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WASHINGTON (AP) - Want to invoke your right to remain silent? You'll have to speak up.

In a narrowly split decision, the Supreme Court's conservative majority expanded its limits on the famous Miranda rights for criminal suspects on Tuesday - over the dissent of new Justice Sonia Sotomayor, who said the ruling turned Americans' rights of protection from police abuse "upside down."

"Criminal suspects must now unambiguously invoke their right to remain silent which counterintuitively requires them to speak," she said. "At the same time, suspects will be legally presumed to have waived their rights even if they have given no clear expression of their intent to do so. Thoseresults, in my view, find no basis in Miranda or our subsequent casesand are inconsistent with the fair-trial principles on which thoseprecedents are grounded."

Justice Anthony Kennedy, who wrote the majority opinion, said a suspect who goes ahead and talks to police after being informed he doesn't have to has waived his right to remain silent. Elena Kagan, who has been nominated by President Barack Obama to join the court, sided with the police as U.S. solicitor general when the case came before the court. She would replace Justice John Paul Stevens, one of the dissenters.

A right to remain silent and a right to a lawyer are at the top of the warnings that police recite to suspects during arrests and interrogations. But Tuesday's majority said that suspects must break their silence and tell police they are going to remain quiet to stop an interrogation, just as they must tell police that they want a lawyer.

This decision means that police can keep shooting questions at a suspect who refuses to talk as long as they want in hopes that the person will crack and give them some information, said Richard Friedman, a University of Michigan law professor.

"It's a little bit less restraint that the officers have to show," Friedman said.

The ruling comes in a case in which a suspect, Van Chester Thompkins, remained mostly silent for a three-hour police interrogation before implicating himself in a Jan. 10, 2000, murder in Southfield, Mich

The officers in the room said Thompkins said little during the interrogation, occasionally answering "yes," "no," "I don't know," nodding his head and making eye contact as his responses. But when one of the
officers asked him if he prayed for forgiveness for "shooting that boy down," Thompkins
said, "Yes."

He was convicted, but on appeal he wanted that statement thrown outbecause he said he had invoked his Miranda rights by being uncommunicative with the interrogating officers.

The 6th U.S. Circuit Court of Appeals in Cincinnati agreed and threw out his confession and conviction. The high court reversed that decision.

Kennedy, writing the decision for the court's conservatives, said that wasn't enough.

"Thompkins did not say that he wanted to remain silent or that he did not want to talk to police," Kennedy said. "Had he made either of these simple, unambiguous statements, he would have invoked his 'right to cut off questioning.' Here he did neither, so he did not invoke his right to remain silent."

He was joined in the 5-4 opinion by Chief Justice John Roberts and Justices Antonin Scalia, Clarence Thomas and Samuel Alito.

Prosecutors cheered the decision, saying it takes the guesswork out of when police have to stop questioning suspects. "Is it too much to ask for a criminal suspect to say he doesn't want to talk to police?" said Scott Burns, executive director of the National District Attorneys Association.

This is the third time this session that the Supreme Court has placed limits on Miranda rights, which come from a 1966 decision - it involved police questioning of Ernesto Miranda in a rape and kidnapping case in Phoenix - requiring officers to tell suspects they have the right to remain silent and to have a lawyer represent them, even if they can't afford one.

Earlier this term, the high court ruled that a suspect's request for a lawyer is good for only 14 days after the person is released from police custody - the first time the court has placed a time limit on a request for a lawyer - and that police do not have to explicitly tell suspects they have a right to a lawyer during an interrogation.

For Justice Sotomayor, deciding to make suspects speak to have the right to remain silent was a step too far. Sotomayor, the court's newest member, wrote a strongly worded dissent for the court's liberals, saying the majority's decision "turns Miranda upside down."

The case is Berghuis v. Thompkins, 08-1470.

Source: KVAL

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Lil Mama could use some positive press these days, unfortunately this article won't provide any.

