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After a nearly two-month hospitalization, legendary rapper Guru (best known as the frontman for Gangstarr) died Monday morning (April 19), after a long battle with cancer, reports DJPremierBlog.com.

He was just 43 years old.

Solar, Guru's business partner and sidekick in recent years, told the Yo!Raps (who's PR company had been coordinating press for Guru since his hospitalization) that the 43-year-old rapper had been suffering from a "malicious illness for over a year and after numerous special treatments under the supervision of medical specialists failed".

He had tried to keep the cancer diagnosis private, but in early March, news leaked that Guru had been admitted to the hospital, suffered a heart attack, and was recovering from a mystery illness. Previous reports said he suffered from Anoxia, effects from a lengthy history of asthma and lung problems, but these new findings reveal a much worst condition.

"The world has lost one of the best MCs and hip-hop icons of all-time -- my loyal best friend, partner, and brother, Guru," Solar said in a statement. "Guru has been battling cancer for well over a year and has lost his battle! This is a matter that Guru wanted private until he could beat it, but tragically, this did not happen. The cancer took him. Now the world has lost a great man and a true genius.

"For the fans that reached out with love and support, I can't tell you how much that meant to Guru and myself. Guru prepared this letter (read below) while he was in the hospital for the fans," the producer continued. "I hope now that Guru has moved on to a better place."

According to Yo! Raps, Guru penned this letter to fans, explaining his illness while in the hospital with terminal cancer. Read it below in its entirety:

"I, Guru, am writing this letter to my fans, friends and loved ones around the world. I have had a long battle with cancer and have succumbed to the disease. I have suffered with this illness for over a year. I have exhausted all medical options. I have a non-profit organization called Each One Counts dedicated to carrying on my charitable work on behalf of abused and disadvantaged children from around the world and also to educate and research a cure for this terrible disease that took my life. I write this with tears in my eyes, not of sorrow but of joy for what a wonderful life I have enjoyed and how many great people I have had the pleasure of meeting.

My loyal best friend, partner and brother, Solar, has been at my side through it all and has been made my health proxy by myself on all matters relating to myself. He has been with me by my side on my many hospital stays, operations, doctors visits and stayed with me at my home and cared for me when I could not care for myself. Solar and his family is my family and I love them dearly and I expect my family, friends, and fans to respect that, regardless to anybody's feelings on the matter. It is my wish that counts. This being said I am survived by the love of my life, my sun KC, who I trust will be looked after by Solar and his family as their own. Any awards or tributes should be accepted, organized approved by Solar on behalf myself and my son until he is of age to except on his own.

I do not wish my ex-DJ to have anything to do with my name likeness, events tributes etc. connected in anyway to my situation including any use of my name or circumstance for any reason and I have instructed my lawyers to enforce this. I had nothing to do with him in life for over 7 years and want nothing to do with him in death. Solar has my life story and is well informed on my family situation, as well as the real reason for separating from my ex-DJ. As the sole founder of GangStarr, I am very proud of what GangStarr has meant to the music world and fans. I equally am proud of my Jazzmatazz series and as the father of Hip-Hop/Jazz. I am most proud of my leadership and pioneering efforts on Jazzmatazz 4 for reinvigorating the Hip-Hop/Jazz genre in a time when music quality has reached an all time low. Solar and I have toured in places that I have never been before with GangStarr or Jazzmatatazz and we gained a reputation for being the best on the planet at Hip-Hop/Jazz, as well as the biggest and most influential Hip-Hop/Jazz record with Jazzmatazz 4 of the decade to now. The work I have done with Solar represents a legacy far beyond its time. And we as a team were not afraid to push the envelope. To me this is what true artists do! As men of honor we stood tall in the face of small mindedness, greed, and ignorance. As we fought for music and integrity at the cost of not earning millions and for this I will always be happy and proud, and would like to thank the million fans who have seen us perform over the years from all over the world. The work I have done with Solar represents a legacy far beyond its time and is my most creative and experimental to date. I hope that our music will receive the attention it deserves as it is some of the best work I have done and represents some of the best years of my life
."

Guru (real name: Keith Elam) rose to fame in the 80s as the frontman to the legendary rap duo, Gangstarr, also consisting of DJ Premier. The group released the classic single, "Words I Manifest," which was followed by their critically acclaimed debut, No More Mr. Nice Guy, in 1989. The group went on to release six official albums through 2003, before they split and went their separate ways.

