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Nas shared a brotherly bond with Damian "Jr. Gong" Marley while recording their Distant Relatives LP, which was part of the reason he has been able to get through his much-publicized personal turmoil over the past year. In April of last year, Kelis filed for divorce from Nas. Since then, the two have been embroiled in a court battle over child support.
Still, despite whatever drama the MC found himself in, it didn't blur his focus on his new project.
"Personal life is what it is," he said Monday (May 17). "Everybody goes through it. Working on this record got me through it. Rockin' with D got me through it. His whole squad, his whole team, the way he rides, his whole culture. He didn't have to push anything on me. He didn't have to say anything particular. Just, I know this is my brother right here. Rockin' with him, I kept my head clear and focused on what we was doing, so it was all good."
Their joint effort hits stores Tuesday. The two started a tour in support of the project, touching the stage in Chicago over the weekend, and they hit New York on Monday night.
"People don't know what to expect still," Nas said of their live shows. "It's a good thing the album is out. You can enjoy it, come through, anticipate certain songs. We're doing an album for the first time, so we're still getting the kinks out, but each show we do, it's just growing."
Nas promised that the duo will get "heavily" into the album at their concerts. The guest stars on Distant Relatives include K'naan, Joss Stone, Lil Wayne and Jr. Gong's brother Stephen Marley.
"He's on two tracks, his vocals, which is on 'Leaders' and 'In His Own Words,' " Damian said. "He also produced those two tracks and a track called 'Patience' on the album. For me, it's a natural thing. All of my albums prior to this was produced by my brother and myself. That's how we do music. It's another natural step for us to do music on this album also."
"It's mind-blowing, man," Nas added about being in the lab with the Marley family. "Anytime you see family, you're always taken aback and see the similarities between people. When you see Stephen, you see Julian — all the brothers. It's an amazing thing. Sometimes I think, 'What if their father was here to see all of them, how well they're doing now?' He's gotta be proud — even now. It's a beautiful thing. [My brother] Jungle definitely came through. We made it a big family affair; the Marleys and Joneses: We chillin'."
The current single from Distant Relatives is "As We Enter."
"Great fun shooting that music video," Jr. Gong said. "It's almost like, in some way, a version of the live show. We get up there, performing for the camera. It reminded me of the 'Road to Zion' video. The look of it."
Mariah Carey's quick thinking saved the R&B diva from a potentially dangerous situation.
MC was in Egypt about do her thing on stage when she literally got a hot foot.
"In Egypt getting ready to go on stage and suddenly there was a surge of power and an electrical fire started under my feet! Wtf?!" she tweeted "Naturally,my emergency instincts kicked in and I put out the flames w/a towel. Lol(yet true)."
Mariah even found time to laugh about the whole situation.
"The funny thing about this ish is an ol'skool radio station in the other room started playing "aww freak out!"@that exact moment!"
Good to see you're ok MC, you might want to fire your security and stage hands though, they move way too damn slow
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Long before Rima Fakih was crowned Miss USA 2010, she took home top honors in a contest that would make even Donald Trump blush.
Miss Michigan, who made history Sunday night as the first Arab-American to win the Miss USA beauty pageant, won a pole dancing contest in 2007 hosted by local Detroit radio morning show Mojo in the Morning.
In a series of photos posted on the radio show's Web site, Fakih is seen provocatively working her way up and down a stripper pole while wearing a blue tank top, bottom-grazing red shorts and a pair of high heels. Another photo shows her wearing a bra stuffed with dollar bills.
The 24-year-old beauty did not need to remove any clothing during her show-stopping performance at the Coliseum Gentleman's Club which won her "jewelry, gift cards, adult toys and a stripper pole for home use."
According to Mojo In The Morning, radio show producers have been contacted by Miss Universe representatives requesting additional photographs and information regarding Fakih's involvement in the annual "Stripper 101" contest.
Pageant officials reportedly did not answer to inquiries regarding whether Fakih's status as Miss USA was in danger.
"It would be foolish to consider anyone other than Rima to represent the USA," radio host Mojo said. "The photos taken from our Web site are no more provocative than those on the Miss USA Web site."
