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12349226071?profile=originalCheck out this exclusive Kd Da Beast freestyle over French Montana's "Everything a Go" instrumental produced by Prince . No bull the kid went meatmarket on the beat,This freestyle will be featured on #GTTT12 ( Got the trap twerkin 12 ) Hosted By Tha @80MinAssassin Dj Stylez Coming Soon .

#BARLIFE

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Kd Da Beast - EveryThing A Go _BarLife DrinkMix.mp3

Peep the track below Kd Da Beast - EveryThing A Go #BarLife DrinkMix by 80MINASSASSIN

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After working together on Lionsgate's crime pic "Fire With Fire," Vincent D'Onofrio, Vinnie Jones and 50 Cent will reunite on Summit's action-thriller "The Tomb," which has also cast Oscar nominee Amy Ryan as its female lead.


Mikael Hafstrom is directing the film, which stars Sylvester Stallone and Arnold Schwarzenegger, as well as Jim Caviezel.

 

Stallone plays an expert on structural security who is framed and put in a high-security prison of his own design. He must put his skills to the test to find out who put him there.

 

Ryan will play Stallone's business partner and potential love interest. D'Onofrio is in talks to play the deputy director of the Prisons Bureau who convinces Stallone to take one last job before he retires. Jones will play a ruthless guard with no moral compass who enjoys making life difficult for the protag.

 

The $70 million pic is being co-financed by worldwide rights holder Summit and Emmett/Furla Films, which produced "Fire With Fire." Randall Emmett and George Furla are producing with Mark Canton, Robbie Brenner and Kevin King-Templeton. Miles Chapman wrote the script, with Jason Keller providing a rewrite and Chapman doing subsequent revisions.

 

Gersh-repped Ryan, who recently starred in "Win Win," will soon be seen opposite Guy Pearce in Drake Doremus' next film.

 

Since leaving "Law & Order: Criminal Intent," D"Onofrio has channeled his inner multi-hyphenate. He recently directed the horror musical "Don't Go in the Woods" and he's writing, producing and co-starring in an indie adaptation of Eric Bogosian's debut novel "Mall." Thesp will next be seen opposite Ethan Hawke in Scott Derrickson's "Sinister," which Summit is distributing.

 

Jones recently appeared alongside D'Onofrio in Jonathan Hensleigh's "Kill the Irishman."

 

50 Cent has become a go-to thesp for Emmett/Furla, as he also appears in the company's "Setup" with Bruce Willis, "Freelancers" with Robert De Niro and "The Frozen Ground" with Nicolas Cage.

 

Source: Variety



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Pusha T just announced that the lead single off of G.O.O.D Music's compilation albyum will drop this Friday [April 6].

 

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While Pusha didn't elaborate on exactly which artists will be featured on the song, it is known that he along with Common, Mannie Fresh, Big Sean, Kanye West, Mr. Hudson and others have contributed to the project.


**UPDATE**


Single cover art added up top.


The song has confirmed features of Pusha, Yeezy, Big Sean and 2 Chainz.


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More Pics After The Jump

 

Rihanna gets the May cover of Elle Magazine. In addition to posing for several sexy photos, Riri opens up about Chris Brown, having kids and more.

 

On her breakup with Chris Brown: “It gave me guns. I was like, well, f*ck. They know more about me than I want them to know. It’s embarrassing. But that was my opening. That was my liberation, my moment of bring it. Now you know that, so you can say what you want about it. I don’t have anything to hide.”


On the backlash over their reconciliation:
“The bottom line is that everyone thinks differently. It’s very hard for me to accept, but I get it. People end up wasting their time on the blogs or whatever, ranting away, and that’s all right. Because tomorrow I’m still going to be the same person. I’m still going to do what I want to do.”


On having kids: “It could be tomorrow. It could be 20 years from now. I just feel like when the time is right, God will send me a little angel. But first, of course, I have to find a man. I mean, there’s a very important missing piece to the puzzle here!"


On finding that man:
“I feel like it’s hard foreverybody! I don’t think it has anything to do with being famous. There’s just a major drought out there. But I just need to find the person who balances me out, because then things like my schedule won’t matter. I’ve done it before, so I know I can do it again.”


Read the full interview and see more photos in our May issue on newsstands April 17!




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Slaughterhouse's Shady Records debut album, welcome to: Our House has been pushed back from May 15 to June 12th. No reason given for the temporary set back, but given the fact that we're already in April and the video for the lead single "Hammer Dance" hasn't dropped yet, it makes sense.



Spotted at HHNM




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Video After The Jump

 

Nicki Minaj sat down with The Breakfast Club for an in depth interview.


