Posted by ChasinDatPaper on September 3, 2009 at 10:01pm
Details Reports
Like most guys of my generation—I'm on the downslide to 40—I have fond memories of my first experience with pornography. I was 14 years old and my best friend had just discovered his father's secret stash. We gathered in his basement and delicately turned the pages as if they might disintegrate. I asked him if I could borrow a few mags "just for the night," which in hindsight was a pretty bold request. I was, after all, essentially announcing my intention to masturbate. Slipping past my parents with the stack of old Hustlers stuffed inside my jacket, I somehow made it to my bedroom and, not believing my good fortune, stayed up all night relishing the spoils.
To the modern 14-year-old, the scenario would be laughably quaint: There's no stash to be hidden these days. You can "clear history," along with any residual shame, in one click. At each adolescent fingertip is an inexhaustable stream of high-def images and Flash video—some 400 million pornographic Web pages in all. The sheer breadth is staggering: If you watched porn 24 hours a day, for example, it would take you several years just to get caught up on the 13,588 professional titles released in the United States in 2005 alone. Plenty more is out there in bulk on the digital shelf, no credit card required: bestiality, piss-drinking, throat-fucking, bukkake gang bangs, triple anal penetrations—all exhaustively cross-referenced. Any day now, some poor kid may actually go blind masturbating.
The awkward truth, according to one study, is that 90 percent of 8-to-16-year-olds have viewed pornography online. Considering the standard climax to even the most vanilla hard-core scene today, that means there is an entire generation of young people who think sex ends with a money shot to the face. It's hard to pinpoint exactly where the age divide falls, but it's safe to say that the first purebred guinea pig to have grown up never knowing a world without fisting on demand is probably around 22 years old.
By the time they're in high school, America's porn-fed youth have already amassed an encyclopedic knowledge of smut. Seth Rogen, cowriter of Superbad—which features a now-classic scene of teenage boys graphically discussing hard-core sites—recently told me that one of his favorite pastimes is trolling porn message boards. "It's hilarious how much these kids know," Rogen says. "There'll be arguments like 'This is classified as gonzo, but I would say it's more of a feature-BDSM. Also, they say this clip is taken from Handjobs #8, but this scene was actually first featured in Killer Grips #7.'"
Rogen might as well have been talking about brothers Travis and Cody, typical 21-year-old college students in Florida who tell me there's one criterion at the top of their list when it comes to picking a fuck buddy. "Pubic hair is disgusting," Travis says. "Girls should keep their vaginas porn-star trim." Cody describes his first real-life ejaculate-to-the-face finale like this: "It was the happiest moment of my young life. There is just something about blowing a load in a chick's face that makes you feel like a man."
For most men over 30, facials aren't something you actually do. They're like car chases or hurling someone through a plate-glass window—the difference between cinema and life. But the ubiquity of porn has blurred the line. According to a study by the Centers for Disease Control, the number of heterosexuals having anal sex nationwide has almost doubled since 1992.
But boys have always been perverts. Since a facial requires a female to receive it, the real story might be the apparent surge in the number of willing participants. In Immersion: Porn, a documentary by New York photographer Robbie Cooper, 22-year-old Lindsay sees the act as empowering to women. "Even if she has eight dicks on her face, she's still the queen of those eight dicks," she says. "I definitely like come on the face."
Former State Department staffer Mary Eberstadt, writing in Policy Review, compares the prevailing attitudes about porn to the general consensus on tobacco in the 1960s. "[Porn] is widely seen as cool, especially among younger people, and this coveted social status further reduces the already low incentive for making a public issue of it."
Of course, porn doesn't cause cancer, though it may cause homemade sex tapes and hot cam-on-cam IM action (playing in a locked suburban bedroom near you). And it almost certainly causes cell-phone-picture taking: According to a 2008 survey, one in five teenagers have sent an explicit photo of themselves to someone else or posted one online.
The sea change is perhaps nowhere more evident than in the burgeoning crop of young actresses flocking to the industry. Joanna Angel of BurningAngel.com, a veteran porn actress at 28, describes doing a three-way recently with a 19-year-old girl new to the business. "It was her first scene ever, so I was like, 'Don't worry—just follow my lead,'" she recalls. "But then the scene started, and the way she was giving a blow job and the things she was saying and the way she was moaning—I was like, 'What the fuck?' When I was 19, I was not giving blow jobs that were nearly that exciting. The girls these days just seem to come to the set porn-ready."