Source: NY Daily News
Dancehall star Mavado has angered some in his home country of Jamaica for his appearance in Drake's new video "Find Your Love"
Some feel his portrayal as a gun toting gangster named "Puffy" promotes the wrong image of the country, while others say it depicts reality.
Jamaica's Minister of Tourism Edmund Bartlett protested the content of the video saying, "Care has to be taken by all, including our creative artists, in portraying images of our destination and people."
"Gun culture, while not unique to Jamaica, is not enhancing [the island's image]," he added.
The video was shot in the Jamaican cities of Kingston and St. Andrew and follows Drake as he pursues his love interest who happens to be Puffy's woman.
Mavado's manager Julian Jones-Griffith responded to the criticism:
"The concept that they came up with, where did they come up with that? If Mavado did not do it, another Jamaican actor would have done it," he said.
"There are a broad range of issues which need addressing if people from California want to portray a love story like this."
Diddy has never been short on confidence. In the new June issue of XXL the rap impresario breaks down why he feels he's the best.
As he preps the release of his latest album 'Last Train To Paris' Puffy takes a look back at his colorful career.
“I am the champion of hip-hop” Diddy says. “Hands down, undisputed, I’m the undisputed heavyweight champion of hip-hop. We are going to have to deal with those facts. There is nobody that can f*ck with me with what I do, which is getting busy. We are going across the board, as an entrepreneur, innovator, motivator. Who was there first? Who traveled to Europe first? The first. The first. The first. The first. I was the first.”
Diddy didn't stop there, he got on a Floyd Mayweather Jr type roll bragging on his accomplishments.
"I was the first on the jet. I was the first running the marathon. I was the first donating millions of dollars. I was the first," Diddy bragged. "I was the first with the 10 million records sold. I was the first with the label. I was the first with the renegotiations. F--- a Forbes list. I was on the cover of Forbes."
There is no doubt that Diddy has done a lot for the hip hop community and will go down as a genius when it comes to marketing and promoting. If you don't think so, just ask him yourself.
"There is going to be someone that will pass me, but as long as I'm on the court, they are not going to be badder than me, because there is too much catching up to do," he continued. "There is not one mutha----er that's here now who is going to outwork me. That is not going to happen, not right now. Maybe if I slow down, but to this day, no one can f--- with me when it comes to getting busy and working."
The June issue of XXL hits stores June 1. While Diddy's 'Last Train To Paris' is expected later this year.
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Lloyd Banks' "Beamer, Benz or Bentley," featuring Juelz Santana, came out of nowhere to be a smash. The song has been such a favorite that artists from Eminem to Joell Ortiz have freestyled on the beat.
Banks is grateful for the love from his peers, and last week, he dropped the official remix with a slew of teammates. "Shout-out to everybody who did the record prior to the official remix coming out," Banks said on Friday from Panama.
The remix features Jadakiss, Ludacris, Yo Gotti and The-Dream. "The fans, I think they wanted to hear something new, something fresh," Banks said. "While I was on tour, the international tour, I kept in communication with all those artists. Shout out to Jada, shout out to Luda, Yo Gotti, The-Dream. I had everybody's verse except for Dream. That was the last thing that came in. Those were all people I respect and people I would like to work with outside the remix. It ain't really hard to decide who's gonna be on it."
Banks also switched up the much-rapped-on beat, making the "Beamer, Benz or Bentley" remix almost an entirely different song.
"I had about six different beats," Banks said. "Just sitting with 50 [Cent], he brought it to my attention to try and change the element a little bit. Being that already 40 or 50 artists already rapped on the [original] beat, it's kinda hard to decipher what's the real remix. If they all rapping to the same beat, you can just patch it with the other 40, 50 artists and make a mega-mix and not know what the official remix is. The beat change lets people know off the rip 'This is the official remix.' I'm pretty sure they'll be blending the original beat in with it anyway."
