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Brooklyn's Joell Ortiz has linked up with Jim Jones and dropped visuals for their remix of Lloyd Banks smash hit "Beamer, Benz Or Bentley".

The Slaughterhouse MC cleverly flipped the song into the hilariously titled "Nissan, Honda, Chevy".

This was initially a solo freestyle by Joell before Jim Jones heard it and decided to hop on it.

Check it out below.

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This Week's Main Pick

Street Kings: Lloyd Banks and DJ Whoo Kid

Holding It Down For: G-Unit

Mixtape: V5


Real Spit: Two days before we were originally supposed to shoot the Lloyd Banks Mixtape Daily segment, the G-Unit rapper was arrested in Canada on assault charges. While waiting on his trial, Banks has bounced back with the hit single "Beamer, Benz or Bentley" with Juelz Santana.


The entire G-Unit is currently on a two-month European tour, but their youngest member left a gift for the streets on the Net. Yes, we got Banks in front of the cameras to perform a record from the mixtape for the first time.

Banks started his latest round of mixtape rampaging toward the end of 2008. The onetime Mixtape Artist of the Year at the Justo Awards said he had to get his spot back.

"Just reflecting back in the studio," Banks said of his underground assault. "Just going back. People always say, 'Go back to your first album,' I went back further than that. All the success came from [my early mixtapes] Money in the Bank, Money in the Bank Part 2 all the way to Part 4. I was like, 'You know what? I did that in a matter of two years.' I said, 'I'mma do what I did in two years in one.' I did Return of the P.L.K.; that came out in September [2008]. I went from that to Halloween Havoc; it came out in Halloween. Cold Corner came out in December [2008]. Then it was 4-30-82 [last spring]. Then V5 [in December].

"By the time I got to V5, it was a good five or six months between tapes," he added. "I didn't plan it like that. I just never stopped recording and touring. By the time V5 came, I felt a little pressure. I told them it was gonna get better every time. I think people embraced it."

Banks' official album is due later this year. It will come out independently.

"I'm aiming towards summer," Lloyd said of the release. "Mid-summer, late summer. I won't drop an album until I feel the buzz. You know, as an artist, when you feel it. I'm working independent. Everything they've heard the past year has come out my basement, including 'Beamer, Benz or Bentley.' When you first come on as a new artist and you hot and you got a buzz, you could sell doo-doo on a stick. The label makes you feel like they did it, when they just called their boy and dropped the record off.

"Now it boost my confidence when I know I can make a record in my crib, send it out and receive finances from it," he added. "Whenever it's through iTunes or whatever other outlet you have, I'm happy with it. I'm not gonna rush it, though. If it came out after this year, it wouldn't matter to me, as long as it's the product people expect."

Joints to Check For

» "Power Back" "I was in the zone when I wrote that record," Banks described. "It was actually a typo [on the track listing]. It was supposed to be 'Power Pack.' You know what the power pack is, people. That's the vein I was in. I was reflecting. It was real rap. It wasn't about having the best punch line. I wrote the record for me, and it was real things said in it. I really had a homie that was well on his way as far as basketball goes. He went to college, and somebody slipped him something [in his drink]. He ain't been the same ever since. It was more a record for me and the people I grew up around. Every city has something that reminds you of yours. I like tracks with music," he added about the soulful soundscape. "Tracks with things going on."

» "Rather Be Me." "My record is gonna sound like that. How it's put together from top to bottom and ends like a movie," the Punch Line King said. "That's the route I wanna take my album. 'Rather Be Me,' is a deep record. It's one of the joints. I didn't let nobody hear it when I was recording it. I was in the zone. It felt like a movie to me. It's crazy, because a lot of people think I'm talking to somebody in particular, but it's not. It's talking to anybody that's a coward. If you don't stand for something, you'll fall for anything. When you hear the little funny things like, 'Banks doesn't want to be G-Unit.' N---a, I am G-Unit. This [tattoo] been right here on my hand. Before anybody was signed, it was me, Tony Yayo and 50 Cent. To take that away from me is like taking away my legacy, to a certain extent. We worked too hard for somebody to tell me to drop my G-Unit."

» "We Remain." " 'Chronic, Fiji and a brand-new Lamborghini. When you see me, it's a half a mill easy,' " Banks raps. "Rap needs me. That was me just going. It was a record that wasn't necessarily recorded for the mixtape. I felt I needed that, where it was a full, long verse, a bridge. That's as gutter as it gets. That's one of the first songs I recorded for V5. It set the tone. The 'Green Day' record, 'Southside in the House,' all those records were spawned from that record. It's just dark, man. You could see yourself in your neighborhood, and it's me reflecting. I still come back to this neighborhood where my friends still stay. To go from success to being doubted to having success all over again, I feel like the underdog and that the streets are behind me."