In fact, "porn-readiness" is now a source of pride. While on tour promoting her memoir, Jenna Jameson was reportedly stunned that 13-year-old girls kept telling her she was their role model. In a survey of 1,000 British girls between the ages of 15 and 19, roughly 25 percent said they aspired to become professional lap dancers. "Dirty Angel," 22, who writes a blog called Tastes Like Kisses and started surfing porn in her early teens, says, "It was watching [adult star] Heather Brooke that gave me the mind-blowing skills I have now when it comes to giving a blow job."
To those of us who came of age in the eighties and nineties—the dinosaurs once naïvely content with even the most terrible, chafing teen hand job—it feels a bit like looking down from an attic window onto the Haight-Ashbury during the Summer of Love. Let the young have their Twitter and their Jonas Brothers—we have no interest. But this kind of hurts. Of course, we're not all missing out on the fun. The Brett Ratners, the Silvio Berlusconis, the thirtysomething divorcés of the world—they will carry the mantle for us and hopefully report back. At least those in good cardiovascular health.
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MTVNEWS Reports
Young French, or French Montana as he's now known, is ready for the big time.
You've heard of French if you've been reading Mixtape Monday and Mixtape Daily over the past several years. He started making a name for himself with his street DVD series "Cocaine City." He then transitioned to the mic, most recently garnering buzz with Max B for their Coke Wave connection.
He signed with Akon's Konvict Music earlier this year, and now he's ready to sell some records. French is hoping to keep his 'hood momentum going towards the charts after leaking his new single, "Married to the Streets," which features Akon singing on the hook.
" 'Kon had a bunch of records for me," French said, explaining how the song was created. "It sounded like real pop, like Lady Gaga. I hollered at my producer, like, 'Send something to me.' 'Kon's sound changed. It came from 'Locked Up' to another sound. So, when I did that with him, it was a street record. That's how I wanted it to be. Working with Akon is like working with somebody I look up to. I admire his work. I had to come correct. I knew my sound."
French said the reason he wanted to ink with Konvict was obvious: He wanted to be a part of Akon's successful wave.
"As far as I look at Akon, all his artists are successful," he said. "He's got T-Pain, Lady Gaga, all these artists and they're all successful, out touring. There's not too many people you can say that about except for 50 Cent. 50 has Yayo, Banks — they're out there looking good. Plus, Akon gave me an offer I couldn't refuse. We're out rocking and rolling."
French and 'Kon linked up through SRC Records President Gaby Acevedo.
"[Akon] was in Florida, so he sent for me," French recalled. "I went down there to see him for a week. He was like, 'You can't leave until you sign the contract.' What's up? I went down there and played him all the music. He was like, 'Oh, God!'
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HipHopWired Reports
Mike Epps has been named as the latest in a line of Black comics to host BET's annual Hip-Hop Awards. Coming live from Atlanta's Bousfeuillet Jones Civic Center, the famed comedic actor will help the world celebrate some of the biggest names and personalities in the entertainment business today with the hopes of topping the star-studded affair that was last year's show. Stephen Hill, President of Music and Programming at BET, stated:
“We are very happy to be coming back to ‘The A' for the fourth go at the BET Hip-Hop Awards. We embrace the opportunity to amplify all aspects of the Hip-Hop culture; the music, the dance, the sense of community and as we have before, we expect to do so with excitement...and with my man Mike Epps on board as our new host, we'll do it with reckless abandon. And we don't stop.”
The funny man from Indianapolis will provide a popular fact to an award show that is still in its infancy, a fact that often adds to its unpredictability. Last year saw megastar T-Pain assume hosting duties after Kat Williams, whom was originally slated to host the affair, walked out on the show after a spat with several BET executives.
Not one to be pigeonheld, Epps is releasing a comedy album on the same day as the premiere of this year's show. Entitled “Funny Bidness,” the Indianapolis native will be featured alongside Hip-Hop heavyweights such as Snoop Dogg and Slim Thug as well as share an interesting track with rapper-turned-rocker, Kid Rock.