Here, Banks breaks down how each artist came to appear on his remix:
The-Dream: "I had spoke to couple of different R&B artists. That's an element that I think helps. Everybody wants to be a part of that record. I don't think it has to be kept to one lane. I've heard Spanish versions to [the original], Jamaican versions to it, Haitian versions to it. I got a feel of what the melodic feel would bring to the record. The-Dream, he was already doing [his own version]. Once I caught wind of it, I was like, 'Yo, let me get that. Don't put that out.' "
Yo Gotti: "Yo Gotti, I had spoke to him directly. I spoke to him a couple times, told him I wanted to get something done with him. Before that opportunity presented itself, the [song] bubbled all down south in Memphis. I was like, 'Let's get Gotti on it.' He has the street in a chokehold. We'll probably have more records come in the future also. He definitely has a lane, man, and I wish him luck."
Ludacris: "Luda, that's the homie, man. Just through that, [it] wasn't really nothing [difficult]. Luda is out there bubbling, platinum plaques and all that, #1 records, where I'm trying to take it. Shout-out to Luda and shout-out to [Disturbing Tha Peace co-founder] Chaka [Zulu] for making that happen.
Jadakiss: "That wasn't nothing. That wasn't nothing but a phone call. I spoke to him a few times about the record. I had his verse for a minute. I had his verse while I was overseas and everyone was leaking their versions. We built the beat around his verse. He adds that extra, that lyrical element, that New York City vibe to it. I didn't want to stand alone on that joint."
Audio After The Jump
This is a blazing joint from 50 Cent that has only leaked in snippets over the last year. Here is the full length track. It's classic gritty, gutter Fif, enjoy
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Video After The Jump
Yelawolf has started to create a great buzz within the hip hop community. The Alabama MC can count one of the premier artists in the game as a fan now.
According to producer Jim Jonsin, Em is really digging Yela's music.
"I actually played a video of Yelawolf for Eminem, Pop The Trunk and he really liked it," explained the producer. "He (Eminem) was like 'wow,that's the sh*t. I need to do some sh*t like that.'"
Eminem and Yelawolf are now label mates at Interscope Records, so it's possible we may see a collaboration down the line.
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Producer Jim Jonsin Speaking On Yelawolf and Eminem
Yelawolf "Pop The Trunk" Music Video
Video After The Jump
Artist: Shanell
Holding It Down For: Young Money
Mixtape: Shut Up and Listen
Real Spit: Young Money singer Shanell has been inspired by challenges almost her entire life. She grew up encouraging and battling her sister, former Danity Kane singer D. Woods, in songwriting.
"It was me, my sister, and we have an older brother," Shanell said on a recent trip to NYC. "We used to watch him. He did music before either one of us. He did television, movies, and we used to run around the house singing his songs, until we started writing our own. It was friendly competition between me and my sister, because we would always help each other and challenge each other.
"I been real nice with the pen game," she added with a smile. "I was good when I started, and I got better and better and better."
Juelz Santana has announced his support for a potential Diplomats reunion with former group members Jim Jones and Cam’Ron.
In 2007, Dipset disintegrated amid disputes over money and creative differences. The rumored tensions culminated in a public split when Jones and Santana sided with 50 Cent during his battle with Dipset leader Cam’Ron
Last month, Jones and Cam’Ron revealed that they mended their differences in a 3-way phone call with media personality Miss Info, and promised to work together this year on Diplomatic Immunity 3. The talk marked the first conversation between the former best friends in 3 years.
In 2009, Juelz Santana criticized Cam’Ron for denying several song clearances while he was under contract, which Santana believed stalled his career. But the Skull Gang leader is willing to dismiss past grievances and welcomed calls for an official reunion.
“Me and Jim have talked about putting the past and everything behind us. I never had no reason to have personal grudges,” he told Hot 97’s Angie Martinez. “I was always willing to move forward. I just have to worry about my future now.”
Santana clarified that he is still grateful to Cam’Ron for the initial opportunity he received, and believes they can all come back to the table as established, wiser artists.
“I respect the fact he extended that arm and that’s something I can never take back,” he explained. “The blueprint was drawn up and Cam definitely drew it. But I laid down bricks on top of bricks to help that building be what it was…But we’re all bosses now. I’m all grown up now and I’ve always respected other people’s positions.”