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Tracklist:


01 The Cure (Intro)
02 Good Without The Money
03 Medical Breakthrough
04 Yes! Michigan
05 Just Plain Sick
06 Invasion Freestyle f. LA the Darkman
07 Conjuring the Cure
08 Adult Swim
09 The Atrium
10 Do Ya Dance Girl
11 Dishwashing Liquid
12 Can’t Stop the Shining
13 Champagne Flow
14 I Ain’t Fuckin’ Wit Em
15 You Ain’t Gotta Be a Star
16 Quiet Man
17 Woog-N-Willie (Outro)


Download Here

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Tracklist


1) Lights Camera Packin (NODJ)

2) Niggaz Iz Trash

3) U Gonna Remember Me

4) Best Kept Secret (NODJ)

5) They Mad (NODJ)

6) X-Man (NODJ)

7) Return Of The Real

8) 730 (NODJ)

9) Hater (NODJ)

10) Practice (NODJ)

11) Shut Ur Bloodclot Mouth (NODJ)

12) The Raw (NODJ)

13) Truth Hurts (NODJ)

14) Deathwish (NODJ)

15) The Bottom

16) 8 Minutes Of Death

17) Bully (NODJ)

18) Microphone (NODJ)

19) No Escape ft Tony Yayo (NO DJ)

20) Power Back (NODJ)

21) I Wanna Rock (NODJ)


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Download King Of The Pyrex Remix Here

Tony Yayo- "King Of The Pyrex" Remix [Off "GunPowder Guru" LP- album prequel available digitally now!!]

Download From Amazon:

U.S. Link

http://www.amazon.com/Gunpowder-Guru-Explicit/dp/B00366749U

UK Link

http://www.amazon.co.uk/Gunpowder-Guru-Explicit/dp/B00368LW6Y

iTunes:

http://itunes.apple.com/us/album/gunpowder-guru/id352601087

Produced by Doe Pesci

http://twitter.com/TonyYayo

http://www.thisis50.com/

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And join my website

http://paperchaserdotcom.ning.com/
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Video After The Jump

NEW YORK — Lloyd Banks said he wasn't deeply touched by the original version of "We Are the World" when it came out in 1985; the Southside Queens native was just barely 2 years old when the star-studded charity record debuted. So, understandably, Banks said he has no problem with the record being remade.


"To be honest with you, I'm very aware of the record and how big the record was," he said Wednesday afternoon at the G-Unit office. "But I was so young at the time, it really doesn't affect me the way it would affect an older rapper. They might have completely understood what the record was. It doesn't disappoint me they had rap in it now. It's kids out there that never heard the record to begin with. I can't say they messed the record up. If anything, they brought it to a new audience.

"Michael Jackson was a phenomenal artist. It will never be another one of those guys," Banks added. "So anything would have not topped [the original version]. You could have anybody sing on that. But it was a good look. It was for a good cause."

Jay-Z, meanwhile, told MTV News that the original was "untouchable" and was surprised that it was remade.

Banks found out about the tragic earthquake in Haiti when he was released from jail in Canada and came back home to the U.S. The G-Unit rapper was arrested for assault and robbery last month after an alleged dispute with a concert promoter.

"Actually, when I had first came back from jail, I seen that," he explained. "It was the first thing I saw in the airport. It really bothered me. People was sending me stuff through the phone; [pictures] of people lined up dead. It really bothered me. From that point on, I was like, 'Whatever I could do [to help], I'll be there. A concert or whatever.' I have a lot of close friends that are Haitian, including Sha Money XL, Tony Yayo, Whoo Kid and some of my guys from the street. It's like, 'Damn, they got family members they still haven't heard from to this day.' I wouldn't know what I would do in that situation. My heart goes out to all those people who lost somebody."

MTV

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Atlanta rapper stat Quo has finally putting the finishing touches on his debut 'Statlanta'.

It's been a long journey for Stat. Since being released from Shady/Aftermath Records in 2008 after spending five frustrating years sitting on the bench, The dirty south mc finally has reason to celebrate.

He announced via his twitter account the good news on Tuesday (February 9).

"Mastering is done, Statlanta is 100% DONE!!! The credits will be turned in today and thats it. I will have my release date this week!!!"

Originally scheduled for a 2003 release, Statlanta will have production by Che Vicious, Hi-Tek, Key Kat Productions and Sha Money XL.

The album will be released through G-Unit producer Sha Money XL's Big Dream Ventures imprint.

For those that had not heard, Sha Money has signed a multi-million dollar film and distribution deal for Dream Big through Orchard, the world’s leading digital distributor of music. And will be releasing projects from Stat Quo, ex Lil Wayne affiliate Kidd Kidd and DJ Whoo Kid.

While we wait for the official release date of 'Statlanta', Stat tweeted we should be on the lookout for a new mixtape.

"Mixtape time!!! I got a few beats im ready to hop on....."

For more info on Sha Money go to http://www.dreambigventures.net/

Check out Stat Quo's first video released by Dream Big Ventures below. It was directed by Sha Money and Eif Rivera.


