Bronx New York Emcee G.Fisher return’s back with Kool G Rap to bring us his new single, "ROCKING WITH THE GREATEST," off his new album "Superfly Returns." Linking back up with Young Black and Gifted producer Kidd Called Quest to provide both Emcees with some serious heat. So sit back and check this new song out.
Houston rhyme spitter Eminencee presents "Colors" An eleven-song effort that puts his immense talent on full display. You won't feel the need to skip a song, though you might be tempted to listen to several tunes more than once.
1. Intro (Colors) 2. Act Up 3. Brain Run 4. Sheriff Badge 5. Crown Queen ft Jaybird 6. Greatest Alive ft Slater the Genius 7. Felon 8. Fatal Attraction 9. Maximize ft Black James 10. Air Bubbles 11. Fear God
Stephen A. Smith and Max Kellerman of First Take debate who is the best offensive player in the NBA. Stephen A. explains why he thinks Houston Rockets star and reigning MVP James Harden is the best scorer in the league today.
Ransom releases an official music video for "The Mystery." The song was produced by Lil Eto. This is off of Duffle Bag Ran's latest album titled "Greatest Rapper Alive."
Video After The JumpBoxing fans love to debate which fighter is the greatest of all time. In such debates, people generally up end going old school vs new school.
For most though, Muhammad Ali has been considered the greatest and most well known boxer of all time.
Manny Pacquiao's advisor Michael Koncz doesn't think that is the case anymore. At least not when it comes to popularity. He tells reporter Elie Seckbach that Pac Man is now the biggest name boxing has ever seen.
"I think it's all the things we've been doing. 60 Minutes programs, you know - 24-7 again. It's put him into that category of a rock star," Koncz said "I think he's one of the most popular boxers ever, even more than Ali. You gotta remember Muhammad Ali, and he was my favorite boxer. He never became world wide famous until the draft issue, it wasn't because of his boxing. [Ali was convicted for refusing induction into the military]. And I think that's what's happening to Manny too. Like I said with 60 Minutes, the Dateline show that we did, the Jimmy Kimmel show that we did twice. We're taking him out of the boxing circle and putting him into the household."
Koncz makes some interesting points, but Ali became worldwide famous without the internet, pay-per-view, Showtime and HBO. I think that's a really hard comparison to make.
In other Pacquiao news, it's looking more and more likely that his next opponent will be either Sugar Shane Mosely or Andre Berto.
Juan Manuel Marquez was also in the running, but promotor Bob Arum said his asking price was way too high.
“Marquez's proposal was so out of line for anything that he got before… I don't think Manny is going to pay any attention to it,” Arum said in an interview with FanHouse.com
On the possibility of Floyd Mayweather Jr vs Pacquiao, it doesn't look like that fight will happen until at least the end of 2011, if at all.
Oscar De La Hoya of Floyd's promotion team Golden Boy is accusing Arum of ducking his fighter. Arum is calling bullsh*t on that accusation.
"That's totally nonsense because you can argue over the first situation, the first go around. They had one position, we had another. But on the second go around we gave in to every one of their positions. We were so anxious to make the fight and Mayweather didn't want to fight," Arum said "And even today we will do the fight unconditionally, unconditionally! And all Mayweather has to do is say ('yes') he wants the fight."
So our poll for today is, who is the greatest fighter of all time? Use whatever criteria you want to - popularity, pay-per-view buys etc But the most important thing in determining the greatest is boxing skills.
Read more…
Saigon is one of those rappers everybody knows is nice. What a lot of people can’t figure out is why he’s never blown, especially with the backing of producers like Just Blaze and Statik Selektah.
No doubt his stint on the HBO show Entourage has been a good look for The Yardfather, but what hip hop fans really want is ‘The Greatest Story Never Told’ album.
Sai chopped it up with Urban Daily to talk about his acting career, Jay-Z jacking his beats and why he left Atlantic Records.
UD: How Bad Were The Groupies On The Set Of Entourage?
