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Variety Reports Screen Gems has acquired "Sheneneh and Wanda," a vehicle for Jamie Foxx and Martin Lawrence to star in a comic caper playing female characters they developed during their stand-up comedy days. Foxx will write the script, which he and Martin will produce through Foxx's Foxxhole and Lawrence's Runteldat production banners.

The project originated as a parody of a movie trailer for a film called "Skank Robbers," which Foxx and Lawrence made for the BET Awards. The reaction was strong enough that the duo decided to turn the concept into a real film. In the comedy, Sheneneh and Wanda are modern-day independent women trying to make it on their own, one bank robbery at a time. Foxx and Lawrence have long tried to find a vehicle to work together, and Screen Gems' Clint Culpepper is fast tracking the production. Foxx, who last starred in "Law Abiding Citizen," will next be seen in the romantic comedy "Valentine's Day." Lawrence will next be seen in the Screen Gems comedy "Death at a Funeral." Sheneneh and Wanda "Skank Robbers" Skit
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AllHipHop Reports Baton Rogue, Louisiana rapper Lil Boosie has been sentenced to four years in prison for violating the terms of his probation. The rapper, born Torrence Hatch, was to serve two-years of a ten-year suspended sentence and was placed on active supervised probation for his third offense on a marijuana possession charge. The sentence was the result of an October 22, 2008 arrest that uncovered drugs and a gun in Baton Rogue. When Boosie was sentenced in September, Judge Chip Moore warned the rapper to stay out of trouble and to keep away from felons, guns and trouble in general. At a sentencing hearing yesterday (November 9), Judge Moore double the original two-year sentence to four years, because Boosie’s house arrest ankle bracelet indicated that he had violated the terms of his release several times. As a result, Lil Boosie, 25, was sent straight to prison to begin serving his prison sentence. The Baton Rogue, Louisiana based rapper appeared at the 2009 BET Hip-Hop Awards in Atlanta where he spoke to AllHipHop.com about his original two-year prison sentence. “It’s just a minor setback,” Lil Boosie told AllHipHop.com. “I am not even a convicted felon and they are giving me time.” Upon release, Lil Boosie must complete at least two years of supervised probation in order to have the gun charge dropped from his record. Lil Boosie's album Superbad: The Return Of Boosie Bad Azz is in stores now.
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MTV Reports OJ Da Juiceman smiles with a gold-tooth grin when asked who has more mixtapes: him or his brother in arms, Gucci Mane. "I'm at 25 or 26 mixtapes, but Gucci Mane is well over 30," OJ said. He plans to increase his catalog very shortly, with a tape called Six Rings: The Michael Jordan Edition dropping soon. Then he and DJ Drama are hooking up for a Gangsta Grillz simply called Orange. After all that, OJ said he and Gucci have plans to put out a street project with Waka Flocka Flame, a new member of the Brick Squad crew.
"We actually working on a me, Gucci, Waka mixtape," the Juice said. "[That's] half of the Brick Squad. I think me and Waka gonna do a mixtape first, then me, Gucci and Waka gonna do a mixtape together. Waka is up next. He has a song on the radio with the 'O Let's Do It.' He's real down to earth when you meet him. Waka, he's crunk. If you go to the store and buy a bobblehead, that's how he's gonna have you in the club. "The Brick Squad is me, Waka, Gucci, Frenchie, Woo [Da Kid] — that's it," OJ explained of the clique. "The 1017 Boys is all them same people except me. 1017 is Gucci's crew." In the beginning of 2007, OJ is putting out his official LP, The Otis Williams Jr. Story. He just finished a track with the New Boyz, and Busta Rhymes, Mistah F.A.B. and Verse Simmonds are onboard. The Juice appears on R. Kelly's upcoming Untitled LP via "Superman High" and laid down a verse for the remix of Mariah Carey's "H.A.T.E.U." "That was a blessing. I was like, 'Are you serious? Who?!' " OJ said of getting the phone call from Jermaine Dupri about getting on Mariah's song along with Big Boi and Gucci Mane. "I hurried up and did it. Knocked that guy out in 10 minutes. It surprised me."
