the hustle, it’ll suck you in so this was my personal release, I had to do this.
In early 2000 you were with Young Money and even appeared on Lil Wayne’s hit single “Mrs. Officer”. What led to you parting ways from Young Money?
People gotta understand that I hooked up with Wayne in 02′. I was with Wayne from ’02 to roughly ’05 before we separated. Then he called me back when he was doing The Carter 3. We did the “Mrs. Officer” joint and once the video came out I wasn’t a part of it. I ain’t gonna sound like “fuck it”, I was just like “damn the situation”. After the video I tried to talk to Wayne to see what was going on with it, and you know, I guess he was on his “high horse” or whatever at the time and I was just like “Alright, you do you man, imma do me”. Where I’m from we don’t kiss ass, we all men at the end of the day. I’m a hustler, I don’t ask for nothing, I don’t expect nothing, but if I work for something, I expect to get what I work for. There wasn’t no bad blood at all, it was just how it was. Then the Lord came and put Fif in my life and me and Fif have a better relationship than me and Wayne ever had…and that’s crazy. I guess real recognize real.
Prior to signing with G-Unit, you met 50 Cent and then got shot 6 times. Very similar to 50’s situation when he got shot and then dropped from Colombia Records just as they were ready to “push” him. Did you think the contact/opportunity was going to be lost?
When that happened, I wasn’t thinking about none of that. I wasn’t thinking about rap. I’m lucky I’m still alive. I was shot at 32 times and I got hit 6 times out of the 32, in front of my mama. After that, I was more angry than anything, so my mind wasn’t focused on rap, it was more focused on the retaliation. But then all it took was one phone call…. ONE CALL BRUH. Fif was the first person to call me in the hospital bed, the first person! God did this for me, it’s by fate man, that’s the only explanation I can see for it. None of my family has 50 cents number. So when I first turned my phone on he was the first person to call me. That tells me, if you the first person calling me, either you got some hell of a timing my nigga or, you was already trying to call me and wasn’t gonna stop calling my phone. That made me feel, I don’t even know the words… no words can really explain how I felt after that. That took a lot of frustration off my back and made me feel like I know what I’m about to do and I know what I gotta do. The first thing he told me was “Yo, what happened to me, and the label backing up off me, I’m not about to do that with you, I believe in you, so you know what, you’re gonna heal up and we gonna give it to these niggas”. And sure enough, he kept it real and he kept his word.
“I had to be slippin’ to let this clown hit me up/ Now I gotta walk around with this shit bag for months”. Reflecting back on an incident that could have ended your life, where was your mind at while writing that?
That’s all I can rap about is real shit, that’s how I was feeling. I had to be slipping!I was slipping and he hit me up, and now I gotta walk around with this shit bag for months… like fuck! (Chuckles) I want these people to know that this is real shit, its nothing that I’m making up just because it sound good, like nah man, this is real talk, this is what I’m going through everyday and this is what I gotta deal with. That song is so real. My cousin and Fif were there when we recorded that and a week later my cousin got killed. (They had a hit on him) That’s why for Fif to accept me and the people around me, it’s amazing. 50 will even tell you when he met me in New Orleans we pulled up to the studio DEEP. We were beefing then. Van filled with choppas in the back you know (laughs), looking like the old G-Unit in 03′.
One of the most impressive aspects I’ve seen were the recent radio appearances you along with The Unit did, specifically when it came time to rap. I find artists on occasion do not utilize that time, while you on the other hand, even with 10 plus years in the game, have been the BEST example of capitalizing on the moment because you stood out and people now notice your skill level. What advice would you give young artists who want to gain the people’s attention?
There’s an Eminem song that explains that whole situation, “Lose yourself”… “You gotta lose yourself in the music, the moment, you own it, you better never let it go, you only get one shot do not miss your chance to blow, this opportunity comes once in a lifetime”(Sings chorus from “Lose Yourself”). There’s no better way to explain it than that.