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New Lloyd Banks: "The Bottom" D/L Link Inside

G-Unit rapper Lloyd Banks has taken his songwriting skills to another level in the past couple of years. One listen to his latest mixtape 'V5' and you will see what I mean. His buzz is also at an all time high. He seems to be gaining new fans rapidly to add to his already rabid fan base. Here's a new joint that will add to the frenzy as his fans wait on the summer release of his 3rd solo LP. Download Here
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In a business where release dates shift for multiple years before an LP actually drops, it’s tough to really get excited for an artist’s new album. But we’re starting the new year off with an optimistic attitude—2010 is gonna be filled with some fuckin’ amazing albums. Halfway through January, we’ve already seen a few solid releases (Vampire Weekend’s Contra and Kanye’s Storytellers), but the best is yet to come. To let you know what’s in store for 2010, we rounded up all the albums we’re expecting this year (key word being expecting—forget pipe-dream releases like Detox), including everything from the psychedelic indie rock of Yeasayer to Drake’s long-awaited debut. See who made the cut with Complex’s 25 Most Anticipated Albums of 2010

#25: Beastie Boys Hot Sauce Committee, Pt. 1 RELEASE DATE? First Half of 2010 PRODUCERS/COLLABORATORS: Nas, Santigold WHAT WE KNOW: The iconic NYC trio’s first proper album in 5 years was originally supposed to drop last fall, but was delayed after MCA was diagnosed with cancer. Expect the boys to build on the retro style of To The 5 Boroughs for an album they described as “strange” and “bizarre” in a BBC interview. After their Nas duet “Too Many Rappers” got a good buzz going last summer, we’re eager to see what they drop next.

#24: Nicki Minaj TBD RELEASE DATE? Third Quarter PRODUCERS/COLLABORATORS: Polow Da Don (rumored), JR Rotem (rumored), Young Money WHAT WE KNOW: Fresh off a hit mixtape and some song-stealing verses on the Young Money album, our recent Hot Complex is easily the most buzzed-about female rapper in a decade. She recently took a break from touring to focus on finishing her debut, and teased the fact that she might leak a single called “Married In The Club” (nope, no sign of it yet). With mixtape records like “I Get Crazy” and “Itty Bitty Piggy” still getting burn, expectations for her debut are high.

#23: Pac Div Grown Kid Syndrome RELEASE DATE? Summer 2010 PRODUCERS/COLLABORATORS: Swiff D, The Neptunes (rumored) WHAT WE KNOW: These three Cali kids had everyone bumping their Church League Champions mixtape last year (even Diddy…in the lambo!), and their new mixtape “Don’t Mention It” should be dropping any day. Their official debut is now slated for some time this summer—expect more futuristic boom-bap goodness from in-house producer Swiff D, along with whatever came out of that week they spent in Miami with Pharrell.

#22: Common The Believer RELEASE DATE? Summer 2010 PRODUCERS/COLLABORATORS: Kanye West, No I.D. WHAT WE KNOW: Right around the time Common’s last LP, Universal Mind Control, dropped and people didn’t like it so much, due to its dance faux-future feel, he began talking up his next endeavor: an entirely No I.D. and Kanye West produced album. While no details have leaked, Common has clearly made the best music of his career with these guys so The Believer will hopefully recapture that magic.

#21: Hot Chip One Life Stand RELEASE DATE? February 8, 2010 PRODUCERS/COLLABORATORS: N/A WHAT WE KNOW: The kings of British electropop never disappoint, so we’re expecting their fourth album to bring them even more mainstream exposure than their 2008 album Made In The Dark (are we the only ones who want them to cross over?). In fact, the new LP leaked last week, led by the single “One Life Stand,” and from our first listen, it seems like their most pop-friendly album to date

#20: The-Dream Love King RELEASE DATE? May 2010 PRODUCERS/COLLABORATORS: Tricky Stewart, Los Da Mystro WHAT WE KNOW: His first two albums—2007’s Love/Hate and 2009’s Love Vs. Money—were R&B masterpieces (LVM was our #2 album of 2009), so it’s pretty safe to say that the third installment in the trilogy will be more of the same (which is a good thing). Love King—Dream’s supposed “final album”—was being mixed last weekend, so expect a lead single to leak any day now.

#19: Justice TBD RELEASE DATE? “Early 2009″ PRODUCERS/COLLABORATORS: N/A WHAT WE KNOW: Three years ago, their gritty electro-house debut peeked its head up into the mainstream and warmed a hell of a lot of indie rock and hip-hop kids to dance music for the first time. But after touring, releasing a live album and a handful of dope remixes in ’08, the duo went radio silent. Last summer, Billboard reported that they would be a part of the relaunched Elektra Records roster, with a new album in “early 2010.” Whenever it comes out, we’re expecting something next-level. “We are at the beginning of knowledge about production and music-making,” Xavier de Rosnay told Pitchfork about their new material back in ’08. “It’s changing every two months.”

#18: Gorillaz Plastic Beach RELEASE DATE? March 2010 PRODUCERS/COLLABORATORS: De La Soul, Mos Def, Snoop Dogg, Lou Reed, Barry Gibb, Bobby Womack WHAT WE KNOW: Our favorite animated band is ready to take over 2010 with their first new album in 5 years and a headlining performance at Coachella. It’s gonna be hard for Damon and Jamie to top the success of their first two—which sold a whopping 15 million combined—but it will no doubt be another genre-bending mix with mass appeal. Damon premiered some rough demos on Radio 1 last January, before going off to record with the Syrian National Orchestra. The requisite eclectic guest list was announced, and Mos Def said a track he’s on is “one of the greatest thing’s I’ve ever done.” Okay, we’re excited.