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NEW YORKRihanna joined Jay-Z onstage Sunday night in Los Angeles to sing "Run This Town" and her Young Jeezy-assisted track "Hard." While it wasn't her first performance since she was assaulted by then-boyfriend Chris Brown in February, it did mark the first time she's performed any new material from the upcoming Rated R album. Rihanna told MTV News on Monday that she was ushering in a "new era" at the concert. "There are a lot of butterflies, a lot of excitement," Rihanna said about her return to music. "I'm anxious. Like, I can't wait. But you're always nervous, because you're about to go do something big. It's a new thing, a new era. But I'm not scared. I'm just really excited. I just can't wait to start. My first time performing the songs was [Sunday] night in L.A. I performed with Jay. We did 'Run This Town' and 'Hard,' and I kept thinking, 'Why the hell am I so nervous?' And I couldn't figure it out. But then I knew why: It was the first time performing one of my new songs. But it was fun. It was so exciting. The energy was awesome." "Hard" was released to radio last week, featuring some tough, rhyme-like lyrics from Rihanna. "Tougher than a lion/ Ain't no need in trying/ I live where the sky ends, yup, you know this," she sings in a near-rap flow. "Never lying, truth telling/ That Rihanna reign just won't let up/ ... The hottest bi--- in heels right here." Rihanna will preview Rated R on Monday in a worldwide telecast from a performance taking place at an undisclosed location in London.
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Video After The Jump Akon's star artist Lady Gaga is achieving some crossover success as this interview with BET shows. She talks about being surprised at how well her debut album has done and her admiration for Beyonce, who she has done two collaborations with recently "Video Phone" and "Telephone". She refers to her fans as "little monsters" and says her "Monster Ball" tour is open to everyone, regardless of race,gender or sexual preference.
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R&B superstar, Ciara is sure to turn heads in this shoot for the German edition of "Vogue" Magazine. She's seen here with photographers Steven Gomillion and Dennis Leupold.

In addition to appearing in "Vogue", Ciarra has signed on as the face of a major multimedia ad campaign for LG's new Chocolate Touch phone. The Chocolate Touch is aimed at teens and young adults for whom music is a high priority and a lifestyle statement, said Tim O’Brien, senior director of marketing communications for LG Mobile Phones.

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TMZ Reports Comedian Katt Williams has officially been charged with burglary and criminal trespassing by a magistrate in Coweta County, GA -- his bond was set at $41,150. Williams was arrested this morning, after cops say a man named Daniel Broach claimed the comedian broke into his home on Sunday night and stole $3,555 worth of jewelry and collectable coins.

Broach told cops Katt used a crowbar to break into his home, which is around 38 miles southwest of Atlanta. Katt's lawyer told us the whole thing is a sham -- and is just the result of a dispute Katt had with a another man. Katt has yet to post bond. UPDATE: Katt is free to roam -- we're told he just posted bond.