Hiphopwired is reporting the stage hogging rapper has been accused of stealing and trashing clothes from a New Boyz & Romeo video shoot.

According to the report, she left clothes borrowed for the shoot ruined with dirt and paint stains and simply walked away with the rest.

The producer for the video has reached out to Lil Mama's camp, but has not gotten a call back forcing him to file theft charges.

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Controversial singer/rapper M.I.A. has warned fans to steer clear of search engine Google and social networking websites like Facebook because she 's convinced they were designed by U.S. intelligence services to spy on t he public.

The Paper Planes hitmaker, real name Mathangi 'Maya' Arulpragasam, is adamant the websites are being used by government agencies like the CIA to secretly gather personal information about its users and she avoids usin g the internet as a result of her suspicions.

She tells Nylon magazine, "All governments are connected to Google. Governments can shift their search engines so only what they want you to see comes up. I want kids to be aware of this digital circumstance.

"Everyone on the internet is like, 'Oh my God, come and join Facebook!' They're all so optimistic and really, everyone is f**ki ng you up behind the screens. And I don't like that. It makes it difficul t for me to interact with my fans knowing that. Google and Facebook were developed by the CIA, and when you're on there, you have to know that."

Source: PR-Inside

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Video After The Jump

In the first of a three part series the Associated Press takes a look at the massive budget cuts that are affecting our public schools.

The cuts are affecting public schools all over the U.S., forcing the layoff of thousands of teachers and cutting into school programs.

Larger class sizes, canceled summer schools and reductions or eliminations of anything that is not a core subject are about to become the norm

In California alone, 23,000 teachers are being laid off.

Education Secretary Arne Duncan is seeking 23 billion dollars in emergency funds from Congress in an effort to limit the damage.

"We can't afford 150-300,000 teachers on unemployment rolls," he says. We want Congress to take action now. This is not something they can debate for 4-5 months then do something in September or October, it's too late."

This is the future of our country we're talking about. If we can afford to pay for wars in Iraq and Afghanistan, we should be able to afford bigger budgets to take care of our public schools.

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The son of legendary TV newsman Ted Koppel was found dead in a Washington Heights apartment under mysterious circumstances yesterday morning after a daylong drinking binge with a man he had just met in a Midtown bar, law-enforcement sources said.

Andrew Koppel, 40, of Rockaway Park, Queens, was declared dead at around 1:30 a.m. after paramedics were called to the rundown apartment in what a law-enforcement source called a "s- - - building" on 180th Street at Audubon Avenue, where he had been found unconscious and not breathing in a bedroom, the sources said

Andrew Koppel Died In This Room


Koppel -- who was an attorney for the city Housing Authority -- was a slobbering mess when he was brought to the apartment at around 11 p.m. by Russell Wimberly, a 32-year-old waiter he had met at a Hell's Kitchen bar nearly 12 hours earlier.

Koppel "was just really messed up when he came in. He was very drunk," said Belinda Caban, 53, who lives at the apartment.

Caban, who called Wimberly a drinking buddy, told The Post: "I didn't understand anything [Koppel] said. We took him to the bedroom and laid him down to rest."

After a couple of hours, she and Wimberly discovered he had urinated and defecated in the bed and appeared not to be breathing. They called 911.

"His complexion wasn't right. It was pale. I said to call the police," Caban said. "When the ambulance came, they said he was dead."

No one has been charged, and the medical examiner has yet to determine a cause of death.

Koppel -- who lived with his girlfriend and their baby daughter -- began his bender at around noon at Smith's Bar & Restaurant at 44th Street and Ninth Avenue when he befriended Wimberly.


"He had a straw hat on, and I had one on, and he said, 'Nice hat, man,' " Wimberly recalled. "We got to talking, and he started buying me drinks."

Koppel drank straight whiskey and suggested they move from bar to bar, Wimberly said.