Guru went on to found 7 Grand Records, partnering with producer Solar, and embarked on a solo career.

Since falling ill, there's been a lot of controversy over news of his hospitalization. Family members of Guru publicly claimed that Solar had taken over control of the rapper's decision making and had even barred them from visiting. The only official statements being released from the veteran rapper were relayed through his longtime partner Solar, which raised eyebrows from former Guru collaborators and friends. Solar, however, publicly denied claims of any malicious intentions and was only following the rapper's instructions.

Unfortunately, Guru never got well enough to clear things up himself.

On Monday (April 19) when Guru passed away, so did a piece of hip-hop. He'll forever go down in history as one of the best MCs to ever do it. Rest in peace GURU!

Source: BallerStatus

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Gang Starr "Moment Of Truth"

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Cypress Hill may have taken a break from the game from a few years, but they never really left.

The California collective is back with a brand new album titled 'Rise Up'

They hit the stage on The Jimmy Kimmel Show to perform the title track from the new LP with an assist from guitarist Tom Morello of Rage Against The Machine.

They aslo performed the classic joint "Insane In The Brain".

'Rise Up' is in stores today.

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Cypress Hill "Rise Up" featuring Tom Morello


Cypress Hill "Insane In The Brain"
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Kelis wants to be legally divorced from Nas so bad -- and so quick -- she has filed papers with the court asking them to make the split official ASAP.

According to documents filed last week, Kelis said in a declaration, "... it would be in the best interest of both of us if our marital status is terminated as soon as possible."

Because she fears that the legal proceedings could take years to figure out, Kelis has requested that the judge immediately terminate their marriage -- and wait until a later time to resolve "all other issues."

As for the odds that the two will rekindle their romance -- Kelis stated, "I believe there is no possibility of reconciliation with [Nas]."

Source: TMZ

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WHEN US reality type Kim Kardashian posted a picture on Twitter yesterday of her holding an uncomfortable looking cat by the scruff of the neck, a flood of hateful messages followed.

Many too expletive-laden for us to use, suffice to say the "Twitterverse" wasn't happy.

"This is hot!!!!!!!.... Just don't let PETA get an eye of this cuz it look like that kitty is in pain," one fan wrote (with perfect grammar clearly).

TMZ reported Society for the Prevention of Cruelty to Animals L.A. as saying: "It is permissible to hold a kitten by his or her scruff for a brief amount of time" but "the manner in which Ms. Kardashian is holding the kitten could lead others to mishandle animals."

The controversial pic was taken at a photo shoot in Sydney this week, with Kim posting "good kitty cat!" under the snap.

Confidential asked the RSPCA's Michael Beatty for his take on the puss's predicament.

"To be honest, we probably handle them like that most of the time," Beatty said.

"But if it's a larger cat, we'd put the hand under the rump. She's at least half right."

Yesterday Kardashian looked serene and calm on the outside but inside was anything but when asked about recent reports that she had moved on from long-time beau, gridiron player Reggie Bush, and been spied kissing Real Madrid soccer star Cristiano Ronaldo.

The cable TV starlet, who is going into her fifth series of Keeping Up With The Kardashians in the US and has become a gossip magazine favourite, has been flown out to Australia to promote a new Optus product, the Motoblur.

But it was social networking of another kind that was on Confidential's mind when we met up with the curvy 29-year-old at The Winery yesterday.

When asked about her break-up with Bush she said: "We're great friends. We broke up in March but there's no drama. It's so crazy because people always want to make it dramatic but there really wasn't an issue, we just didn't spend as much time as we used to together. We are focused on work."

And when asked about reports she'd been spotted kissing soccer star Ronaldo a week ago she refused to comment: "I've kissed about 1000 people this week, according to US tabloids."

Source: Herald Sun

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Ex Playboy Playmate and star of 'Girls Next Door' showed she still got plenty to work with after having a baby recently with husband Hank Baskett.

Kendra may have moved out of the Playboy Mansion, but she still knows what men want to see.

Legendary Oakland Rapper/Pimp Too $hort brought her out on stage at the Kdays Krush Groove concert in L.A..

While $hort performed "Blow The Whistle", Kendra did her damn thing.