Juelz Santana will perform at Hot 97’s Summer Jam 2010 on June 6. At press time, Santana would not commit to a Dipset reunion at the event.
Source: AllHipHop
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Rapper Yung Hot
Video After The Jump
Up and coming rapper Yung Hott was and killed Saturday (May 15) while shooting his very first video in his hometown of Griffin, Georgia according to WSB-TV.
The rapper who's real name is Jerode Paige died from a gunshot to the head.
He was shooting the video for his first single "Any Competition" on a residential street with about 150 people in attendance when the incident occurred.
"I saw them," witness Virginia Berry said. "They just shot him like this; pump, pump, shoot, pump, shoot, pump."
Three others were injured during the shooting, including Berry's five year old granddaughter Taylor who had been playing with a toy car near the scene.
"She crawled from (the toy car) to the porch," said Virginia. "She says, 'Grandma, I've been hit.'"
The young girl was shot in the foot and is expected to be ok.
Yung Hott had been trying to turn his life around after a stint in prison according to his family.
"He got out [of prison] and he said he wasn't going to let anybody stop him from getting his career," his uncle Gary Paige said. "He wanted to give his grandmother a lot. He was really into his music and he wanted to show his grandmother he had the ability to be somebody."
He added that he believed Jerode was targeted, but he doesn't know why.
Four men, Bahir Howard, 22-years-old, 21-year-old Corderra Walker, 21-year-old Terry Fuller and 23-year-old Terrance Jones all face murder, aggravated battery, child cruelty and weapons charges.
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Rapper Yung Hott Killed
Young Hott Performing "Any Competition"
Miss Michigan Rima Fakih was crowned Miss USA on Sunday night, becoming the first Arab-American to ever win the pageant.
Fakih, 24, a former New Yorker who was raised in Dearborn, Mich., beat out 50 other contestants, including runner-up Miss Oklahoma, for the grand prize.
When asked on stage how she felt about the big win, the petite brunette quipped, "Ask me after I've had a pizza."
"I feel great. Thanks for hiring me, Donald Trump," she said of the co-owner of the Miss USA pageant.
Fakih accepted her crown from Kristen Dalton, the outgoing Miss USA, at the Planet Hollywood Resort & Casino in Las Vegas.
Born in Lebonon, she emigrated with her parents to the United States as a baby and attended Catholic school in New York City until her family moved to Michigan in 2003.
She is a graduate the University of Michigan-Dearborn with degrees in economics and business management. She plans to begin law school after her year-long reign.
Fakih nearly tripped on the train of her long, strapless gown during the evening-wear portion of Sunday night's the competition, broadcast live on NBC.
In the interview segment of the event, she was asked whether she thought birth control should be paid for by health insurance. She said yes.
"I believe that birth control is just like every other medication even though it's a controlled substance," said Fakih, who was raised in a household that celebrates both Christian and Muslim faiths.
She told reporters she sold her 1998 Ford Taurus to pay the $800 entry fee for the Miss Michigan pageant.
In addition to winning scholarships and a wardrobe fit for a queen, Fakih will be given a luxury New York City apartment to live in while she's Miss USA.
Fakih, an advocate for breast and ovarian cancer awareness, will compete for the Miss Universe title later this year.
She is already bracing for questions about her roots.
"I think it would prove that Arabs don't always try to separate themselves, but instead are integrated into American culture," she recently told the Global Arab Network.
"It would show the world that yes, there are Arabs that are beautiful not only in looks, but also on the inside," she said. "There are Arabs that are caring, that are good people, and who love the country they live in. I think it would make the Arab image a more positive one."
Source: NY Daily News
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CLICK HERE TO DOWNLOAD OR STREAM THIS MIXTAPE FOR FREE!