Fans with cable or satellite access will also be able to catch Epps performing his trademark stand-up comedy stylings on a Showtime Network entitled “Under-rated and Never faded-Live from Detroit,” which will premiere on October 3rd.
The BET Hip-Hop Awards will be held on October 10 and initially air on October 27 at 8 p.m.
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Allhiphop Reports
Harlem, New York rapper Max B. was sentenced to 75 years in prison today (September 3) for his role in a botched robbery that led to a double murder in a Fort Lee, New Jersey hotel.
Max B., born Charly Wingate, appeared in a Hackensack, New Jersey court today with co-defendant Kevin Leerdam.
Max B. and Leerdam were convicted on charges of felony murder, kidnapping and armed robbery for planning and robbing Allan Plowden and David Taylor at a Holiday Inn in September of 2006.
Taylor was shot and killed during the robbery, which was planned with Max B.’s ex-girl friend Gina Conway, who testified against the pair during their June trial.
Max B. was not happy with the situation and fired his attorney Gerald Saluti, just before the 75-year sentenced was handed down.
Leerdam received a life sentence, plus 35 years for his role in the murder, while Conway is facing an 18-year sentence today.
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HipHopWired Reports
There may be problems in the making for Amalgam Entertainment, a business located in Massachusetts, as a cease and desist letter has been issued over the use of their name. The letter has been issued out by SANDY LAL & ASSOCIATES, P.C. which is located in New York.
Representing Catherine Fandino from Amalgam Entertainment of New York, New York, the firm has stated that their client uses its brand in connection with audio recordings, music production and other related goods and services.
If anyone is lost, simply stated, there are two separate companies using the same title.
The issue that has arisen is the fact that the company located in Massachusetts (Joe Budden, Saigon, Slaughterhouse) has been distributing music under the same moniker, but the rights to the name belong to the company based in New York as they have been using Amalgam since 2003. According to the order, by selling goods that are identical to the company stationed in New York, the Massachusetts based business is guilty of infringement and unfair competition under state law and in violation of the Lanham Act. 15.
To further investigate the ongoing situation, HipHopWired has reached out to both companies in order to obtain further clarity on the ongoing problem.
Speaking with the Creative Director of the Massachusetts based brand, no further comment has been available and they are currently in the process of contacting Sandy LAL & Associates in regards to the claim and will provide their insight after speaking with their legal representatives. Their company was established in 2005.
In relation to the New York based company, HipHopWired has continued to try and speak with a representative from the firm, but have come up cold as phone calls have yet to be returned.
The cease and desist letter has asked to hear from a representative of the company no later than September, 7.
For all that have been keeping up with the digital label known as Amalgam Digital (Massachusetts), it has recently been on the rise as a label for independent and underground artists as an outlet to release their music. Partnering with E1 Entertainment, which has been running things as it relates to the independent music side, the two labels may have found a way for artists to finally cash in on the residuals of their work and release the material that they feel should be showcased on their albums instead of being controlled by record executives.
Read a copy of the cease and desist letter below hereRead more…
HipHopWired Reports
Lawyers for Amaru Entertainment scored a major victory against Morgan Creek Productions in the Superior Court for the State of California on Tuesday, September 1, when Judge Richard E. Rico ruled in their favor and upheld Amaru Entertainment's cross-complaint for tortious intentional interference. A trial date has now been set for Tuesday, April 13, 2010.
Skip Miller of Miller Barondess, LLP in Los Angeles, attorney for Amaru Entertainment, said:
"We are pleased with the court's ruling yesterday morning. It supports our claim that Morgan Creek tortiously interfered with the making of the Tupac Shakur movie. I look forward to trying this case and have the jury decide the matter. Morgan Creek has a history of bullying people into giving them rights they did not acquire. This time, they picked on the wrong people."
The litigation started when Morgan Creek filed suit against Amaru Entertainment in February this year, alleging that the company had "backed out of negotiations" and was currently "refusing to honor and perform a contract of a production for a film based on the life of Tupac Shakur." According to a press statement, “There was never any agreement as key deal terms had never been agreed upon between the parties. This was a scheme by Morgan Creek to bully Amaru Entertainment into doing a movie with them and interfere with Amaru Entertainment's negotiations for the film with other studios.”