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Hard Knock TV caught up with New Orleans MC Jay Electronica.

Jay touched on a few topics people have been wondering about. He addresses the controversy surrounding his baby moms Erykah Badu's video "Window Seat"

He also speaks on forthcoming collaborations with Nas and his own album.

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Rapper 50 Cent will show fans his family heritage as part of an upcoming VH1 “Rock Dock” titled 50’s Roots.

According to rep’s for VH1, 50 Cent will head to the dep south in search of his family’s slave lineage.

During the show, the South Jamaica, Queens-raised rapper will meet with living family members, while attempting to learn more about his ancestral heritage.

The “Rock Doc” is being produced in conjunction with 50 Cent and Roadside Entertainment and is part of a massive new slate of programming VH1 is unveiling for 2010.

The new programming reflects a study VH1 conducted, to gain insight into what viewers of the network actually wanted to see.

"They told us that they want to connect even more with our characters, our artists and our celebrities – but in a more genuine way,” said Tom Calderone, President of VH1. “They still enjoy VH1's signature sense of fun and irreverence, but they also want more storylines that reflect the issues and challenges they are experiencing in their own lives.”

VH1 is a unit of Viacom, which also owns MTV Networks, which aired 50 Cent’s first reality show, 50 Cent: The Money and The Power.

An airdate for 50’s Roots was not available as of press time.

Source: AllHiPHop

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Atlanta, Georgia (CNN) -- In Chris Harrison's ideal world, mobile phones would be the size of matchbooks. They'd have full-size keyboards. They'd browse the Web. They'd play videos.
And, most importantly, you'd never have to touch them.


Sound like too much to ask? Maybe not.

Harrison, a graduate student at Carnegie Mellon University and a former intern at Microsoft Research, has developed a working prototype of a system called Skinput that does just that, essentially by turning a person's hand and forearm into a keyboard and screen.

"People don't love the iPhone keyboard. They use them. But they don't love them," Harrison said in a interview at the recent Computer-Human Interaction conference. "If you could make the iPhone keyboard as big as an arm -- that would be huge."

Using Skinput, a person could tap their thumb and middle finger together to answer a call; touch their forearm to go to the next track on a music player; or flick the center of their palm to select a menu item.

All of these sign-language-like movements, which are customizable, would control a gadget in a person's pocket through a Bluetooth connection.

When fitted with a pico-projector, the Skinput system could display an image of a digital keyboard on a person's forearm. So, using Skinput, someone could send text messages by tapping his or her arm in certain places -- without pulling the phone out of a pocket or purse.

"You could pretty much do a lot of what you do on your iPhone," said Harrison, who says Skinput "is [like having] your iPhone on your palm."

The system, which has been under development for eight months, won't be commercially available for two to seven years, said Dan Morris, a Microsoft researcher who is working with Harrison on Skinput.

Before that can happen, Skinput's sensors need to get more accurate, he said. In a 13-person trial in Seattle, Washington, Skinput was found to be 96 percent accurate. But that test only used five buttons. The system would have to improve for people to make use of a full keyboard, which would be the "holy grail," Morris said.

"The accuracy is good, but it's not quite consumer-level yet," he said.

Skinput is one of a number of prototypes, ideas and near-products aiming to make computing more natural.

These devices seek to move beyond the mouse and physical keyboard, letting people communicate with their gadgets by gesturing, using sign language or, in the case of Skinput, tapping on their hands, fingers and forearms.

The arm as an instrument
Understanding how Skinput works makes it seem all the more futuristic.

The system turns a person's arm and hand into a wiggling, pulsating instrument, full of vibrations that can be picked up and translated.

Skinput users wear an armband -- the prototype version is made of an elbow brace -- that's lined with 10 sensors. These sensors look like tiny diving boards with dumbbells on one end, and they pick up inaudible sounds that range in frequency from 25 to 78 hertz.

When a Skinput user taps a thumb and middle finger together, the impact sends ripples down the skin and through the bones in the person's arm. "They sort of start resonating -- like guitar strings," Harrison said. The diving-board receivers read the sound waves to figure out what gesture the person made, and then relay that information to a phone.

Skinput can tell whether a person tapped a middle finger or an index finger, because the two moves sound slightly different to the springy receivers.