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AllHipHop Reports Cash Money CEO addressed Lil Wayne’s upcoming jail stint, which will make him the third Hot Boy to be incarcerated, putting the group’s possible reunion on hold. The Hot Boys feature group members Lil Wayne, B.G., Turk and Juvenile. Turk is currently incarcerated doing a 10-year-bid for shooting a SWAT team member during a drug raid in Memphis in January 2004. Young Money CEO Lil Wayne is facing up to a year in prison for a weapon violation in New York, while B.G. was arrested for possession of guns and drugs during a traffic stop in New Orleans last Tuesday (November 3). “We got a hell of a plan and hell of a strategy,” Baby told Eric B. & Friends on AllHipHop Radio today (November 9). “I promise you, you’ll think he [Lil Wayne] never left the streets. It aint much about the music at this point with my son, like f**k the music,” Baby said. “We got to go through something family wise, that the fans and nobody else will ever have to go through. This is the first time I will ever be without my child that means the world to me. This is where Blood stick together.” As for B.G.‘s recent arrest, Williams revealed that the rapper is being held t o his contract with Atlantic Records, which will co-promote his upcoming album Too Hood 2 Be Hollywood, which is being released on December 8 through a deal with E1 Music. “I just talked to him. If you know B.G., he’s still in that jungle where it prescribes to carry tools [guns], or you can be the next n***a with a tag on your toe,” Baby stated. “Atlantic release the lil n***a so we can try to get him so money. See they don’t know how he’s living. I know how he’s living, so I was trying to say yall let him go, let me take him, I’ma get him so money, I’ma bring him with me, he can come to Miami and be a part of everything we got. But they don’t know the significance of a n***a’s lifestyle, they just think the n***a is a business. He already hurting, yall aint doing nothing for a n***a. I got love for him. I’ll bring him in and give him a life and a lifestyle, but now he’s heading for another life and another lifestyle.” Baby revealed that he talked to Turk often and revealed that he was working towards mending his relationship with Hot Boy member Juvenile, who is gearing up to release his new album Cocky & Confident, which is also being released via deal between Atlantic and E1 Music. “Me and him [Juvenile] spoke bout a couple of months a go for really the first time,” Baby continued. “Me and him talked and really honesty, I aint tripping and I don’t think they are tripping. N***as done got older and are trying to figure out ways to feed their families.” The Hoy Boys recorded as group for Cash Money Records from 1997-2001 and hit the charts with singles like “We On Fire” and “I Need A Hot Girl” “Project B**ch” and others. Baby stated that the highly anticipated Hot Boys reunion album is finished and could be in stores as soon as the Summer of 2010. “They recorded a whole album and we are looking to put it out for the summer time,” Baby told AllHipHop.com.
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Video After The Jump As many rappers have found out out, it's tough to follow a classic LP with a part two that can even compare. Wu Tang Clan's Raekwon The Chef however, does just that with "Only Built 4 Cuban Linx II" On this the 3rd video off of the album Rae goes in over a Dr Dre produced banger with help from Lyfe Jennings. Check the visuals below.
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CNN Reports (CNN) -- Celebrities are always trying to build walls around themselves, literally and figuratively, and those walls cost money. This week, rapper 50 Cent, whose real name is Curtis Jackson, admitted that he spends $20,000 a week on security at his Farmington, Connecticut, mansion. "My home is surrounded by cameras. I need surveillance not only to look out for me but also to protect me. You get all these crazy lawsuits, and I need cameras to check on things," the 33-year-old told the entertainment news service WENN. Jackson's security costs work out to a little over $1 million a year. Although spending more on security in two weeks than the average American's yearly income may seem excessive, Jackson's expenditures are in the lower end of what most high-profile individuals pay to protect themselves, their families and their property. New York-based security expert and retired New York Police Detective Thomas Werther owns Sector Mike Security systems and spends his days protecting musicians, actors, actresses and sports stars. He explained the breakdown of expenses for a day of security for the average high-profile individual. "For one day, if you need one truck with a driver and three security agents, you are looking at $4,000 a day, and use that four days a week, then you can easily see spending $20,000 a week. For a guy like 50 Cent, that seems like a modest expense, especially if you are factoring in home security," Werther explained. Aaron Cohen, a former member of Israel's counterterrorist special forces unit and now the director of IMS Security in Hollywood, works with numerous high-profile individuals and families, including supermodel Kate Moss. Cohen says security is one of the highest single expenditures a celebrity will make in a year. "If you are looking to protect a celebrity family like Brad [Pitt] and Angelina [Jolie] or Jennifer Lopez and Marc Anthony, for instance, the price tag for job like that is going to be around $1 [million] to $1.4 million a year," Cohen said. "When you have kids, you need separate security, because everyone is going off in different directions." Those costs, according to Cohen, break down to half a million dollars just for residential protection and surveillance that would include 24-hour security monitoring with a constantly streaming network of cameras. An additional half-million in costs can be incurred as a celebrity travels, paying each security guard between $500 and $1,000 a day while away from home. That cost can rise by a premium of $20,000 a month the second a celebrity stalker enters the equation. "It is at least a $20,000 retainer in order to boost security and add a proactive investigation to stop a stalker," Cohen said. "You will also spend that if you are the kind of celebrity who is constantly dogged by paparazzi." One such celebrity is Britney Spears, who spends nearly half a million dollars a year for security, according to accounting information filed with the Los Angeles Superior Court by Spears' father, Jamie Spears, who manages her estate. Over the course of 11 months in 2008, the singer spent $447,633 on security measures. That breaks down to about half what Jackson spends a month.