As they walked, Koppel sipped from a pint bottle of Jameson, Wimberly said.

"There was a lot of alcohol. He didn't take anything else [drugs] around me, and neither of us ate all day," he said. "We talked about our kids . . . He said he had a kid and loved [her] a lot."

Eventually, they took a taxi up to Caban's apartment, stopping at a liquor store to pick up a bottle of whiskey and beer.

Koppel "wasn't feeling good. I told him to lay down and turn the light off. He was snoring really loud. I thought he was out," Wimberly said.

Koppel was the third youngest of Ted Koppel's four children with his wife, Grace Anne. He was their only son.

His father, former anchor of ABC's "Nightline," could not be reached for comment.

Andrew Koppel's oldest sister, Andrea, a former CNN correspondent, declined to comment. His younger sister, Tara, was spotted weeping at her Manhattan apartment. She also didn't want to talk.

Andrew Koppel was convicted in 1993 of punching out a senatorial aide in a drunken dust-up in DC and was ordered into alcohol treatment. Three years earlier, he got into a drunken fender bender while driving his father's Mercedes in their home state of Maryland.

Source: New York Post

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Video After The Jump

Actress Kristen Stewart has become a household name and sex symbol thanks to her role as Bella in the 'Twilight' movie series.

This month she covers the UK edition of Elle magazine.

She plays the role of reluctant star in her interview with the mag. Complaining about her lack of privacy and constant questions about her possible romantic relationship with 'Twilight' co-star Robert Pattinson.

"It really bothers me when people write nasty s*** about me and the perception is that I don’t give a f***. It could not be further from the truth," she rants.

People always ask me if I'm dating Robert [Pattinson]. Why would I want anything that's private to become entertainment for other people?"

Kristen admits she wasn't prepared for the success of the vampire flick.

With Twilight, we never thought it was going to be so huge; we never even thought we’d do a second, let alone a third.”

Judging from her comments you would think that being famous is the worst possible thing that could have happened to her.

"What you don’t see are the cameras shoved in my face and the bizarre intrusive questions being asked, or the people falling over themselves, screaming and taunting to get a reaction. All you see is an actor or a celebrity lit up by a flash.

"A lot of the time I can’t handle it. It’s f***ed. I never expected that this would be my life."

It's too late now Kristen, you're a movie star, might as well get used to it.

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Brooklyn's Joell Ortiz now has one of the most recognizable call-outs in hip-hop. If you're not familiar, after his mixtape drops this month, you'll be saying: "Yaowa!"

"I got so many meanings of yaowa, it's crazy," Ortiz laughed. "First, it's used as a term of endearment for dudes around my way. How you say, 'What up?' We say, 'Yaowa!' It came from my man Smash. Shout to Smash. He used to be really drunk around the way. It's a distance between the buildings. He used to be saying, 'Yo, what up?' But he'd be so drunk, it sounded like he was saying, 'Yawhuhup?' He'd be twisted. I just turned it into yaowa. Every time I get on a beat, I say, 'Yaowa,' before I rap on it. Then I started playing around with it and turned it into [meaning]: 'you're actually one world away.' I be feeling like my flow is not of Earth. I zone out, become an alien with it. On another freestyle, I said, 'I'll put you in a hospital because my flow is so sick.' That's 'your ass on wild anesthetics.' I just be spazzin' out with the yaowa. But it's a term of endearment around my way."

Joell's new mixtape is named after his favorite word and hosted by DJ Green Lantern and Don Cannon. "Its called Yaowa. Green Lantern is hosting it along with Don Cannon. We been tossing around ideas," Ortiz said. "We didn't really get to the meat of it. But we have a few ideas to see how we gonna make it classic. Don Cannon's got some ideas, Green Lantern's got some ideas. I think we gonna make it a good one.

"Green kinda hooked that up," Joell added about how the Evil Genius and Cannon got involved. "Me and Green was hollering, he said it would be a good idea to hook up with Cannon. Cannon was like, 'That's nothing. I been fiending to do something like that.' So we running a triangle offense with this tape."