In the ruling yesterday, the court held that Amaru adequately stated a claim against Morgan Creek for interference by making "intentional misrepresentations of fact to third-party studios claiming to own the film rights and threatening them to back off on further negotiations with Amaru Entertainment."
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"Jay is a talented motherf*cka, don't misunderstand me. He is talented! BUT HE HAS NO HEART...BEHIND IT. There's no soul behind it. It's motivated by money...STRICTLY." - DMX
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MSNBC Reports
CIUDAD JUAREZ, Mexico - Gunmen broke into a drug rehabilitation center, lined people against a wall and shot 17 dead in a particularly bloody day in Mexico's relentless drug war. The brazen attack followed the killing of the No. 2 security official in President Felipe Calderon's home state.
Dozens of sobbing relatives rushed to the El Aliviane center in Ciudad Juarez to find out if their loved ones were among the dead. Soldiers and federal agents patrolled the streets surrounding the center.
Ciudad Juarez, across the border from El Paso, Texas, is Mexico's most violent city, with at least 1,400 people killed this year alone.
Most of the homicides are tied to drug gang violence, which has taken a heavy toll across Mexico.
Calderon sent thousands more troops and federal police to Ciudad Juarez earlier this year, but the surge has done little to stem the raging violence. The city is home to the Juarez drug cartel, which is battling other gangs for trafficking and dealing turf.
Corrupt cops:
The government is struggling to revamp Ciudad Juarez's police force, which is plagued by corruption and the assassination of many of its officers. Other police have quit the force out of fear of being targeted.
The attackers broke down the rehab center's door before opening fire, according to Arturo Sandoval, a spokesman for the regional prosecutors' office. At least five people were also injured.
The massacre capped a particularly bloody day in Mexico's relentless drug war.
Gunmen killed the No. 2 security official and three other people in Calderon's home state of Michoacan, where the government is locked in an intensifying battle with the ruthless La Familia cartel, blamed for a string of assassinations of police and soldiers.
Jose Manuel Revuelta, who was promoted less than two weeks ago to state deputy public safety director, is the highest-ranking government official killed in the wave of assassinations sweeping Michoacan, the cradle of La Familia drug cartel.
Attackers drove up alongside Revuelta as he headed home and opened fire, state Attorney General Jesus Montejano said.
Revuelta tried to speed away, but only made it a few blocks before he was intercepted by two vehicles. Six gunmen got out and sprayed Revuelta's car with bullets, killing him, two bodyguards and a truck driver caught in the crossfire, Montejano said.
15 bullet holes:
An AP reporter at the scene saw the bodies of Revuelta and his bodyguards in the car, which had at least 15 bullet holes in the front windshield. Soldiers and federal police rushed to the site — just three blocks from the headquarters of the Michoacan Public Safety Department — and a helicopter circled overhead.
Soldiers and federal police have intensified their fight against La Familia since accusing the cartel of killing 18 federal agents and two soldiers since July. In the worst attack, 12 federal agents were slain and their tortured bodies piled along a roadside as a warning.
It was the boldest cartel attack yet on Mexico's government. Authorities said say La Familia was retaliating for the arrest of one of its top members.
The government has since rounded up more La Familia suspects, including Luis Ricardo Magana, who is alleged to have controlled methamphetamine shipments to the United States for the gang. Days before his capture, prosecutors detained the mother of reputed La Familia leader Servando "La Tuta" Gomez despite his threat to retaliate if police bothered his family. The woman was released after two days "for lack of evidence" of involvement in the cartel.
Calderon first launched his crackdown against drug cartels in Michoacan, sending thousands of federal police and soldiers to his home state after taking office in late 2006. Tens of thousands more have since been deployed to drug hotspots across Mexico.
Drug gang violence has since surged, claiming more than 13,500 lives, including more than 1,000 police officers.
Calderon defended his battle against drug trafficking in a speech to Congress on Wednesday. He said the government has taken on the cartels as no previous Mexican administration has dared to do.