Sai: There’s a million Entourage stories man. There’s girls that would camp out around the trailer. ‘I just wanna meet Vince’, they really call him Vince - they don’t call him Adrien [Grenier]. One woman wanted to meet Turtle. I was a little closer to turtle. So I told her, I guess we could find a way for you to meet Turtle. All you gotta do is come hang out for a little while, tell some jokes, make us laugh and you know, we’ll bring Jerry [Ferrara] in here, or Turtle.
UD: How Many Beats Did Jay-Z Steal From You?
Sai: Jay-Z was jacking for beats baby. When we were working in Baseline [Studios] we were all like a close family. And Jay would come around, pop up every now and then. You know me and Just [Blaze] was in there working hard and Just would give me a gang of beats at a time. And every now and then one of them would come up missing. One that I was probably writing to or something that I really loved. Then the next thing you know, they would have this big meeting. And they would go, ‘yo Sai we need to talk to you. You know that beat we had, the one you was loving? Big homie got that now.’ You know big homie was Jay-Z, he did that to me about three or four times.
UD: What Beats Did He Take?
Sai: Kingdom Come is mine, actually two didn’t make his album. And Come On Baby - he took it, did his thing to it then gave it back because he didn’t want to use it, so he gave it back to me. But he was like ‘you can keep the verse that I laid on it.’ That was a big homie move because you can’t buy a Jay-Z beat. You can’t go to Jay-Z and say hey we got $100,000 for you to get on a record. He wipes his ass with $100,000 dollars. That’s why he said in that line “you wanna be in the public send your budget”. That means your whole recording budget. There’s no more money for producers, studio time, nothing.
UD: When Did You Finally Get Off Atlantic Records?
Sai: I got off Atlantic Records March 10, 2010. All these years I’ve just been sitting around. I was still on Atlantic Records this whole time technically. They wasn’t putting my music out but I was still contractually bound to them until March 10 of this year.
Sai’s long awaited album ‘The Greatest Story Never Told’ drops in 2011.
It’s easy to pick a great Dr. Dre beat. Picking 50 of them isn’t too difficult either. Where the task gets hard is in sorting them out.
There are still some people in the XXL offices who are disagreeing with each other over where certain beats fell in the pecking order, and we are sure our faithful readers will do the same. As a matter of fact, we can’t wait to hear what from our readers what we got wrong, why number five should have been number 20, and why some beat we didn’t put on the list should have been included.
So without further ado, let’s get right into the 50 Greatest Dr. Dre beats of all time.
50. “Fight Music” – D12 (2001) Album: Devil’s Night A hard-charging, hyper rap-rock cut samples Led Zeppelin’s “Kashmir” showcased Dre’s versatility on the boards.
49. “Natural Born Killaz” — Dr. Dre & Ice Cube (1995) Album: Murder Was The Case (The Soundtrack) The first Dr. Dre and Ice Cube recording since their N.W.A days was an audio massacre. A sinister beat fuels Cube and Dre to spit some of their most brutal verses.
48. “Remember Me” — Eminem (2000) Album: The Marshall Mathers LP A brooding and eerie concoction served to be the perfect backdrop for Em, Stick Fingaz, and RBX to spit gruesome bars over.
47. “Boss’ Life” — Snoop Dogg (2007) Album: Tha Blue Carpet Treatment The Snoop D-O-Double G bosses up over a menacing bass line and delicate keys for smoothed-out G-ride.
46. “Family Affair” — Mary J. Blige (2001) Album: No More Drama The rolling bass line and rich keys made for a ubiquitous club banger that everyone could enjoy.
45.“B*tches Ain’t Sh*t” — Dr. Dre (1992) Album: The Chronic The raucous posse cut built from Funkadelic’s “Adolescent Funk,” and MC Shan’s “The Bridge” was a rambunctious example of the Doc’s patented gangster sound.
44. “Fast Lane” — Bilal (2001) Album: 1st Born Second Neo-soul meets G-funk for a soul-stirring knock that was street but sweet.