#17: B.o.B. The Adventures of Bobby Ray RELEASE DATE? May 25, 2010 PRODUCERS/COLLABORATORS: Eminem, Lupe Fiasco, T.I., Rivers Cuomo, JR Rotem WHAT WE KNOW: It seems like we’ve been waiting on B.o.B.’s album for years (listen to Shake’s excellent compilation Should Have Been The First Album to hear all the hits he’s made in the meantime) but it looks like his debut is finally dropping at the end of May. After sorta changing his name, aligning with Grand Hustle, and dropping a pop-friendly single “Nothin’ On You,” all the stars finally seem to be aligning. He’s been working with everybody, and he’s one of the most versitile artists in hip-hop, so it’s hard to say exactly what will end up on the finished product. Expect the unexpected.

#16: Ghostface, Raekwon & Method Man The Wu-Massacre RELEASE DATE? First Half of 2010 PRODUCERS/COLLABORATORS: RZA, Inspectah Deck WHAT WE KNOW: If there’s one thing we learned from the fuckery of 8 Diagrams, its that a Wu-Tang reunion is a bad idea. Luckily, Raekwon went a long way towards repairing the Wu brand last year with his shockingly good Cuban Linx sequel, setting the stage for another dream Clan fan project: The Wu-Massacre. Let’s face it, Rae, Ghost and Meth have always been the crew’s real stars, each as lyrically sharp as they are charismatic, so an album with all three should be an easy win for Def Jam. P.S.— they’re looking for a group name!

#15: Yeasayer Odd Blood RELEASE DATE? First Half of 2010 PRODUCERS/COLLABORATORS: N/A WHAT WE KNOW: Their 2007 debut put this Brooklyn crew on the indie map, but their stock rose last year thanks to work on the Bat For Lashes album and a high-profile performance at the Guggenheim. Fortunately (for us, anyway), their sophomore LP Odd Blood leaked back in December, and it’s pretty clear that they have the talent to back up the hype. No matter what your normal listening habits are, we guarantee you’ll fuck with their irresistible mix of psychedelic electro-rock. Odd Blood is definitely worth picking up when the official version drops next month.

#14: J. Cole TBD RELEASE DATE? Late Spring/Summer 2010 PRODUCERS/COLLABORATORS: No I.D., Syience, Pharrell WHAT WE KNOW: Roc Nation’s marque act has been busy since dropping his mixtape The Warm Up this past summer; between promoting his “Lights Please” single, touring with Jay-Z on the Blueprint 3 tour, making records with vets like Reflection Eternal and Mos Def, and stealing the show on Wale’s “Beautiful Bliss.” His debut will feature production from himself, No I.D., and his characteristic deep, hard-hitting rhymes. Pictures recently surfaced of him working with Pharrell. Cole’s rhymes over Skateboard P beats? Yessir, indeed.

#13: T.I. TBD RELEASE DATE? First Half of 2010 PRODUCERS/COLLABORATORS: Jim Jonsin WHAT WE KNOW: The high-drama of T.I.’s legal troubles over the last few years were played out perfectly in the music (and marketing) of his last album Paper Trail, an introspective step forward that hinted at the next phase in Tip’s career. He toned down the tough-talk, completely removing any references to guns, and remarkably, it worked—Paper Trail was Tip’s most commercially successful album to date, and one of his best. Producer Jim Jonsin recently revealed that Tip is working on the follow-up while staying in a halfway house, and we have no doubt that he’ll be coming back with a bang…just not from a gun.

#12: Jay Electronica Act II: Patents of Nobility RELEASE DATE? First Quarter PRODUCERS/COLLABORATORS: Just Blaze, Nas, Mos Def, Eminem (rumored) WHAT WE KNOW: He’s dropped only two songs in the last 12 months, but we can’t front, they’re good enough that we’re literally chomping at the bit waiting for more. Long teased, Act II is something between an EP, a mixtape and a video art project, but will certainly be a compelling piece of rarely heard lyricism. Add to that the best beats Just Blaze can craft, and appearances by Nas and Mos Def (and possibly even Eminem… to hear Jay tell it, at least), and you have an effort that should occupy real rap fans’ iPod’s for the rest of the year.

#11: Lupe Fiasco Lasers RELEASE DATE? First Half of 2010 PRODUCERS/COLLABORATORS: Soundtrakk WHAT WE KNOW: Lupe keeps getting better and better and all signs point to Lasers being his best full-length to date. There aren’t a lot of hard facts about the effort available, but his mixtape Enemy of the State proves his lyrics are better than they’ve ever been, and between his Twilight joint and his Japanese Cartoon material it’s clear that his palatte is expanding with his ear. An early single “Shining Down” leaked last summer, and now it seems another leak called “I’m Beaming” is getting a proper single release.