The system takes one or two minutes to learn the sounds of a particular person's arm, Morris said, and then it can be used however the user likes.

Trial and error
When they started working on Skinput, Morris and Harrison weren't sure if it would be possible to turn the human arm into a virtual keypad. The pair tried clipping sensors to the ends of peoples' fingers and other strange configurations that made users feel like cyborgs.

"We spent a lot of nights in the lab tapping on our arms and wondering if this would ever happen," Harrison said.

But the most profound achievement of Skinput is proving that the human body can be used as a sensor, he said.

Morris believes Skinput will make computing accessible to people in a way that never would have been possible before.

With Skinput, "literally, computing is always available," he said.

A person might walk toward their home, Harrison said, tap their palm to unlock the door and then tap some virtual buttons on their arms to turn on the TV and start flipping through channels.

"It's almost like magic," he said.

Source: CNN



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MILWAUKEE (AP) - A Milwaukee County courtroom erupted into violence and screaming after a Wisconsin man was sentenced to life in prison without parole Friday morning.

Three deputies tackled 19-year-old Seandell Jackson and sprayed him with pepper spray after he became enraged by the sentence and glared at the victim's family.

Meanwhile, Jackson's family turned to the victim's family and began yelling, "We hate you, we hate you, God is the judge."

Jackson was convicted in Feburary of first-degree intentional homicide and attempted robbery in the death of University of Wisconsin-Milwaukee student Nathan Potter in July.

Source: Fox 11



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Christina Aguilera may be a mom, but that by no means puts her in the mood to tone down her look or music videos. In fact, Aguilera says her new album, "Bionic" promotes the fact that she feels "sexier than ever".

Referencing her son, Max, and the maturity that comes with being a mom on the set of "Not Myself Tonight"(video), Aguilera said "[Having a baby] makes you appreciate your body in ways you never knew existed prior. It’s a comfort level with your body. Maturity. Having wisdom and the knowledge you didn’t have in your early 20’s and not know quite how things work yet. Mmmm. (laughs) And how to get the best of them. So, with age, comes those lessons and those growing moments.”

According to GMTV, who was granted access to the anticipated shoot for "Not Myself Tonight" earlier this month, Aguilera is back and ready to play with a new deck of cards.

"[I've been] going through that whole growing cycle of being a mom, where with age, I know now exactly what I want," Aguilera told the UK based program. "I have a better understanding of exactly how to get it... I feel sexier than I ever have."

In related news, Christina Aguilera is slated to tape an episode of VH1Storytellers and perform during Toyota's Summer Concert series, the latter airing on the 'Today Show' in June.

Source: MTK UK

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Forget being mad over talk of her 'lace-front' on VH1's 'Brandy and Ray J: A Family Business,' Brandy has some serious beef with longtime friend/producer Rodney Jerkins.

In a soon-to-air episode of her reality show with Ray J, Brandy leaves no stone unturned blaming Jerkins for poor work and the ultimate demise of her last album, "Human".

Reportedly interested in working on a project with Jerkins, Ray J discusses the effort with Brandy, only to be hit with a disapproving look and words like 'I don't want the same thing that happened to me to happen to you'.

While it is unknown whether Brandy has patched things up with Jerkins, since the show taped earlier this year, it is very clear that Brandy was not enthused with his work on the album that ultimately ended with her parting ways with Epic Records.

Source: SingersRoom

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Videos After The Jump

ST. JOHN'S, N.L. - When Drake stormed into St. John's for the Junos this weekend, winning two awards and taking the stage for three separate performances, the 23-year-old best new artist winner really looked more like a calm, seasoned vet.

And, in fact, he does have some uncommon experience: he's one of an exclusive club of Canadian artists who appeared at the Grammys before his own hometown show.

In January, he didn't win in either of the two categories he was nominated in at the Grammys but provided one of the show's highlights with a crackling performance of his "Forever" with Lil Wayne and Eminem.

So how did the two experiences compare?

"The Grammys were very overwhelming," Drake said backstage after the Junos on Sunday. "I was actually very sick that night, so it was a little disheartening at first. I was sort of nervous. I remember walking the carpet and I just got lost in the melee of people that were way more famous than me. Nobody really cared much that I was there.

"It was a great night though. That's probably one of the most memorable nights of my career."