Lantern and Green will have the primary production on the mixtape, but Joell said he's open to submissions from everyone — as long as the tracks are hot. As for big-name guest appearances, which have become customary with tapes from Fabolous, Jadakiss, T.I. and Young Jeezy this year, the Slaughterhouse member said he hasn't thought about it yet.

"I'm just thinking about zoning out," he said. "I'm not thinking about who I'm reaching out to. I'm not thinking about who to bring to the tape. I'm just thinking about making a really, really good tape. Letting people know who Joell Ortiz is one more time. This time with Green Lantern and Don Cannon. Just rapping, that's what I do the best. I rap. I'm concerning myself with rippin' this tape and getting some good feedback on it."

Source: MTV

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Video After The Jump

Let's face it watching the local weather is usually about as interesting as watching an L.A. Clippers game. That is until Nick Kosir of Beaumont, Texas' Fox 4 started spitting rhymes as The Rapping Weatherman.

Now you can laugh your ass off while deciding whether or not you will need an umbrella for the day.

Dude even has a Facebook page set up for his fans.

Check him out rhyming over Young Money's "Roger That" below, lmao.

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LilWayneHQ Interviews Producer STREETRUNNER - Talks Tha Carter IV & More

LilWayneHQ: Tell us about yourself STREETRUNNER? How long have you been producing for, and what made you get into this career?

STREETRUNNER: I been making beats since 1998. I started out a DJ until I got a EMU sp1200 and then that pretty much ended my DJ career. I rocked on the sp1200 for about a year and then graduated to a akai mpc 2000xl. I landed my first major placement in 2003 with Fat Joe’s Terror Sqaud billboard charting single “Take Me Home”. I later went onto sign with Terror Squad for a year and continued to grind it out and get placements. I have placed tracks on artist albums such as Fat Joe, Juelz Santana, Lil Wayne, Ludacris, LL Cool J, Slaughter House, Birdman, Fabolous and many more.

LWHQ: Name some of the songs you have done for Lil Wayne that we have probably heard, but not know you produced them?

SR: Shit… I got a gang of tracks that leaked during Tha Carter 3 leaks. “Talk It Over”, “1 Night Only”, “Trouble”, “Rapapompom” F/ Junior Reid, “Do It Again”, “Young Money Cash Money” F/ Brisco, “Pray To The Lord”, “1 Arm” F/ Juelz Santana (I Can’t Feel My Face leak), “Yeah” (Rebirth leak) and I’m sure a few that I don’t even know about. I did land “Gossip” on Tha Leak EP and also on the deluxe edition of Tha Carter 3. I produced “Playin With Fire” on Tha Carter 3 and I also co-produced “Ground Zero” with Infamous on “Rebirth”. I got a few tracks on hold for Tha Carter 4 so there is much more to come.

LWHQ: How did you get in contact with Lil Wayne, and have you ever been in the studio with him? What was that experience like if so?

SR: The first time I met Weezy was when I was working on Fat Joe’s album Me, Myself and I. Macho and my dude Safe were chillin’ with me at the Hit Factory parking lot waiting for Joe, and Wayne came out and Macho introduced me. Lucky for me my dude Safe had one of my beat CDs in his car and I was able to pass it to him. Within a hour of passing him the beat CD my manager got a call that Wayne wanted two beats from the CD for Tha Carter 3. Later that night I went up to Weezy’s studio session with Joe and he played us the records he made on my two tracks and Joe went nuts. I was like damn I just passed you this CD… I knew at that point we were going to make a lot of music in the future. The next day I went back to Hit Factory and hit him wit another ten beats. I haven’t stopped hitting him with heat since. I actually worked on one record with Junior Reid and Lil Wayne in the studio. Wayne just circled the room a few times while the beat was playin’ and then jumped in the booth and put his verses down. I also been in the studio several times with him to vibe on tracks or hear new music he’s made on my tracks. He’s real cool and down to earth dude…

LWHQ: You got awarded a GRAMMY for Lil Wayne’s Tha Carter III album, for a track you produced on there called “Playin’ With Fire”. How did that feel?