43.“Been There Done That” — Dr. Dre (1996) Album: Dr. Dre Presents…The Aftermath Dre’s emancipation from Death Row spawned the cooler-than-thou cinematic cut.
42. “Satisfaction” — Eve (2003) Album: Eve-Olution The blond bombshell was such a f-ing lady over Dr. Dre’s stripped down funky one-two groove
41.“Express Yourself” — N.W.A (1989) Album: Straight Outta Compton Co-produced with DJ Yella, the good doctor infused the 70’s soul/funk classic “Express Yourself” (Charles Wright & the Watts 103rd Street Rhythm Band) with some of that gangster s**t to express himself.
40. “My Name Is” — Eminem (1999) Album: The Slim Shady LP The genius of Em’s debut single lays behind Dre’s decision to keep his presence as minimal as possible, so as this then fairly unknown MC could show and prove on his own.
39.”Ask Yourself A Question” — Kurupt (1998) Album: Kuruption! The West Coast icon blessed Kurupt with a sparse bouncy backdrop to perfectly showcase the underrated MC’s talent on mic.
38. “F*ck You” — Dre (1999) Album: 2001 Dre proved that along with the street, the club and the whip, he can also make tracks that knock in the sheets.
37. “Poppin’ Them Thangs” — G-Unit (2003) Album: Beg For Mercy Dre gathered muted guitars, dark backdrops and rolling piano stabs to create a timeless head nodder.
36. “Next Episode” — Dr. Dre (1999) Album: 2001 The West Coast legend took David McCallum’s “The Edge” and turned it on it’s head, creating one of the most gangsta, cinematic instrumentals of all time.
35. “Lil’ Ghetto Boy” — Dr. Dre (1992) Album: The Chronic While he borrowed both the song title and the sample from Donny Hathaway, Dre proved to fans that he also had enough soul to compose tunes that would one day put his name amongst the greats.
34. "Westside Story” — The Lame (2004) Album: The Documentary Dre laced the Compton MC with a menacing backdrop for this standout joint from 2005’s The Documentary, with a deep organ sounds and high pitch keys.
33. “Outta Control” Remix — 50 Cent (2006) Album: The Massacre The Mighty D-R-E slimmed down his G-Funk sound for the clubs, with this 2006 cut that you could easily dance to or play the wall and bop your head with the rest of the thugs
32. “Afro Puffs” — The Lady Of Rage (1994) Album: Above The Rim (The Soundtrack Lifting two grooves from Johnny Guitar Watson (“Superman Lover” and “Love That Will Never Die”), the good Doc concocted an evil sounding, trunk rattling banger for the West Coast rapstress that still rocks rough and stuff 16 years later
31. “Ain’t No Fun” — Snoop Dogg (1993) Album: Doggystyle This classic track from Snoop’s heralded 1993 debut album, Doggystyle, showcases Dre’s signature laid-back G-Funk sound. Incorporating samples from Issac Hayes (“A Few More Kisses”) and Lynn Collins (“Think [About It]“), gang bangin’ never sounded so smooth.
30. “Keep Their Heads Ringin’ — Dr. Dre (1995) Album: Friday (Original Motion Picture Soundtrack) The spacey, funky production on this cut from the Friday soundtrack is still living up to its title 15 years later.
29. “Hello” — Ice Cube (2000) Album:War & Peace Vol. 2 (The Peace Disc) Dre and MC Ren hopping on this track from War & Peace Vol. 2 (The Peace Disc)created an N.W.A. reunion and Dre provided an updated sound to go along with it.
28. “Heat” — 50 Cent (2003) Album: Get Rich or Die Tryin’ 50 Cent luh dem gun sounds, and the Doctor laced him with plenty, as a gun being cocked provided the percussion on this Get Rich or Die Tryin’ banger.
27. “Forgot About Dre” — Dr. Dre (1999) Album: 2001 To this day, this stringy 2001 standout remains one of the best collaborations between Dr. Dre and Slim Shady.