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MTV Reports Young Dro is on overload. Since his long-awaited album P.O.L.O. (Players Only Live Once) leaked on the Net months ago, Dro had to go back in the lab and retool the project. The Polo champ has this week's Main Pick — he's got homie and Grand Hustle CEO T.I. onboard, but he mainly runs the show on this one. Tip, we miss you. Oh yeah, and we have some more surprises for you this week, so stay tuned. This Week's Main Pick Street Kings: Young Dro and DJ Don Cannon Holding It Down For: Atlanta and Philly Mixtape: R.I.P.(I Killed That Sh--) Real Spit: Shot to the heart. Young Dro was putting the finishing touches on his album P.O.L.O. (Players Only Live Once) when he walked into the Grand Hustle office and found out the entire LP was already on the Internet. "When I walked in the office, couldn't nobody look me in the eye," Dro said. "They was looking down. You had Jim Jonsin beats, some of the best production I ever had on there. When I saw it I was like, 'Oh my God. OMG.' But then I said, 'I'm gonna patch it up.' " Dro shook off the shock and came to accept the fact that he would have to record more songs. "The album got leaked, so we going back in the studio," he explained. "We gonna get Cannon beats, we gonna get DJ Toomp beats, we gonna sew the album up and act like it ain't never bled. No leak." P.O.L.O. is now slated to drop sometime in January 2010. "If you a real player, you only get one life," Dro said. "I'm still a player and I still got one life to live. I'm still in that Polo." In the meantime, Dro says he's thinking about putting out five mixtapes — the first is R.I.P.: (I Killed That Sh--) with DJ Don Cannon. "I been waiting for years — he finally called me and said, 'I wanna do the tape with you,' " Cannon said. "I was like, 'Yes.' We got new beats, a bunch of freestyles where he killed [other artists'] beats. The whole thing is, 'I killed that.' Some people are gonna get mad he killed their beat." "I kill everything I do," Dro insisted. "If you see me in some clothes, I killed that. If you see me in my whip, I killed that. If you hear my flows, I killed that. I be killing stuff. Then we putting rests in peace to — everybody talking swag this, swag that — I killed that. I'm the #1 guy, I'm gonna kill it. R.I.P." Joints to Check For: » "U Don't Know Bout It." "It was explaining where I stay or where I live you don't know about it," Dro said. "Before you go out telling everybody your business, 'You don't wanna know about this, shorty.' If you ain't where I'm at or where I live, I can't tell you about it — that's breaking the code." » "Mo Money Mo Problems." "The '09 'Mo Money Mo Problems' — it's me, Mac Boney and Tip on there," Dro said. "We just giving it to them how we seen when we was able to get money and do our thing. We giving it to the public — we still in the streets, we still in the 'hood, we still corporate, but there's problems around the money we're making sometime." » "Don't Know Y'all." "The single 'Don't Know Y'all' on the album, it's cats out there on the street that act like they know what I been through or act like they was there when I got shot or my mama got shot," Dro laughed. "I be driving and they flagging me down. When you flagging me down, partna, you don't know me. Me and the boy Yung L.A. on there. We shot the video in the ghetto. We shot the video in the ghetto. ... It was in Chapel Forest on Simpson Road. We had Mike Epps come to the ghetto and see the ghetto children. We was amongst killers and gorillas, but we gave back to the 'hood — we let the children dance and get their rock on. It's gonna be real big."