Check it out below.

 

 

 

 

Part 1 of 2

 

 

 

 

Part 2 of 2

 

 

 

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Nicki Minaj is certainly one of the most successful female rappers in history. Whether or not she's the "most influential ever" is a debate that would take a while amongst most hip hop fans. That hasn't stopped the New York Times from giving that title to the Harajuku Barbie.

 

Check out a little bit of what they had to say.

 

Barely a year and a half has passed since the release of “Pink Friday,” the platinum debut album by Nicki Minaj, but her style is well honed. She’s a sparkling rapper with a gift for comic accents and unexpected turns of phrase. She’s a walking exaggeration, outsize in sound, personality and look. And she’s a rapid evolver, discarding old modes as easily as adopting new ones. This hard and complex work has paid off: when she releases her second album, “Pink Friday: Roman Reloaded,” this week, it will be as the most influential female rapper of all time.


What’s even more striking is how far her reach extends beyond hip-hop. When Madonna needed to tether her current comeback to the young female transgressors of the day, she chose Nicki Minaj and M.I.A. (Savvy Nicki would never be the one to throw up a middle finger.) At the Grammys in February she gave the most shocking performance, part exorcism and part Broadway spectacle. And in the lead-up to her new album, out on Tuesday from Young Money/Cash Money/Universal Republic, her new songs have shown that she has no intention of being hemmed in by the expectations of genre, dabbling in slithery R&B on “Right by My Side” and outright giddy dance-pop on “Starships.” When rapping on the songs of others, she’s often the most capable M.C. around — take Birdman’s “Y. U. Mad?” — but on her own material she’s often straddling a line between hip-hop and pop that no other rapper is capable of, or would even dare.


 

A few years ago, before her rise began, there were hardly any female rappers of note; now, a new generation, including Azealia Banks, Brianna Perry and Angel Haze, is rising quickly, working territory that she carved out. This is a story about influence, to be sure, but also about the weakening of old walls, and the reshaping of the gates that the gatekeepers keep. Thanks to Nicki Minaj and the possibilities she has laid bare, and to hip-hop’s stasis of masculinity it is, outrageously and unprecedentedly, a more exciting time to be a female rapper than a male one.


 

As much as anything, this reflects what a barren playing field Nicki Minaj, 29, arrived onto. She signed with Lil Wayne’s Young Money Records in 2009 on the strength of a couple of years’ worth of mixtapes and street DVD appearances. The Nicki of that era was brassy and coarse, and intermittently clever. She had no real competition, and when she signed with Lil Wayne, there was little indication that she would drastically rewrite the rules for female rappers.


 

She did the obvious, and then more. She became a nimble, evocative rapper. She became an intricate lyricist. She became a thoughtful singer. She became a risky performer. She invented new personae. More than any other rapper in the mainstream, she pushed hard against expectations, and won. Only rarely did she allow herself to appear secondary to her male counterparts — even on songs like “Monster,” alongside Kanye West and Jay-Z, she more than held her ground. That was part of the blessing of being singular: with no one around to compare herself to, or for others to compare her to, she became her own watermark.


 

While that was happening, she morphed into the most eclectic black-music style idol since Grace Jones, and certainly the one with the quickest ascent to the style elite, with a look that’s loud, cartoonish and edging toward avant-garde. (Deep down, she’s too much of a populist truly to go there.)


 

She’s been on the covers of Vibe, XXL and the Fader, sure, but also of Cosmopolitan, Black Book, Elle and V. The current issue of Paper magazine features a modest Minaj on the cover: salmon blazer, lemon yellow top, Oscar-the-Grouch-green tangle of curls. Inside is a 16-page fashion spread full of models (sprinkled amongst commoners) wearing Nicki-inspired fashion: multicolored Afros, top-volume animal prints, neon makeup and shimmering fabrics, on both men and women.


To read the rest of the article head over to the New York Times.


Is Nicki in the same league as MC Lyte, Queen Latifah, Salt-N-Peppa, Missy Elliot and Lauryn Hill in terms of her influence on the culture?



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Video After The Jump

 

Twanée paid a visit to Shade 45 with Ms. Mimi for her first radio interview. She speaks on how she got to be featured on 50 Cent's song "Shooting Guns," sang an acapella tribute to Whitney Houston and more.

 

@MISSTWANEE | FACEBOOK FAN PAGE "MISSTWANEE"

 

 

 

 

 

Shade 45 interview

 

 

 

 

 

 

Twanée "Lesson Learned" (Audio) *Video Coming Soon!

 

 

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