Drake and His Mom


The Junos, however, were just as memorable.

"Tonight was about more for me, though," he said. "It was just, I spend so much time in the States telling them how much I love Canada, telling them how much I love Toronto and how much it's inspired my music.

"So to be recognized by Canadians, it just lets me know that I'm not doing it vain and that they support me as much as I love and support them.

"So the Junos tonight was really special for me."

Aside from winning trophies for new artist of the year and rap recording of the year (for his EP, "So Far Gone"), Drake also took the stage for a blistering - and blue - performance of his new single, "Over," for a backing role on 16-year-old Justin Bieber's tune, "Baby," and for K'naan's show-closing "Wavin' Flag."

When he beat out Bieber for new artist, the two phenoms - conveniently seated next to one another - smiled and hugged, and Drake gave him a shoutout onstage (only after thanking his mother, of course).


Afterwards, Drake breezed into the media room and did something no one else did all night - he grabbed a chair and got comfortable as he fielded questions from the media.

But as relaxed as he seems, Drake says the gigantic leaps forward he's been making this past year haven't dulled the nerves that still come with award shows.

"Pretty much every single thing I do is intimidating or nerve-wracking, so I just do what I do right now, come in and try to make myself overly comfortable," said Drake, nee Aubrey Drake Graham.

"When I have to perform, I just really go at it head on, I jump around, I get excited, I amp myself up. If you think about what you have to do too much, it can definitely drive you crazy."

And it's not lost on him that, for a Canadian rapper who doesn't have an album full-length out yet ("Thank Me Later" is now scheduled to drop in June), he leads a charmed existence.

"For a new artist, I've (done) some things that some people will never get to do in their lives," he said.

"I'm grateful for all my blessings."



Source: New Glascow




Drake "Over"




K'Naan ft. Drake, Justin Bieber, & Nikki Yanofsky "Wavin' Flag"




Justin Bieber ft. Drake "Baby"




Drake Wins New Artist Of The Year




Drake Wins Rap Recording Of The Year

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Jake Shields' win at the Strikeforce World Championship Saturday night was overshadowed by a brawl that was never meant to happen.

CBS' telecast of the mixed martial arts competition ended in an unscheduled fight that broke out after Shields defeated Dan Henderson.

The fight started when Jason "Mayhem" Miller called for a rematch. Shields started to pummel Miller, only to be separated and have his spot taken by the crowd.

The show's host exclaimed on the loud speakers, "Gentleman, we're on national television," before cutting to commercial.

Miller later tweeted, "They didn't show the whole fight, which is silly, but everyone decided to go the distance tonight."

Source: NY Daily News



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Toyota will agree to pay a record $16.4-million fine for hiding safety defects related to sudden acceleration in 2.3 million vehicles but will stop short of accepting full legal responsibility for purposely withholding safety information, federal safety regulators said late Sunday.

Toyota failed to notify the National Highway Traffic Safety Administration for at least four months after learning that the accelerator pedals in some of its vehicles could stick and cause unwanted acceleration, regulators say. Under federal law, automakers are required to disclose defects within five business days.

NHTSA announced April 5 that it would seek the fine. Final details of the written agreement with Toyota were still unresolved Sunday night, although the agency said it expected Toyota to pay the maximum amount that NHTSA is allowed by law to levy.

"By paying the full civil penalty, Toyota is accepting responsibility for hiding safety defects from NHTSA in violation of the law," a senior Transportation Department official said.

Toyota officials could not be reached for comment late Sunday.

Toyota was given until Monday to pay the fine or contest it. Even as late as Sunday night, it was not clear whether the written agreement that governs the fine would include an admission by Toyota that it violated the law.

Such an admission would be important because Toyota faces scores of personal-injury and class-action lawsuits alleging that safety defects in its vehicles have caused crashes, injuries and fatalities.

Even if Toyota does not formally admit guilt, federal officials said, paying the sizable fine would indicate that the automaker broke the law.

Plaintiff attorneys have said they plan to use the fine as evidence in litigation.

The Japanese automaker issued a recall for the sticky-pedal problem in late January, acknowledging that the accelerator pedal assembly on some models could fail to return to the idle position in certain circumstances.