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BallerStatus Reports Popular 80s trio, The Fat Boys, are not only getting ready for a comeback to music, but they're doing all sorts of things that are catching attention these days. One, in particular, was when Prince Markie Dee called out wrestling legend Iron Sheik to a MMA fight, after Sheik made some sort of "racist" comment. However, nothing has come of it just yet. Now, the trio are gearing up for the release of a new clothing line, which will be carried at Urban Outfitters and Hot Topic. "With our clothing line hitting Hot Topics and Urban Outfitters just in time for the holidays, we're real excited to be back, and of course, this merchandise line is old school sexy," Prince Markie Dee said. In support of the new line, The Fat Boys have created a website, via RateMyMerch.com, that allows fans to vote on potential designs. In you participate, you are also entered to win prizes, including iPods and Virgin Mobile phones. "These shirts are tight," said Kool Rock-Ski, another founding member of the group. "And I don't mean tight 'cause we fat. This joint is off the hook. We got the original shirts from our world tours in the '80s and some fresh new styles. We got so many styles we need help picking which ones to go with." According to a report from TheBoomBox.com, the Fat Boys are set to perform a special reunion show at the famous Fox Theater in Detroit in the near future. It will be the first time the group has performed in over 20 years.
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WSOC-TV Reports CHARLOTTE, N.C. -- A controversial history lesson left parents and teachers upset in Union County. The teachers plan to write letters to leaders at the historic Latta Plantation about their disapproval of a hands-on history lesson during a Rea View Elementary class trip Wednesday. During a lesson on the Civil War, tour guide Ian Campbell, who is himself black, made black students pretend to be slaves in front of their white classmates. Campbell said he's been a historian for more than 15 years. "I am very enthusiastic about getting kids to think about how people did things in 1860, 1861 -- even before that period," he said. One parent said Campbell took his enthusiasm too far when he picked three black elementary school children out of a group of mostly white students to play the role of cotton picking slaves during a his hands-on history lesson. The parent said the students were also made to wear bags used to gather cotton around their necks. Campbell said, "I was trying to be historically correct not politically correct." Charlotte-Mecklenburg National Asssociation for the Advancement of Colored People President Kojo Nantambu disagrees. He said, "There is a lingering pain, a lingering bitterness, a lingering insecurity and a lingering sense of inhumanity since slavery. Because that's still there, you want to be more sensitive than politically correct or historically correct." Although Campbell defends his decision, he said in the future he will take a different approach. "I'm going to start asking for volunteers instead of calling people from the audience. I think that would make it a lot easier that way if someone is afraid of public speaking or getting up in front of peers it wouldn't embarrass them," Campbell said. "Even if the black children had volunteered, I probably would have tried to use all of the children," Nantambu said. "That would have made all the children feel equal in the experience." Campbell said he's done lessons like this in the past, but this was his first complaint. A spokeswoman for the Union County school district said administrators were "surprised by the lack of sensitivity" of the presentation. Parents plan to meet with school administrators Friday morning to address their concerns.
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LA Times Reports Wale is exhausted. Bivouacked in a lounge across the street from Interscope’s Santa Monica headquarters, the Washington, D.C., native wears a countenance of weary resignation, preparing for the first in a seemingly never-ending string of interviews. When I tell him that I’ll try not to ask the same stupid questions, he exhales a sigh a relief. It’s enough for the dreadlocked 25-year-old to handle the rigors of opening for Jay-Z and N.E.R.D. at sold-out arenas across America (as he’s been done for the last several weeks), but he’s simultaneously in breakneck promotional mode in advance of the release of “Attention Deficit,” his official debut that drops Tuesday. Accordingly, he’s frantically checking his phone, Twittering and trying to stay sane, knowing too well that judgment day looms a week away. The problem is that Wale might be built for the old industry model. A complex craftsman in a fast-food rap world that rewards simplicity and prolificacy, Wale is trapped between binaries. Arguably the most buzzed-about rapper to emerge out of the blogosphere’s tower of babble, he’s acutely aware that to achieve commercial success outside of the Internet bubble, he needs a radio hit. But