#10: LCD Soundstsyem TBD RELEASE DATE? April 2010 PRODUCERS/COLLABORATORS: N/A WHAT WE KNOW: Little has been said about UK dance-punk group’s new album—so far we have the faux title: ‘Internet Sensation!’ and the band’s cover of Alan Vega’s “Bye Bye Bayou” (which will not appear on the album) to hold us over. We do know recording has taken place in LA and New York with work from members Al Doyle, Pat Mahoney, and Gavin Russom. Most recent word from front man James Murphy (as told to NME) is that the new album is “definitely better than the other two” and will have a “wider palette of sound” than the group’s self-titled debut and wildly influential Sound of Silver album.

#9: Kid Cudi Cudder: The Revolution of Evolution RELEASE DATE? Second Quarter PRODUCERS/COLLABORATORS: Kanye West, The Neptunes, Snoop Dogg WHAT WE KNOW: Party time, excellent! See, it’s like this: Kid Cudi’s life has changed and his new album will reflect it. Where MOTM was maudlin, thoughtful and self-deprecating, Cudder will be buoyant and exuberant. And where MOTM had barely any guests, and was produced mostly by his in-house team, Cudder will feature the likes of Snoop and beats by The Neptunes. Yeah. That happens when you score a number one record, fuck mad hoes, and cop a crib in Tribeca. Trust us. We know.

#8: MGMT Congratulations RELEASE DATE? Spring 2010 PRODUCERS/COLLABORATORS: Sonic Boom, Dave Fridmann, Chemical Brothers (rumored) WHAT WE KNOW: Having ridden to improbable success in 2008, the boys from Brooklyn (by way of Boston burbs) are ready to follow up the album that spawned anthems like “Kids” and “Time To Pretend.” But don’t a hit parade—in fact, they have no plans to even release singles from their sophomore album. “We’ve been talking about ways to make sure people hear the album as an album in order,” Ben Goldwasseer recently told NME. “Not just figure out what are the best three tracks, download those and not listen to the rest of it.” Early rumors had them working with the Chemical Brothers, but all recent reports say the album was created with their old producer Dave Fridmann, along with Spacemen 3’s Peter Kember (aka Sonic Boom).

#7: Lil’ Wayne Tha Carter 4 RELEASE DATE? 4th Quarter PRODUCERS/COLLABORATORS: Deezle WHAT WE KNOW: During last summer Universal said this record would be released in the 4th quarter of 2009, after Rebirth, so clearly there are songs recorded. But with Rebirth’s release at a standstill due to lack of interest and the Best Rapper Alive ‘pon lock for most of 2010, we’re thinking Universal, and more importantly their shareholders, are gonna force this LP’s release by the end of the year. The big question is, will it be a frankenstein of the rap records he’s made post-Rebirth, or will he scrap everything when he gets out of jail and put together an entirely new LP reflecting his presumably changed world view?

#6: Santigold TBD RELEASE DATE? First Half of 2010 PRODUCERS/COLLABORATORS: Pharrell, Diplo, Switch, Spank Rock (rumored) WHAT WE KNOW: Santigold has been busy as hell since her ’08 debut blew up, battling informercial jeweler Santo Gold over her name, touring with Coldplay, and popping up in a million commercials. While we haven’t heard any of the new music, she’s been producing for Devo, co-writing for Christina Aguilera’s upcoming Bionic album, and working with everyone from the Beastie Boys to Basement Jaxx. Last summer she told Nylon about some potential producers, but we’re still waiting for more concrete info on the album that could really take her to the next level.

Young Jeezy Thug Motivation 103 RELEASE DATE? First Half of 2010 PRODUCERS/COLLABORATORS: Kanye West (rumored), Drumma Boy (rumored), Tha Bizness (rumored) WHAT WE KNOW: Young Jeezy is like Ghostface, Redman, Too Short and AC/DC before him: Every album hits basically the same notes, and is basically a great listen, too. A year ago Jeezy teased that he’d done 7 songs with Kanye West behind the boards, which might indicate a slight change in sound, but then the two records he’s leaked thus far have been straight back to the trap. However it breaks, though, Jeezy has a consistent track record and shows no signs of chasing crossover hits.

#4: M.I.A. TBD RELEASE DATE? Summer 2010 PRODUCERS/COLLABORATORS: Blaqstarr, Rusko WHAT WE KNOW: M.I.A.’s whole world has changed since her anti-crossover album Kala crossed over, thanks to the Grammy-nominated, boundry-smashing anthem “Paper Planes.” She’s had a baby and hunkered down with Baltimore producer Blaqstarr for most of her third album (which is rumored to be titled Mission.Impossible.Area), which will include the recently-leaked track “Space Odyssey” and a song called “I’m Down Like Your Internet Connection” that reportedly features an actual Verizon customer service employee on the hook. “Paper Planes” might have been a pop radio fluke, but you can bet whatever she does will be one of the year’s most original albums.