"As never before, we have weakened the logistical and financial structure of crime," the president told legislators.
The federal Attorney General's Office, meanwhile, announced the arrest of its two top officials in Quintana Roo, a state on the Yucatan Peninsula, for allegedly protecting the Gulf and the Beltran Levya drug cartels.
Officials provided no further details on the allegations against the prosecutors, who were ordered jailed by a court Wednesday pending the investigation.
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RAP-UP REPORTS
A version of Jay-Z’s “Venus vs. Mars” surfaced last week featuring vocals from Cassie. But when the album version leaked this week, the Bad Girl had been replaced by Mrs. Carter on the hook. To make matters more confusing, only Cassie is credited in The Blueprint 3 liner notes, seen below.
This is not the first time Cassie has appeared on a Jay-Z record. She can also be heard on “Roc Boys (And the Winner Is…).” Listen to both ladies’ versions of “Venus vs. Mars” after the cut.
NY Daily News Reports
Aubrey O'Day really put her foot in her mouth this time.
The former Danity Kane member dug herself into a hole Monday night in a heated debate on Fox News' "The Sean Hannity Show" when the 25-year-old singer spewed out claims that both Adolf Hitler and Fidel Castro were "brilliant" men.
"As someone who has met [Castro]... I met him and worked with him while I was in Cuba. I'm not defending his behavior, but in many instances, but I do have to say, I will 100% agree, he's an incredibly brilliant man, he has outlived tons of our Presidents," O'Day said.
When Hannity gave the pop singer a second chance to clarify her point, O'Day reiterated, "I'm sure many murderers are brilliant people."
"Was Hitler a brilliant man?" Hannity asked.
"I don't condone Hitler one ounce, but yes, he was a brilliant man," she said. "He ran a country and convinced everyone of horrible things."
In response, Hannity shook his head and cut to Greta Van Susteren. In an effort to save what dignity she has left, O'Day issued a statement to TMZ.
"Murderers and dictators generally are some of the smartest people out there - they just use their brain power for evil purposes. I don't condone any of their evil behavior, but I was asked about their intellectual firepower... and in my opinion you can't have a low IQ and wreck [sic] that much havoc on the world," O'Day said. "What Hitler succeeded in doing, was deplorable... And I hope we never see such an abusive use of power again."
Still, despite such qualifiers, some members of the Jewish community find the singer's statements unforgivable.
Rabbi Chaim Cunin of Chabad House told TMZ, "When a woman like her uses public airwaves, with access to millions of wonderful citizens of America, and calls some of the most despicable, unspeakable hatemongers of history brilliant, then something is lacking with her intelligence. This is a constant reminder of how careful we need to be when we talk about hate, because hatred is always present."
He added, "We need to make sure we are careful and that hatred doesn't rear its ugly head. I'd like for her to think about some older Holocaust survivor having that comment beamed into their home while they are enjoying the freedom that this beautiful country provides and having to listen to her disgusting comments."
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Roger Stephens
KTLA Reports
Police say a 61-year-old man annoyed with a crying 2-year-old girl at a Wal-Mart slapped the child several times after warning the toddler's mother to keep her quiet.
A police report says after the stranger hit the girl at least four times, he said: "See, I told you I would shut her up."
Roger Stephens of Stone Mountain is charged with felony cruelty to children.
Authorities say the girl and her mother were shopping Monday when the toddler began crying.
The police report says Stephens approached the mother and said, "If you don't shut that baby up, I will shut her up for you."
Authorities say after Stephens slapped the girl, she began screaming.
The mother then called for security.
The girl suffered some redness in the face but was otherwise okay.
Stephens is currently being held without bond.
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ABC2NEWS Reports
Linday Lohan has turned down a close to $1 million offer to pose nude for Playboy magazine.
The Mean Girls star was previously approached by editors at Hugh Hefner's men's magazine to strip off for Playboy's 55th anniversary issue in 2008, but stated she wasn't interested.
The publication's bosses refused to give up and reportedly approached Lohan recently with a new proposal.
But the actress, who bared all for a provocative New York magazine spread early in 2008, has declined the invitation once more.
Her representative tells GossipCop.com, "She's not considering it right now.