as he readily admits, “I’m not a radio artist yet.” So in a bid to earn visibility, he collaborated with Lady Gaga and Gucci Mane for his first two singles, alienating many of the purists in his vociferous fan base. Compounding the disappointment was that neither cut caught fire, though the Gaga-aided “Chillin” has nearly gone gold. Moreover, “Attention Deficit” is riddled with commercial compromises that were absent on the free giveaways he made his name on: the outstanding “100 Miles and Running” and the “The Mixtape About Nothing,” a “Seinfeld”-themed opus that shifted people’s paradigm of what to expect from a mix tape. But in spite of the myriad hoops that the corporate brass forced him to jump through, Wale has delivered the strongest debut yet of XXL’s much ballyhooed Freshman 10 class (Kid Cudi, Asher Roth, Charles Hamilton, et al), one that augurs well for a lengthy and successful career. In advance of his show Sunday night (with Jay-Z, N.E.R.D. and J. Cole), Pop & Hiss spoke to Wale about the difficulties of getting to release a major-label rap album in 2009, the negativity and fickleness of the blog age, and why he Twitters so much. Like many of the more blog-buzzed rappers, you’ve been subject to a lot of rumors, beefs real or fabricated, and a level of media attention that rappers a generation ago may have had to face, but certainly not on as large of a scale. Has this been a difficult thing for you to cope with? Q-Tip once told me that 15 years ago, all people had to judge you on was your album, one or two interviews, your record for the radio and the picture on the album cover. That’s it. The only way you can remain relevant is to give yourself up, unless you’re blessed to be in one of those every-once-in-a-while Drake situations. But that’s not even a once-in-a-while thing; that’s a one-time thing. But that would seem to be a pretty different situation unto itself. A lot of people watched “Degrassi: The Next Generation,” a lot of girls watched "Degrassi" and they’re now some of his biggest fans. He had a built-in base. Yeah, and now they’re more mature and can hear [curse] words, I’m happy for what happened to Drake, but the game is just completely impossible now. You have to give yourself up. That’s why I’m so frequently on Twitter; it’s because I don’t have a big record out right now. I don’t have a lot of outlets to explain and prepare people for the person they’re about to listen to. Do you ever feel like abandoning Twitter? You always have the option of saying, "No, I don’t want to do something like that." That’s why I take sabbaticals. It’s difficult because you can see how many people already have the leak of your album, and there’s always all these people that are like, "[Screw you], Wale, I hope you die." Back in the day, it took time to write a letter, fold it, find an envelope and stamp and mail it. It makes people feel like they’re tough enough to say things to your face. They’ll write things like, ‘If I ever see you, I’m going to…." I’m like, "Dawg, I’ve been to every major city. I don’t have a security detail. I’ve never met a person who’d say that to my face." In a way, counting mix tapes, this is really like your sixth album. Is it difficult to have to keep on creating mostly free content to keep on feeding the Internet-era appetite for new music? I’m in a different place on the mix tapes than I am with the stuff on my album. I don’t care as much about the mix tapes. I say what I want to say, but on the actual album I was a lot more careful. I’d rewrite things two or three times just to make sure things were perfect. Do you ever think that you’re angling more for a Mos Def-type fan base than say, a Drake-type fan base? I don’t know. I really don’t know what my fan base is. I don’t think anyone knows. It’s so weird. On one hand, they’re like, Wale is the new Common or Mos Def, and on the other hand, people say Wale is the other Drake. On the other end, people are like, Wale is the new Jay-Z. On the other, they’re like, Wale is the new Talib Kweli. I don’t think anybody knows. There’s definitely some commercial appeal, but I’m not sure if I can put my finger on it. It’s interesting, because when I did my radio tour, all these people, all these pop stations spoke to me, and I was like, "Dawg, you don’t care about me. You only care about me because I did a record about Gaga." In a lot of urban markets, they know who I was, they cared about me, they knew my grind and my struggle, but there wasn’t anything for me to give them at that point. It’s something I’m still trying to figure out. Still, we sell out shows all the time. You have been for a while too. You and Blu sold out the Key Club last year. But I’m not a radio artist, at least at this point. Pharrell says I am. Jay says I am, but I’m not at this point. I did “Chillin.” ... It was what it was, but nothing stuck -- at least stuck the way that I had hoped. But yet there are still fans coming by the boatload, so I’m thankful for that. I just hope they buy the album next week. I really think it’s going to stand the test of time.