Eminem Relapse 2 RELEASE DATE? First Half of 2010 PRODUCERS/COLLABORATORS: Dr. Dre, Just Blaze WHAT WE KNOW: Our current cover star is extremely focused and has moved on from the punchline driven shock-rap that dominated Relapse, for a more enduring, emotive sound. Working for the first time in years with outside production, courtesy principally of Just Blaze, we expect Em’s attention on the intricacy of the rhymes, and the candor of the sentiment. Given Em’s vocal appreciation of T.I.’s Paper Trail, and Blaze’s involvement, perhaps he’s sitting on a “Live Your Life” meets “Lose Yourself” type anthem.

#2: Kanye West TBD RELEASE DATE? 3rd Quarter PRODUCERS/COLLABORATORS: Kid Cudi, Consequence, Common, Mr. Hudson, Drake, No I.D., Tony Williams WHAT WE KNOW: Rap! That’s what we expect from Kanye’s much-anticipated follow up to 808s & Heartbreak. If his last LP embodied the emotional rollercoaster he went through in ‘07 and ‘08, it seems likely his forthcoming effort will address his chaffing discomfort with the mainstream (yeah, you MTV.) with aggressive and dangerous RAP! Never a slouch on the mic, since 808s release ‘Ye has made a pointed effort to blaze all of his cameo verses, so we’re expecting some very forcused, very articulate vitriole on a variety of topics, along with his usual memorable one-liners, etc… Recorded mostly in Hawaii (so far), it seems ‘Ye has surrounded himself and all of his key collaborators (Kid Cudi, Consequence, Common, Mr. Hudson, Drake, No I.D., and Tony Williams) in seclusion. There haven’t been indicators of where ‘Ye’s taking the beats these days, but each of his albums has been one-half departure, one-half evolution, so we’re imagining tracks in the vein of 808s with a decidedly more aggressive, hip hop edge.

#1: Drake Thank Me Later RELEASE DATE? March 2010 PRODUCERS/COLLABORATORS: Boi-1da, 40, The-Dream, Jay-Z, Lil Wayne, Kanye West, Sade WHAT WE KNOW: He absolutely owned 2009 with a classic mixtape and a slew of guest appearances, so expectations could not be higher for Drizzy’s long-awaited debut. By sticking with his trusty in-house producers and sprinkling in a few superstars, he should be able to match the perfect balance of punchlines and R&B that made So Far Gone such a hit. At this point, 2010 is his to lose. Complex Follow Me @Twitter.com/ChasinMoPaper
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NEW YORK (Billboard) – Detroit rapper Hayes takes inspiration for his mixtapes from -- of all things -- magazines. "I want to give people a little taste of what a Hayes album would be like," he says. "It's like getting a trial subscription to your favorite magazine -- you get my music for free, you get to know me, and then hopefully you'll appreciate me enough to come back and support me." Tellingly, neither of Hayes' two mixtapes -- 2006's "24 Songs of Power" and 2010's "The First 48" -- traffic in two staples of the form: beats lifted from other official songs ("jacked beats," in mixtape parlance) and DJ scratches. "I have my own format," Hayes says. "I like to use original beats. I call my mixtapes 'street albums' -- I don't like to rap over other people's beats." Hayes' self-reliance is about to pay dividends: Two months ago he signed to Interscope through a joint deal with producers Timbaland's Mosley Music Group and Dr. Dre's Aftermath Records. "For Tim, it wasn't just Hayes' lyrical prowess but his craftsmanship that really caught his ear," says Rick Frazier, Hayes' manager and vice president of Mosley Music Group. It was the entire package, Frazier says -- from lyrics to the original production by his in-house team, the Breakfast Club -- that got Hayes noticed. Following the mixtape-to-major-label success in 2009 of Toronto rookie Drake and Atlanta's Gucci Mane, labels are taking a new look at artists who make professional-caliber mixtapes -- a highly personalized form of unauthorized music compilation -- their calling card. In addition to Hayes -- who's touring with Timbaland and has started recording his debut album -- up-and-coming Houston rapper Chalie Boy and Atlanta-born Pill recently signed to labels on the strength of their mixtapes. GETTING NOTICED Nicole George, vice president of the rhythm and soul membership department at performance rights organization ASCAP (American Society of Composers, Authors and Publishers), says that her team listens to mixtapes and follows the industry talk, which leads them to artists and writers whom ASCAP could sign. Chalie Boy put out mixtapes for a decade before recently signing to Dirty3rd/Jive/Battery Records. "As I was shopping around for deals, mixtapes kept my name afloat in the music industry," he says. "Eventually, the buzz off my mixtapes not only got me signed, but it got me paid work through features on others' albums and mixtapes as well as show performances." Now, Chalie Boy is prepping the release of his major-label self-titled debut album; the lead single, "I Look Good," peaked at No. 20 on Billboard's Hot R&B/Hip-Hop Songs chart in December.