Several months before that, Toyota announced its largest-ever recall to address the risk that floor mats in some models could entrap the gas pedal and cause unwanted acceleration. That recall now includes 5.4 million vehicles. In addition, Toyota has launched recalls of several other models in recent months for safety issues related to braking and rust. In total, the automaker has issued roughly 10.5 million recall notices worldwide in the last seven months.

Toyota sent instructions to its European operations in September that explained how to fix accelerator pedals that could stick but decided not to similarly notify U.S. dealers and government regulators, according to an April 5 letter from NHTSA attorneys to Toyota.

The NHTSA letter indicated that Toyota may have known about the defect for at least three years.

It was not until Jan. 19 that Toyota notified NHTSA about the defect and then two days later issued its massive recall. Five days after that, Toyota halted sales and production of eight models because of the defect.

NHTSA said in its April 5 letter that it may seek additional fines related to the sticky-pedal recall.

Meanwhile, the agency has acknowledged it is investigating other Toyota disclosure practices that may have violated federal law and could result in further fines.

To date, the largest federal penalty paid by an automaker was $1 million, levied against General Motors in 2004 for delaying a windshield wiper recall.

Source: L.A. Times

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Audio After The Jump Who can remember when they used to see Ginuwine, Missy Elliot and Timbaland in videos and on tracks together all the time? Well, Ginuwine recently said in an interview that he still feels upset by falling out with Timbo and that the dance music lover has even given him the cold shoulder a few times too.

Ginuwine told VIBE Magazine: "Me and Tim were real close at one point. A lot of the times that I reached out, there were a bunch of excuses. I begged and pleaded with him because I felt a certain way but I was like, is it just a bad vibe that I'm picking up on? Maybe I'm bugging out, I don't know.”

He added: “But it came out to be true and I still feel like he owes me an apology for that. The reason I'm pissed off at him now is because of what he did. I would've been cool and not bothered him if he would've said, 'Nah, I'm too busy', or gave me the lame excuse like he's been giving me. But don't do it and then not do what you're supposed to do [to promote the song]."

Source: MTV UK

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NBA star Shaquille O'Neal's divorce from his wife Shaunie is getting very messy.

According to TMZ, Shaq sent a message via his six year old son that he is going to kill his wife's current boyfriend.

Shaq reportedly told his son to tell the man that Shaq "is going to kill him". At one point he started screaming, "Say it now! My daddy is going to kill you!"

Shaunie also accuses her husband of interrogating their kids to tell him everything they know about the man "to the point that they felt intimidated and scared of him."

Her lawyers are demanding the basketball star stop "further inappropriate discussions" with their children -- which is an alleged violation of the non-disparagement provision of their divorce judgment.

Whoa Shaq, slow your roll son we know you're better than this.

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(AllHipHop News) Scott Storch is quickly getting back into swing of the music game by lending his hit-making skills to the highly anticipated Dr. Dre single “Under Pressure,” a song that features Jay-Z.

The song, which has yet to leak, is a huge move for the Philadelphia-bred musician, according to a company working closely with Storch.

"To see Scott Storch and Dr. Dre back together, signifies the change in the music industry climate as we know it. This will definitely get the industry back in step with the world,” said Derek Jackson of the Bluewave Group, Inc. Storch serves as the Vice President of Creative, according to the company’s profile.

When AllHipHop.com talked to Storch in December 2009, he was about to jump on a plane to Los Angeles to work with Dre in California.

He wouldn’t divulge much but said, “That seems to be his trend and every time he comes out, its amazing. I don't want to spill the beans on exactly the direction he's going but its definitely different than that last one.”

Storch and Dr. Dre have worked together at great lengths in the past, including "Still D.R.E," (which was written by Jay-Z), The Chronic 2000 and a plethora of other works.

Source: AllHipHop

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Bad bounces for the NBA: With league claiming losses & players crying foul, lockout looms

In seven seasons in the NBA, LeBron James has done everything you could ask of a player who came in directly from the high school ranks. He's taken the once down-trodden Cleveland Cavalier franchise to its first NBA Finals, played in six All-Star Games, won a regular-season MVP award, is favored to win his second-straight MVP and has led his team to the best record in the NBA for the second straight season
.

If he only had the Midas touch when it came to making his team money, James would be even better than advertised.

Despite all that James has done to turn Cleveland into a winner, the Cavaliers have been losing upwards of $20 million per season over the last two seasons, and are projected to lose anywhere from $10-$15 million this season, according to league sources with knowledge of the team's finances.