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People.com Reports While Mo'Nique may be known for her sassy stand-up comedy and larger-than-life personality, at her home just outside of Atlanta she is simply "Mommy." "When we're at home it ain't 'action and cut'," says the mom of 4-year-old twins, Jonathan and David, and a 19-year-old son, Shalon. "It's just like a playground in our house – nothing but fun and love." But when she took on the role of an abusive mother in the film Precious: Based on the Novel Push By Sapphire, the actress set her current contentment aside and recalled a much harder time in her life. In this week's issue of PEOPLE, Mo'Nique opens up about the sexual abuse she allegedly suffered at the hands of her eldest brother – and how she channeled that experience onscreen. Oscar-Worthy? "Coming from being molested as a child, when [director Lee Daniels] said, 'I need you to be this monster,' well [I] knew who that monster was," she says. Now, critics are pegging Mo'Nique, 41, as a possible Oscar nominee, but that doesn't phase her. "Any buzz I'm appreciative of," she says simply. But her new late-night talk show on BET, The Mo'Nique Show, gets her smiling. "When that curtain opens, I'm a kid that has no limit on all the candy she can have." The candy, of course, is just theoretical. Since late 2007, the star has sworn off junk food (sort of: "I still love those damn Doritos, baby!"), red meat and fried foods. "Big is still beautiful," says Mo'Nique, who went from a size 20 to a size 14. "Big healthy people are beautiful."
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NY Daily News Reports Chris Brown wishes that ex-girlfriend Rihanna would stop talking about how he beat her. "I maintain my position that all of the details should remain a private matter between us," he told MTV. "I do appreciate her support and wish her the best." His comments came after Rihanna, 21, told "Good Morning America" Friday how Brown bit her and put her in a headlock during an argument on Feb. 7. "It wasn't the same person that says 'I love you.' It was not those ... eyes," she said. "He had ... no soul in his eyes. Just blank. ...He was clearly blacked out. There was no person when I looked at him." Brown said he's "extremely sorry. ...Abuse of any kind is always wrong. The rest I leave it to God."
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Tracklist: 01. My Darlin Baby (Feat. Lil’ Wayne) 02. Fear: Don’t Be Afraid (Prod. By DJ Khalil) 03. Drake Speaks About “Forever” (Interlude) 04. Forever (Feat. Lil’ Wayne, Kanye West, And Eminem)(Prod. By Boi1da) 05. Off That (Feat. Jay-Z)(Prod. By Timbaland) 06. Money To Blow (Feat. Birdman And Lil’ Wayne)(Prod. By Drumma Boy) 07. Uptown Original (Demo Version)(Prod. By Boi1da) 08. Killers (Feat. Nipsey Hussle)(Prod. By 1500) 09. Overdose On Money (Prod. By Omen) 10. Successful (Feat. Trey Songz)(Prod. By Boi1da) 11. Still Fly (Remix)(Prod. By Boi1da) 12. Juice 13. I’m Goin In (Feat. Lil’ Wayne And Young Jeezy)(Prod. By Needlz) 14. Pop Rose 15. Think Good Thoughts 16. Funkmaster Flex Freestyle 17. Get Over It 18. The Search 19. Comeback Season 20. Drizzy Speaks On His Album Features And Deal (Interlude) 21. The Winner (Prod. By Tha Bizness) 22. Get Like Me 23. Friends With Money (Prod. By Megaman) 24. Best I Ever Had (Prod. By Boi1da) 25. The One (Prod. By Rodney “Darkchild” Jenkins) 26. Digital Girl 27. Outro Download Here
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Video After The Jump Courtesy Of Rap-Up.com Rihanna goes topless, shielding herself with only a strategically placed arm on the cover art for “Wait Your Turn.” Check out that deadly “R” logo bracelet on her right arm. If looks could kill. Also check out her full interview with 20/20 regarding the Chris Brown beating below 20/20 Interview Part One 20/20 Interview Part Two
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