26. “F*ck Tha Police”— N.W.A (1988) Album: Straight Outta Compton One of the most controversial songs in hip-hop history wouldn’t have been the same without Dre’s aggressive, drum-heavy production.
25. “Imagine” — Snoop Dogg (2006) Album: Tha Blue Carpet Treatment Thanks to orchestral keys and D’Angelo’s soothing voice, this is one of the best Dre tracks to simply kick back and light up to.
24. “How We Do” — 50 Cent (2005) Album: The Documentary 50 Cent's hook and verses propelled this song up the charts thanks to Dre’s claps and keys.
23. “Lay Low” — Snoop Dogg (2000) Album: Tha Last Meal Snoop Dogg’s Tha Last Meal was a slept on album, especially when one considers there were singles like this collaborative effort with Dr. Dre.
22. “Nas Is Coming” — Nas (1996) Album: It Was Written This track from Nas’ It Was Written—recorded during a time of heightened tension between the East and West Coasts—also marked the beginnings of Nas and Dre’s collaborative efforts, which soon resulted in The Firm, as well.
21.”Bad Intentions” — Knoc-turnal (2001) Album: The Wash (The Original Motion Picture Soundtrack) Dre lent his touch on the mic and the boards to this up-tempo Knoc Turn’al track which is marked by it’s constant flute sounds.
20. “X” — Xzibit (2000) Album: Restless He calls the good doctor. Dre comes with a bone-shattering beat that sounds like a great leftover from the 2001 sessions for Xzibit’s first single off the Restless album, which Dr. Dre also executive produced.
19. “Let Me Ride” — Dr. Dre (1992) Album: The Chronic What do you get when you mix James Brown drums, with a bit of Bill Withers’ percussion, then throw in some Parliament for good measure? 1992’s “Let Me Ride,” one of Dre’s most memorable tracks.
18. “Phone Tap” — The Firm (1997) Album: The Album In the wake of the dreaded East Coast/West Coast beef and the deaths of both 2Pac and The Notorious B.I.G., Dre hooked up with Nas’ The Firm and helped bridge the coastal divide. A testament to the union was “Phone Tap”, Dre’s take on New York’s then-Mafia inspired sound. Ironic how a flip of Chris Barber’s 1959 diddy “Petite Fleur,” (translation: little flower) turned out to be one of rap’s hardest beats ever.
17. “Let Me Blow Ya Mind” — Eve (2002) Album: Scorpion Always known for hip-hop hits, Dre once again proved his pop prowess in 2001 when he laced Eve and guest Gwen Stefani with the instrumental for “Let Me Blow Yar Mind.” Hard enough for E-V-E’s aggressive raps, by bright enough for Gwen’s crossover-styled vocals, Dre conjured up the best of both worlds and gained a Grammy for the track.
16. “Guilty Conscience” — Eminem (1999) Album: The Slim Shady LP Sure haters poked fun at Eminem, writing him off as a one-hit wonder with his quirky first single “My Name Is”, but by the time he dropped “Guilty Conscience” that same year, even the saltiest of rap heads had to give it up. Dre’s flip of Ronald Stein’s 1970 song “Go Home Pigs,” with it’s prodding bass gave Em the perfect lane to spit some of his best bars and he has Mr. Dre, Mr. N.W.A. to thank for it.
15. “Tha Shiznit” — Snoop Dogg (1993) Album: Doggystyle Most artists go to Dre to secure a single, but some times a low-key album cut can be just as potent. Such was the case with “Tha Shiznit” off of Snoop’s Doggystyle album. Who would’ve thought that a sampling of Billy Joel’s 1977 cut “The Stranger” would make for one of the albums best beats? Well, Dre of course.
14. “B*tch Please” — Snoop Dogg (1999) Album: No Limit Top Dogg Back when Snoop was riding with Master P’s No Limit label, fans longed for a reunion with the Cali funk doctor and on “b**ch Please”, Dre didn’t disappoint. The formula was familiar, pulsating bass, bright keys and swirling flutes. If it ain’t broke don’t fix it.