Chalie Boy Another rapper, Pill, had the Internet buzzing the last few months with his own "4075: The Refill" -- hosted by DJ Skee and Empire and released in November -- as well as his February 2009 mixtape, "The Prescription." Both releases largely featured original production. "Anyone can jack a beat, put hot metaphors together and sound convincing," Pill says of his decision to use new beats from the likes of Illfonics and Drum Majors. "I wanted people to hear me over original tracks. You can tell the difference between a mixtape artist and an actual artist who can make a real track." Eskay, founder/owner of Nahright.com, a Web site focused on posting music by new hip-hop artists, notes that after Curtis "50 Cent" Jackson's underground tapes triggered a massive bidding war in 2002, "everyone jumped on the bandwagon and tried to release mixtapes at a rapid pace." But quickness can be the death of quality -- and the industry is looking for polish, not just potential. Pill signed to Asylum at the end of last year following his own bidding war. "If you're putting out a mixtape that is on a level of most other artists' studio albums, then people will support your music," says Hof, of New Music Cartel's mixtape specialist OnSmash.com. ROUTE TO THE CHARTS Aubrey "Drake" Graham, a graduate of TV's "Degrassi High," stunned the hip-hop world in 2009. In February, he released "So Far Gone" for free on his own blog. In May, the song "Best I Ever Had" entered Hot R&B/Hip-Hop Songs at No. 78; by the end of June it topped the chart. Soon, the majors came in hot pursuit, and in midsummer Drake signed to Universal Motown. He has since collaborated with hip-hop's elite, including Jay-Z, Kanye West, Eminem and mentor Lil Wayne. Drake's early mixtape songs were released on an official EP, "So Far Gone," which has sold 344,000 copies in the United States, according to Nielsen SoundScan. Gucci Mane's route to hip-hop stardom was far less direct. After leaving prison in March 2009 (on charges stemming from a 2005 conviction for aggravated assault), the prolific Atlanta rapper released a torrent of mixtapes -- "Writing on the Wall," "The Movie 3-D: The Burrprint!" and the three-part Cold War series ("Guccimerica," "Brrrussia" and "Great Brrritain"), among others -- all filled with original material. During the summer he signed to Asylum, which released his second official studio album, "The State Vs. Radric Davis"; by then he'd already been featured on 12 charting songs, and his mixtape profile brought a string of klieg-light guest appearances, including spots on the remix of the Black Eyed Peas' "Boom Boom Pow" and Mariah Carey's "Obsessed." "Pow" reached No. 1 on the Billboard Hot 100, while "Obsessed" peaked at No. 7. "The State Vs. Radric Davis" has sold 215,000, according to Nielsen SoundScan. (Mane is back in prison for violating probation.) Beyond generating sales and superstar hookups, mixtapes have garnered underground radio airplay and helped to nurture relationships with fans. After 50 Cent was shot nine times in 2001, his recording contract was terminated by Columbia Records. In turn, 50 Cent started to flood the streets with mixtapes that were built to dazzle. "He revolutionized the art of stealing songs and changing hooks and getting more airplay for his version than even the original song," says Whoo Kid, a pioneering mix master known for releasing unauthorized music from the likes of the Notorious B.I.G. and 2Pac -- as well as for being 50's official DJ.