SR: That was nuts! I definitely wasn’t thinking Grammy while I was working on the C3 project. It was crazy that the album went platinum in a week to me but when it became a Grammy award winning album, shit got real.

LWHQ: Did you do any work on Weezy’s previous rock album, Rebirth?

SR: I did four records that I know of for Rebirth. A record I co-produced with Infamous called “Ground Zero” made it on the album. I also co-produced another record with Infamous but due to lyrical content it could not be on the that album, but might make a different album. I also co-produced a record with Blackout Movement that never made the album but was a monster, and a record I did solo called “Yeah” that leaked.

LWHQ: Do you have, or are you working on any new projects that we should be looking out for?

SR: I’m working on my first artist on Run The Streets named AdELA. She’s a female R&B/Pop/Hip Hop artist from Miami by way of Africa. The single we are pushing now is titled “Just Feel It” and is featuring Lil Wayne. I also have placements coming out this year on The Game RED album, Twista, Juelz Santana, Fat Joe, Jamie Foxx, Lil Waynes Carter 4 and a few others.

LWHQ: We heard you did a ‘crazy’ track for Lil Wayne’s Tha Carter IV album? Tell us about that… what’s the sound like, could it be a single, features, autotune etc?

SR: I did a really dope joint for the ladies with a soulful sample track that has a feature on the hook. I don’t want to go into to many details about the record cause some internet monster might find it and try to leak it. I got another record that my dude wrote the hook on that almost feels like a Jay Z “What More Can I Say” type track. I think I got 1 other record that’s pending along with those two so I just gotta see what’s up. I will say Weezy is spitting that shit over my tracks and they are 100% Hip Hop.

LWHQ: Have you heard any other material from Tha Carter IV? Or who Wayne has collaborated with on there?

SR: I heard a few joints… It’s definitely what the fans want. He’s just rapping and going hard on it. I think I heard maybe one rocked out track but the majority was rap/Hip Hop tracks. It should be another classic.

LWHQ: Do you know what sound style Wayne has used on the whole album (Tha Carter II, Tha Carter III, Rebirth, soulful, dark etc)?, and you think we will be getting the first single this Summer?

SR: Its a well rounded album… I’m not sure what their plans are for the album as far as releasing singles. I heard they want to try to drop C4 close to his release from prison. All the tracks I heard were going hard. Some soul, some south, some dark and a lil rock…

LWHQ: Lil Wayne has said Tha Carter IV will be released as soon as he gets out of jail… do you think Wayne will re-do the whole album when he gets out, and do you think the album will sell more copies than Tha Carter III did?

SR: I really don’t know how he’s going to feel after serving his sentence. It would definitely be dope if they dropped on the day of or near the day of his release, but that’s my opinion. Wayne and his team are going to do what they wanna do so we all just have to wait and see what happens. As for album sales, what C3 did in its first week was amazing, that might be a one time thing but you never know.

LWHQ: Have you worked with anyone from Young Money Entertainment or Cash Money Records?

SR: I produced a record on the 5 Star Stunna album that Birdman put out the record was called “Grind” F/ Lil Wayne and Brisco. I’ve also done records w Jae Millz and Gudda Gudda that have not released yet

LWHQ: Who would you like to work with from Young Money and Cash Money that you have not worked with so far?

SR: I was tryin’ hard at the top of the year to get a record on Drakes album and came really close but no luck. He’s maybe the main dude would like to produce a record for on a album.

LWHQ: Which other music artists in the game right now would love to collaborate with?