TRACK LIST:
01 SOULJA BOY INTRO PROD BY DJ CANNON BANYON
02 SOULJA BOY - I WIN
03 ALBERTTO PLAZA - DANCING IN DA NITE
04 B MAC AKA MACAFT S. FRESH - THROWIN MONEY
05 DJ NOODLES FEAT. ACE HOOD, 2 PISTOLS & BRISCO - HANDS HIGH
06 DJ A.D. REMIX NET WORK DJS - SEXY GIRLS IN THE CLUB HANDS UP RMX
07 CALICO JONEZ FT SOULJA BOY - I TOOK YO CHIC
08 DR MARIO FT BOBBI COOL - CAR SO CLEAN
09 SHA STIMULI - THREE APOLOGY PROD BY DJ SNIPS
10 DRAGONHAWK - I NEED YOU
11 BIG SEAN FT DRAKE - MADE
12 D- RICH FT LIL WAYNE - WE GON GET PAID
13 NAS & DAMION MARLY - FRIENDS
14 GAME - ILL FIND YOU
15 NAPPY ROOTS - FISH BOWL
16 MAXAMILLI - ILL DELIVER FT GIT FRESH
17 CORY GUNZ FT CURREN$Y - IM ABOUT IT
18 YOUNG J DIAMONDZZ FT DJ PAIN - HERDODENIMJEANS
19 JAY - Z - MAYBACH MUSIC 2
20 MAINO - DONT SAY NOTHIN FT KALENNA
21 DUNCAN DANIELS - ILL BE FINE FT TRACY MORRIS & JAY WHO
22 DJ KAY SLAY - ROLLIN 25 DEEP PT 2. VARIOUS ARTIST
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Drake THANK ME LATER JUNE 15th*Not The Official Cover*??
When I first heard Lil Wayne was getting locked up, it felt like how you or anyone else would feel if they were losing a family member. I’ve been knowing him for three to four years now. He took me in as his brother because I don’t have any real brothers and with my dad being in jail we developed a big relationship as far as me staying with him and as far as him teaching me the game. That’s how we built our whole bond. He saw my work ethic and it reminded me of him, and from that point he knew that’s what it was.
I’ve only seen him once since he’s been locked up but everything is good. I talk to him on the phone a lot but I miss being with him because it’s always fun. We talk about everything. Wayne taught me to stay grounded and to pay attention to what’s going on in my surroundings. He also taught me on the music side to work hard at all times, don’t ever let up, and to follow his lead but don’t do what he does. He taught me a lot of what he knows from what he learned when he was my age, like how to break up everything in a song, how to start off a verse and what specific word to use to catch everybody’s ear.
I’m working on my album right now and I’m almost done. I’m using what he taught me and I’ve gotten better. Now, I know I have to work 10 times harder to make Wayne and everybody proud. Young Money is doing great right now. Uncle Stunna Birdman makes sure everything is straight with us while my bro is gone, helping us keep our brand out there. We’ll be fine because Wayne has such a big name and now we have three of the hottest stars in the world, including Drake and Nicki, so we can’t lose. We’re gonna continue to run this game.
This whole experience has taught me to stay humble and not to get in trouble. I don’t even think my bro did anything wrong. With him being who he is and doing what he does, he needs protection, but there’s different rules in every spot so we’re gonna just make it through. I can’t wait until we can put this behind us.
I’m looking forward to working with him again. I’m looking forward to fun and games. I’m looking forward to talking to him about everything like I used to. I just want him to be proud when he sees me. I love my bro.
Honoring [Uncle] Luke and James [Prince] and [Master] P and Timbaland and JD and Dungeon Family is a good thing. I don't wanna f**k their Honors up. They helped lay the foundation. More power to 'em. I respect what they do and I respect what they've done for Hip Hop, but to put us in a category is disrespectful. Why would you categorize us as "Dirty South"? Why can't you just honor some muthaf**kers from down here and leave it like that? You ain't gotta make us look extra country. We know where we're from and we know where you're from. We know where Hip Hop came from, man. We're cool with that. I'm proud to be from Houston but don't make a mockery of my accomplishments. We're not "dirty" down here in the South anyway. This s**t down here probably cleaner than the rest of the country, cause we got grandmas down here. Our grandmas don't play that s**t.