Not that the Cavs are alone. They're one of many of the 30 NBA teams expected to lose millions — and supply the league's owners with what they see as an iron-clad case for changing the current economic model when the labor agreement expires after next season.

Owners don't believe their losses are merely a direct result of the lousy economy, which can be partly to blame for the league's 2% decline in ticket sales. For the men who sign the players' paychecks, the very system under which they operate is obsolete, only five years after they signed their last collective bargaining agreement and guaranteed players 57% of basketball related income (BRI).

"We need to make significant changes to deal with very substantial losses that amount to hundreds of millions of dollars," NBA commissioner David Stern said, at the All-Star Game in Dallas in February. "It's fair to say that the current business activities do not support the current expense structure that we have."

Empty Seats At Nets vs Knicks Game


Stern projects losses upwards of $400 million for this season alone — about double the annual losses for the first four years of the deal. And he predicted Friday that they would still be close to that. That's why he and his owners want to drop the players' salaries to around 45% of the BRI.

The $400M loss projection has come under fire from the players, and, to a lesser extent, from the Players Association, who see it as a negotiating ploy and don't want to antagonize their partners, at this point. When the players present a counter-offer in the near future, they are expected to provide their own bottom-line figure and continue to demand that the current system merely be tweaked. The union contends that aside from the problems with the economy, teams need to be smarter when it comes to spending money on coaches and front office personnel.

Players are in a tricky spot, knowing they can't protest too loudly.

"The last work stoppage was in '98 and certainly the economy was a lot better at that time, and there were some players who said some things that were insensitive," said Phoenix's veteran forward, Grant Hill. "You don't want to alienate and disrespect the public and the customers who support us. So it's a tough situation. Obviously, there's posturing that occurs in negotiations, but both sides have to be careful."

On this hot-button issue, owners and team executives are not as free to speak as players, risking a hefty fine from the league. Not surprisingly, they have taken the league's position that players need to make the ultimate sacrifice. One ownership source said privately that four teams — Memphis, New Orleans, Charlotte, and Minnesota — went into this current season with their owners digging into their own personal fortunes to keep their teams afloat. Additionally, Atlanta, Detroit, Miami, Orlando, Oklahoma City, Indiana, New Jersey, Milwaukee and Philadelphia were among the teams said to be losing "tons'' of money this season.


While the defending champion Lakers do the best on and off the court — with their tremendous revenue streams in big-market L.A., they made around $51 million last season, according to Forbes — the Cavs' payroll of $85 million is the main reason for their losses, sources say. Looking to keep James happy and to get his signature on a new long-term deal this summer, Cavs owner Dan Gilbert has done everything possible toward that end by constantly adding high-priced players, including this season's additions, Shaquille O'Neal ($20 million) and Antawn Jamison ($11.6 million). Gilbert will have to pay about $15 million in luxury tax, bringing his bill for salaries to around $100 million. So, despite the Cavs playing to sellout crowds during most of the James era, and getting top dollar from other revenue streams, including concessions and parking, having James on the team has been a losing proposition, at least when it comes to the team's finances.

Yet, despite the record losses around his league, Stern has rarely taken flak, or for soft-peddling the crisis when he says things like, "It's a good time to be commissioner in the NBA," a line he delivered in Dallas before telling the media how dismal things are.

"When David talks about how great things are, he's not talking about the teams' profitability," says one high-ranking league executive who requested anonymity. "He's talking more along the lines of how the game is going for us, internationally. He's not talking about, 'hey, our teams are printing money.' You have not heard him say that.

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Source: NY Daily News

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Monica continues to reign atop the Billboard R&B/Hip Hop Songs chart.

Scoring a fourth week on top with "Everything To Me," Monica fought off Usher's well charting single "Hey Daddy (Daddy's Home) (no.2)," "Rude Boy (Rihanna)(no.3), and "My Chick Bad," Ludacris' hit single with Nicki Minaj.

The latter of three, "My Chick Bad" is this week's top airplay gainer, moving three spots (7-4) to reach no.4.

In related news, Usher has another top 10 hit on his hands with "Lil Freak". Also featuring Nicki Minaj, the single moved 11-9 this week.

Source: SingersRoom

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