SR: T.I. Is at the top of my list, but also Jay Z and Andre 3000 are right behind him. I also would love to do a record on a Beyonce or Mary J Blige album. I’m on my grind steady though so it’s all very possible.

LWHQ: How do you feel about Lil Wayne’s prison sentence? And do you think the music game is missing him right now?

SR: I feel like they were tryin’ to make a example out of him. So honestly speaking I feel like the prison sentence is bullshit. I know everybody is missing him (fans, friends and family). I definitely miss the dude… He’s motivational for me and my music.

LWHQ: Any last words, websites or shouts outs you would like to leave the readers with?

SR: Check out my artist AdELA… Her new single “Just Feel It” that I produced available now on iTunes. You can also follow both of us on twitter @adelamusic and @SRbeats. Shout outs to Spliffington Management my team ILO, Rugah Rahj, Infamous, Blackout Movement, Smash, Big Mike and High Capacity Management. Be on the look out for more SR heat soon!

LWHQ: Thanks for your time STREETRUNNER, we appreciate you giving us this interview. Everybody at LilWayneHQ would like to wish you the best of luck in the future.

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Dropping soon!
Track List:
01. Da KID & Slim Dunkin - Intro
02. Da KID & Slim Dunkin - Who Would Have Thought (Prod. By Da KID)
03. Sean Teezy Feat. Waka Flocka Flame, Da KID & Slim Dunkin - Trust Me (Prod. By Da KID)
04. Da KID & Slim Dunkin - Skit 1
05. Slim Dunkin Feat. Da KID & Lil Cap - Bugati (Prod. By Southside)
06. Sean Teezy Feat. Roscoe Dash, Travis Porter, Waka Flocka Flame, Da KID & Slim Dunkin - To Da Max (Prod. By Lex Luger)
07. Da KID Feat. Slim Dunkin & Ricky J - Middle Finger (Prod. By Johnny Juliono)
08. Slim Dunkin Feat. OJ Da Juiceman, Parlae, Da KID & Kebo Gotti - Fuck With Me (Prod. By Kritical)
09. Da KID & Slim Dunkin - Skit 2
10. Da KID Feat. Slim Dunkin & SK - Countdown (Prod. By Southside)
11. Da KID & Slim Dunkin - Skit 3
12. Da KID Feat. Slim Dunkin & Da ONE - Kiss And Tell
13. Slim Dunkin - Dunk (Prod. By Lex Luger)
14. Da KID - Fellatio (Prod. By Kritical & Da KID)
15. Da KID & Slim Dunkin - Skit 4
16. Da KID Feat. Slim Dunkin & Cover Girl - Aint Tumbout Shit (Prod. By Da KID)
17. Slim Dunkin Feat. Waka Flocka Flame & DBO - Go Ham (Prod. By DBO)
18. Da KID Feat. Sli Dunkin & Sean Teezy - Say No Mo (Prod. By Southside)
19. Da KID & Slim Dunkin - Skit 5
20. Slim Dunkin Feat. Waka Flocka Flame & Da KID - Same Shit (Prod. By Mike Da Rockman)
21. Slim Dunkin Feat. Da KID - Foogazy (Prod. By Southside & Mike Will)
22. Da KID Feat. Sean Teezy, SK & Ricky J - Math (Prod. By Da KID)
23. Slim Dunkin Feat. K-Camp, Da KID & Sean Teezy - Pronto (Prod. By Sonny Digital)
24. Da KID Feat. Sean Teezy & Regal - Shawty Got Class
25. Da KID & Slim Dunkin - Skit 6
26. Slim Dunkin Feat. Dae Dae & Da KID - Gassed Up (Prod. By Johnny Juliono)
27. Waka Flocka Flame Feat. Slim Dunkin, Kebo Gotti & Lil Cap - Fight (Prod. By Tay Beatz)
28. Da KID Feat. Bambino Gold - Showout Freestyle
29. Slim Dunkin - Sweet Dreams Freestyle
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