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Posted by ChasinDatPaper on September 2, 2009 at 12:30pm
HipHopWired Reports
The Black Eyed Peas are riding high after breaking the Billboard record for longest act on the top 100 with their successful singles, “I Gotta Feeling” and “Boom Boom Pow.” Unfortunately for the chart topping group, someone's stepped up to shoot them down. A former employee on the Peas' concert tour is suing the band for an undisclosed amount of damages. Winter Sumpter claims that she was severely injured during band's 2007 “Black Blue & You” Tour. During the band's Burbank, California performance, Sumpter says she fell through a flight of stairs when “one of the treads became detached.”
In her court claim she says she suffered “severe and permanent injuries” and was left with “mental, physical, nervous pain and suffering.” Of course she's pointing the finger at the Peas for her clumsiness but she's not stopping there. She is also asking for a handout from their tour manager, and other concert officials. You know what they say; more money, more problems.
Despite the shady lawsuit, the Peas can crown themselves victorious overseas after a ban on one of their concerts was lifted. The band made headlines after Malaysian officials banned Muslim citizens from attending their upcoming concert in the country. Now however, that ban has been lifted and all citizens of Malaysia are free to attend at their will. The ban was put in place because the concert is sponsored by the Irish beer company, Guinness. Muslims are denounced from using alcohol as part of their Islamic law. Muslim officials have yet to provide a reason why the ban was lifted but they are imposing strict rules. Guinness will not be allowed to sell their product at the concert or use its logo for publicity. The concert is part of the beer company's 250th anniversary.
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For those who have an intravenous Internet hookup, Jay-Z's long-delayed, much-anticipated "Blueprint 3" leaked sometime in the wee hours Monday morning and made it's debut Tuesday on Rhapsody's and MTV's websites. We listened to the entirety of Sean Carter's 11th album in one fell swoop -- not even taking a break to sip overpriced Champagne, smoke overpriced cigars or take our Maybach out for a leisurely spin. That's either dedication or... a paying assignment from our editor.
"What We Talkin' About" (ft. Luke Steele of Empire of the Sun)
Jay-Z has enlisted Luke Steele of Australian hairspray techno auteurs Empire of the Sun to sing the hook. For those doing the math at home, that means that the man behind this album has more face-time on a Jay-Z album than longtime collaborators DJ Premier and State Property.
In the course of the cut, Jay-Z claims, "I'm not talking about profit; I'm talking about pain." Within 30 seconds, he's bragging about being bff's with Barack Obama. Apparently, Jay-Z feels the pain of the potential loss of the public option more than we will ever know. Hova also declares "I'm not talking about [rivals] Jimmy [Jones], Game or Dame [Dash]," thus robbing him of any semblance of conflict that might make his music that much more interesting.
"Thank You"
Rather than use the liner notes, Jay-Z decides to write a song thanking the fans for supporting him. He mentions that he has 10 No. 1 albums -- a factual inaccuracy. He has 10 official solo albums released prior to this one, and not all reached No. 1. You'd think that with all of his money, he could at least pay sidekick Memphis Bleek to fact-check for him. He also mentions his predilection for wearing really nice suits and going to the opera.
"D.O.A."
The long-ago leaked first single proves that no matter how cranky and cantankerous Jay-Z sounds, a Janko Nilovic sample can salve all wounds. Moreover, whether you agree or not with his traditionalist stance, Jay at least has a coherent point here.
"Run this Town" (ft. Rihanna & Kanye West)
The second single currently earning heavy urban radio play. You've probably heard it. If not, let me give you a hint about who runs this town -- it rhymes with May-B.
"Empire State of Mind" (ft. Alicia Keys)
Essentially, a list of New York City streets with the titular inspiration seemingly swiped from Nas' "New York State of Mind." For the 723rd time, Jay-Z compares himself to Frank Sinatra, an analogue that's becoming ill-fitting. There's something timeless about Sinatra's catalog and his choice of collaborators. Something tells me that Mr. Hudson, featured on the last track of "Blueprint 3," is no Antonio Carlos Jobim. Even Alicia Keys can't save this track from foundering.