Are you concerned with being overlooked since the 50 Cent/G-Unit brand is so big?
No, no…Not at all. If anything it’s gonna bring more attention to me because people are gonna wanna know why is he in G-unit? Can he go in? Is he compatible with everybody else? So that’s when I step up to the plate and I gotta let them know, “yeah nigga, I do this for real”. We’re similar because we all speak from a street perspective, that’s what brings everything full circle, but we all express it in different ways.
The Beauty of Independence was well received and now The Beast is G-Unit drops March 3rd. What can we expect from The Beast?
Ah man The Beast,just be expecting more shit to fuck the game up. If you liked The Beauty Of Independence, just wait. I’m actually on my way to Best Buy right to go get however many copies are left. I’m grabbing extra copies and personally sending them to people DM’ing me that can’t get it where they live. It ain’t the same buying online, ya need that physical copy in your hands! That’s just something a nigga should do, cause like I said, I don’t take nothing for granted, so if someone wanna buy something from me, and they can’t get it, imma get it to you then.
Do you like the the music coming out these days? Who are some artists you listen to?
I like the new up and coming artists, I just like to hear real music. Lyrical music or not, just real music. Right now I’m listening to Young Dolph, I like the song he got called “Preach” cause he’s saying some real shit on that. I listen to my other artist Young Elz, Dej loaf, I’m on her mixtape right now. She’s spittin’ some real nigga shit but its coming from a female perspective. I respect what she’s doing right now. I even listen to Drake, even though he don’t talk no gangster shit, he says some real regular shit you know. I like the nigga cause he’s cocky with it and he’s a cool dude. Besides that I’m listening to our shit and that’s it man, I feel a lot of the music now is watered down.
What is the best advice 50 Cent has given you?
Be about your business first and know that everything is a business in this game. Everybody ain’t your friend and I learned that so much just being around 50, because you work with people all day that come to you like they wanna be your friend, when really they just wanna be around Fif.
If you had to move to mars and could only take 5 albums, which would you bring?
Soulja Slim – Give it to ‘em raw | 50 Cent – Get rich or die trying | Jay Z – Reasonable doubt | Nas – I am & 2 Pac – Me against the world.
Lastly, what does hip-hop mean to Kidd Kidd?
The world. It’s everything, hip-hop is my savior, so it’s everything to me.
During a recent G-Unit interview with Nadeska Alexis of MTV News, 50 Cent was asked about the current beef between Birdman and Lil Wayne. His take on it was very interesting.
“I’m surprised to see Wayne going through that because of the relationship between him and Baby," 50 said. “I think it’ll work itself out. I hate when personal things become public, because everyone speculates on things that they don’t really know about. I just know that they had a father and son relationship, and that could easily be something they communicate between the two of then, and resolve instead of having everybody else involved in it.”
The music icon added that chiming in on the situation or publicly taking sides would be a bad idea.
“Be careful the things you say about the Wayne and Baby situation,” he said. “Because Baby will forgive Wayne for the things that he’s saying, and Wayne will forgive Baby for the things that’s he saying — but they may not forgive you. The relationship has so much depth to it, that you shouldn’t even speak on it.”
Here's some new heat fromDJ Kay Slayoff of his forthcoming project entitled"The Industry Purge."TheDrama KingrecruitsDave East, RansomandJon Connorfor "Undefeated."
Follow DJ Kay Slay on Twitter and Instagram @RealDjKayslay
This is a certified banger right here.Boogz Bondlays down a blazing track forDJ Kay Slay'snew collaboration withSheek Louch, Styles P, Rell, Vadoand Raekwon entitled"I Declare War."This is off ofThe Drama King'sforthcoming project, The Industry Purge.
Follow on Twitter @RealDjKayslay @rellmusic803 @TheRealStylesP @RealSheekLouch @Vado_MH @Raekwon
}