I was a part of the Slick Rick and De La Soul and Too $hort and Public Enemy [Hip Hop Honors]. I felt good about being a part of that. I went [to Hip Hop Honors] when they honored Def Jam because I wanted to be a part of that. I felt honored that they would even call me to do it. But this year, I totally disagree with how they're trying to categorize us. You know how they make us look on TV? Like we live on the front porch with flies and s**t flying around us, with our stomachs all big eating watermelon rinds? That ain't us, man. Don't f**kin' make a mockery of us because we come from down here and you have no f**kin' idea what it looks like. They're gonna try to put us with some cows and just make us look f**ked up, man, like we don't know what the f**k we doin' down here. We're smart, man. Our life is slowed down so we don't miss nothing. When s**t gets moving too fast you miss everything. s**t's slowed down here so we see it all.
I come from the era when New York and L.A. had the only Hip Hop, and they weren’t f**kin’ with us, at all. If you think I'm lyin', check the history of Hip Hop. Try to pull up some footage from the 1989/1990 New Music Seminar. That's what I base my whole f**kin' life on: the New Music Seminar 1989/1990. They was NOT f**kin' with us. We sold records all over the f**kin' country and New York made a mockery of it. They f**kin' booed the Geto Boys in New York. They sure did.
Back when Luke had Skywalker Records and J had Rap-A-Lot Records, they weren’t tryin’ to do no South s**t. “It didn’t come from New York, son, so f**k that.” That was their attitude. Just because a TV was made in Japan, is it a Japanese TV? Or is it just a f**king TV? If a lightbulb was made in China is it a Chinese lightbulb?
It was hard breaking through. It was hard getting respect from the East Coast. We didn't get no f**kin' love from nobody. Fab Five Freddy came down here early in our career to see what we were really about, and I respected and appreciated that. But we been having money down here. We been rollin' f**kin' Bentleys and Ferraris down here since the 80s. Muthaf**kers ain't just started rockin' gold and platinum chains. We had that s**t in high school. s**t, we just now started running out of money. (laughs) That's how long we been had money down here.
Eventually New York came around and started f**kin' with us. But for an East Coast-based show to call themselves showing some f**kin' love by making a Southern watered-down version of what the show is supposed to be or what Hip Hop really is, man, I feel f**ked up about that s**t. Because we fought harder than a muthaf**ker. When [Ice] Cube was on Hip Hop Honors, it wasn't the "Hip Hop West Coast Honors." Every part of the ghetto is the same mu'f**kin' story. Hip Hop is one machine, regardless if you come from New York or Bareback, Africa. It's f**kin' Hip Hop.
But that's just [my opinion], and f**k me. I don't mean nothing. I'm just a n***a who fought harder than a muthaf**ker to get our records played in New York and on the East Coast period. And now all a n***a needs to do is fart on a record and it gets played. So it's fine by me. I'm cool with that. I'm not mad about it, I just feel disrespected. Whoever goes [to Hip Hop Honors], it's fine and dandy by me. But if you wanted to do a Southern-based show you shoulda got a n***a DOWN SOUTH to do it in the South.
From:ozonemag
Drake's debut album 'Thank Me Later' has been one of the most anticipated for over a year now. He is not only expected to carry Young Money/Cash Money on his back while Lil Wayne is in prison, he's expected to do it in a big way.
So why is he talking like a guy who is a little nervous?
He's quoted on Rap-Up as saying:
“I didn’t make this album for commercial purposes. A lot of the verses are extremely long. I just made it to share with people. I hope they can enjoy.”
If Drake just wanted to "share" his music, he could have just released another mixtape like 'So Far Gone'.
Universal Motown is the big machine pushing the album. They have already released two singles with videos, "Over" and "Find Your Love". Both are performing reasonably well on iTunes at #'28 and #16 respectively, but neither is a runaway smash hit
Is it possible Drake is trying to use reverse psychology by downplaying his own expectations thinking fans will respond by buying an album he made to "share" with them?
Bottom line is, consumers are fickle and what was hot yesterday fades quickly.
For Drake's sake, he better hope they are still interested.