"Real as it Gets" (ft. Young Jeezy)
This feels like a shameless shill to get Southern rap fans to buy the album, lured by the promise of a Young Jeezy cameo. When used properly, Jeezy's gravelly timbre can produce earthshaking force; but on "Real," the result is both rappers abandoning their gritty street raps for self-worshiping ennui. It's hard to blame them; it's tough to stay hungry when you have a personal chef.
"On to the Next One" (ft. Swizz Beatz)
The first track yet that doesn't make me want to skip onto the next one. Swizz Beatz is clearly channeling "A Milli," and while he doesn't get the exact same results, he clearly creates one of the album's standout tracks, sounding simultaneously au courant and catchy. Jay-Z continues his recurring obsession with being artistically progressive and moving forward.
"Off That" (ft. Drake)
Timbaland's beat sounds like one of the better castoffs from the last Justin Timberlake album, and Drake's hook is cool and self-assured. But there's something here that reads as stasis: Timbaland continues to envision the future as silver suits and astronaut ice cream, while Jay sounds like he would probably try to lecture the “Say Hey” kid for wearing tight pants.
"A Star is Born" (ft. J. Cole)
Featuring a guest appearance from J. Cole, the fledgling artist whom Jay-Z has signed to Roc Nation. Cole acquits himself fine with a nimble resonant verse about coming from poverty, though his performance lacks the appeal of past Jay proteges Beanie Sigel, Kanye West or Memphis Bleek.
"Venus vs. Mars"
A naked play to entice female listeners, with Timbaland delivering a monstrous beat. Unfortunately, Jay utilizes the lurid leering tone of the rich guy at the bar promising helicopter rides to any nubile female who will look in his direction. In 10 years, "Venus vs. Mars," will go down in history as the first rap song ever inspired by a self-help romance guide intended to illuminate gender differences. I can't wait until Drake releases his prog-rap opus, "He's Just Not That Into You."
"Already Home" (ft. Kid Cudi)
The most organic and hence best song on the album. Kanye fulfills his symphonic "Late Registration"-era aspirations and Jay fills it with regnant "Blueprint" majesty. The decision to pair up with Kid Cudi and Kanye West finally yields some dividends for Jay's experimentation. Granted, it's not exactly the London Muddy Waters Sessions, but it works. Kid Cudi's stoned insularity proves a nice foil to Jay's swagger and the song sounds fun and spontaneous.
"Hate" (ft. Kanye West)
The logical continuation of the "Graduation" dud "Drunk and Hot Girls," "Hate" sounds like the result of staying up all night in the studio mixing various liquors and then letting the tape recorder roll. You're in that deluded state where you think that everything you record is genius and filled with revelations. Then you wake up the next morning to realize that except for three seconds, everything you made was garbage. Except that never happened, and Jay and Kanye decided to put it on the album.
"Reminder"
Where Jay-Z reminds us that he's better than you and me. Presumably, this is supposed to even out the hospitality of "Thank You."
"So Ambitious" (ft. Pharrell)
Apparently, all ambition means these days is making songs that both Pharrell and Jay would've scoffed at during their "Roc La Familia"-era salad days.
"Young Forever" (ft. Mr. Hudson)
Sampling "Forever Young" on the the final track is one of the worst decisions of Jay-Z's legendary career and confirms everyone's deepest fears about the album: that it's a Hail Mary attempt by a veteran artist to stay relevant. There's maturing gracefully and then there's this -- a maudlin cut that sounds like bar mitzvah montage rap. After hearing this, cleanse with "Brooklyn's Finest" on repeat.
Verdict:
Regardless of this lackluster effort, nothing can alter Jay-Z's place as one of the greatest rappers of all time. That said, despite several strong moments, "Blueprint 3" documents an artist who refuses to wallow in the past, but lacks a (ahem) blueprint for the future. As with all Jay-Z albums, it tries to be all things to all people, and occasionally succeeds, but more often than not, it offers a tepid futurism. If Jay-Z is rap's Rolling Stones, this is his "Dirty Work," even if he maintains that he doesn't like his colors too bright.
LA Times ReviewRead more…
Porn Star, Pinky from pinkyxxx.com speaks on when she became such a freak and how far she will allow herself to go on camera. Graphic language.
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