Whoo Kid In 2006, industry vet Lil Wayne famously reinvented his career by releasing mixtapes featuring his hallucinogenic rapping over beats from recent hits. "Dedication 2," hosted by DJ Drama, came first, trailed a year later by "Da Drought 3." Although Drama was arrested in 2007, after a police raid of his Atlanta office over alleged bootlegging, Wayne, for one, wouldn't be slowed, releasing "Dedication 3" in 2008 and "No Ceilings" in '09. "What happened to me hit the mixtapes circuit hard," DJ Drama says. "It's still in the rebuilding process, but 2009 proved that mixtapes are just as important to hip-hop music as they ever were. They're just changing with the times, much like the record industry." For Hayes, Chalie Boy and Pill, the make-it-sleek lessons of Drake and Gucci Mane might have led them to record deals, but it's the entrepreneurial spirit of 50 Cent and Lil Wayne that's keeping them in business. "Mixtapes will always be a viable marketing tool to help promote artists, whether there's money involved or not," Whoo Kid says. "I don't make most of my money selling mixtapes anymore, but I constantly give away tapes for free on the Internet, and I'm booked now through 2011 for paying gigs all around the world. Without that exposure, I won't be able to connect the dots in other ways." Yahoo Follow Me @Twitter.com/ChasinMoPaper
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Audio After The Jump Lloyd Banks has been hard at work since he returned to the States a few weeks ago. He called us up here at MTV News and although he was advised by his legal team to avoid speaking about his recent assault and robbery case, he did give details on upcoming music. There is an official LP that may drop around summer and an official single with Juelz Santana called "Beamer, Benz or Bentley" dropping in the next couple of weeks. "I'm just starting back," he said. "I've been so focused with taking over the street and people hearing me back on that market — so when I come with the official records, they'll appreciate it more. 'Beamer, Benz or Bentley,' It's a club record, party record, car record. It's a lot of energy and something new. It's a sound that ain't out there right now."
Banks is about to go back on an overseas tour lasting from February until April. In the spring, he due to start a U.S. trek with the G-Unit, during which he'll be recording the album and hopefully coming up with a name for the project. On the street level, a Lost Tapes-style mixtape of unreleased songs is coming soon — and, of course, V5 is out now. "I got a few new followers behind V5," Banks said. "People just catching on. For those who been following me since last September, they should be familiar that it's the fifth volume of the Five and Better series — my personal favorite. I kind of envisioned it this way. I told them I was gonna give them five mixtapes in a year. "It's sequenced like an album. I wanted to go through different zones," he added. "I had records like 'Sh---y City,' which had significance because it's part two from the 'Sh---y City' that was a part of the Gang Green series. The record 'Look Ma,' it's my most personal record on the album. I'm speaking to my mother. I got a young mom — she appreciates it and she loves to see me successful. 'Rather Be Me,' I had that record for a few years. My favorite record is 'I Do.' I was getting up to the beat for two weeks. I had a good zone on this mixtape." Banks also wanted to thank his fans, who have been concerned about him given his recent legal troubles. "I wanna send my thanks to all the fans that supported me. I ain't been tuned in. My peoples put me on to what's been going on. Check the music — that's one thing that's not going nowhere. My talent is crazy. I will be in the studio later. They can look forward to me dropping new records on ThisIs50.com and MTVNews.com. I love all my fans, man. I want everybody to look forward to my third album. It's definitely gonna be worth the wait." MTV Follow Me @Twitter.com/ChasinMoPaper
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Infamous Mobb Deep member Nyce Da Future links up with Riot Squad's Cau2G$ and Militia's Cory Gunz to deliver a certified banger. Nyce has consistently made quality music over the last several years. Whether that be solo or collaborations with Mobb Deep, Mike Knox, Hot Rod or his own NBK Family. For more information on Nyce please check out his website NyceDaFuture.com. Download Here
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With the close of the decade here, there is no shortage of “best of” lists reviewing top achievements throughout the pop culture landscape. But when it comes to most noteworthy music of the ‘00’s, one album that has been showing up on just about everyone’s list is 50 Cent’s 2003 debut Get Rich Or Die Tryin’. The seminal release, which has to date sold over 12 million copies worldwide, transformed the troubled Curtis Jackson, a former Queens, New York drug dealer and local mixtape favorite, into one of the biggest musical acts on the planet. Propelled by the hypnotic Dr. Dre-produced anthem “In da Club” and the backing of hip-hop’s paramount seller Eminem (50 was the first artist signed to Em’s Shady Records, which released the project jointly with Dre’s Aftermath Records), Get Rich represented more than just a commercial triumph. It was a cultural landmark that gave East Coast street rap a fresh platform, opening up a new world for the unlikely entertainment mogul. Looking back on the album, 50 Cent has a more personal attachment to Get Rich or Die Tryin’. “With Get Rich I had so much to prove on that album,” recalls the rapper who dropped his fourth studio album, Before I Self Destruct, in November. “Everything had to be perfect in my head. I wanted to make sure that everything I said captured my true feelings at that time. I just felt like it was God’s plan to be where I was at. My mind frame at that point was the music. Anything that would have come in my way at that point I would have removed it the best way I know how. The ‘hood teaches you to do it in a way that’s not sensible.” One of the aspects that made critics take note of 50 Cent was his surprising vulnerability, a trait that you would not normally associate with a combative, controversial artist who has been involved in high profile verbal sparring with everyone from Ja Rule, Jadakiss, and Game to Kanye West, Rick Ross, and most recently, Jay-Z. But 50 insist he was just keeping it real. “A lot of rappers don’t write about their fears or point out where they didn’t get the best of a situation,” he says. “So the first time I experimented with it was with songs like ‘Many Men.’ I’m telling folks that there is blood in my eyes and I can’t see. I’m hurt at that point. I’m vulnerable.” Yet, after Get Rich, 50 Cent’s life would never be the same as his success spun off a multi-million dollar label (G-Unit Records); a successful G-Unit clothing line; a major film (2005’s Get Rich or Die Tryin’); and a stable of platinum acts (a crew that included Game, Lloyd Banks, and Young Buck). But even as the commercial muscle has dramatically declined for 50 Cent, the spitter insists that he is still the same hungry kid who made the music world take notice. “That’s what people want from me…. to give them the real shit,” he says. “That’s a part of me. It’s necessary to have aggression to survive but that’s not all of me. There’s so much more.” Source: Vibe.com Follow Me @Twitter.com/ChasinMoPaper
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NEW FIRE FROM THE UNDISPUTED PUNCH LINE KING ! BANKS HAS A NEW DOUBLE DISC MIXTAPE DROPPING WITHIN THE NEXT COUPLE WEEKS. WHAT THE FANS REALLY NEED NOW THOUGH IS A FULL ALBUM FROM BLUE HEFNER, LET'S HOPE ONE IS COMING SOON, PAPERCHASERDOTCOM ON YOUTUBE POW!!!!!!!!!! IT'S THE UNIT !!! DOWNLOAD HERE
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The G-Unit General Is Back With Another Banger Produced By Dr Dre.Word Is This Song Will Be On DJ Kay Slay's New Album Titled "More Than Just A DJ" But Who Knows This Could End Up On 50's Album "Before I Self Destruct" Regardless,Make Sure You Go Out And Support The Artists By Buying Their CD's POW!! PaperChaserDotCom On Youtube Download Here
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