13. “Doggy Dogg World” — Snoop Dogg (1993) Album: Doggystyle By the time Snoop Dogg’s debut Doggystyle dropped, the LBC MC was the epitome of gangster; that was until Dre smoothed things out on the album’s third single “Doggy Dogg World.” The deep rolling bassline, calming keys and the overlaying sleigh bells all combined to form one of hip-hop’s most two-steppingiest tracks of all-time.
12. “Ho’s a Housewife” — Kurupt (1999) Album: Tha Streetz Iz A Mutha Kurupt’s Tha Streetz Iz A Mutha album was filled with Left Coast goodness, but none sonically better than the Dre-produced “Ho’s a Housewife.” The mid-tempo, bottom heavy track oozed pimpery and was so good that it also appeared on 2001, which dropped two weeks after ’Rupt’s CD.
11. “California Love” — 2Pac (1995) Album: All Eyez On Me Out on bail, fresh out of jail, who did 2Pac call to map out his return to rap? Well the good Doctor of course. With his bouncy synths and thumping bass, Dre’s flip of Zapp And Roger’s “Dance Floor” proved to be the perfect backdrop for ’Pac’s West coast ode.
10. “Straight Outta Compton” — N.W.A (1988) Album: Straight Outta Compton If N.W.A’s “don’t-give-a-damn” attitude wasn’t obvious in the rhymes of Ice Cube and the group’s other MCs, the message was written all over this beat. Dre may have always had the ability to craft a beat for the dance floor, but in his early years, he was trying to do anything but make people move their feet. “Straight Outta Compton” is a stylized mess of diesel truck horns, shrieking record scratches, and aggressive percussion.
9. “The Watcher” — Dr. Dre (1999) Album: 2001 It’s here, the very first song on 2001 where Dre proves his comeback was going to live up to all the hype his absence had created. The quiet whisper of the song’s chorus is a perfect compliment to all the instrumentals subtleties — tinkling keys, staccato horn blasts, and bass designed to put necks and bodies in motion.
8. “Still D.R.E.” — Dr. Dre (1999) Album: 2001 In many ways, “Still D.R.E.” was a comeback record for Dr. Dre. After having taken a hit on his credibility for his lackluster work on the 1996 Dr. Dre Presents…The Aftermath, Dre returned to the form that made him famous with this song, the first single from 2001.
7. “F*ck Wit Dre Day (And Everybody’s Celebratin’)” — Dr. Dre (1992) Album: The Chronic The lyrics to Dr. Dre’s second single from The Chronic were meant to sting Eazy-E, but what probably hurt more was the beat’s trunk-rattling bass line. It’s obvious from the moment “f**k Wit Dre Day” begins, the most talented artist on the West Coast was a man named Andre Young.
6. “Gin and Juice” — Snoop Dogg (1993) Album: Doggystyle By the time Doc went to work on Snoop Dogg’s debut album, Doggstyle, the producer’s G-Funk sound was a familiar presence on urban radio. In turn, “Gin and Juice” became a timeless hit record, sounding more like the street and party anthem it was than today’s jingly odes to a rapper’s drink of choice.
5. “In Da Club” — 50 Cent (2003) Album: Get Rich Or Die Tryin’ It could be argued that without 50 Cent’s catchy hook and rhyme patterns over this fairly simple beat, “In Da Club” would not have been the hit that it was. There’s not much to “In Da Club”; the in-the-face smack of Dre’s drums, simple syncopated string patterns, and a drifting one-note guitar lick, but therein lays the innovation.
4. “It’s Funky Enough” — The D.O.C. (1989) Album: No One Can Do It Better Even now, it’s hard to believe Dr. Dre made this beat nearly 20 years ago. The way he pieces together samples of The Sylvers’ “Misdemeanor” and James Brown’s “Funky President” was an audio marvel and a big reason why many consider this record to be one of D.O.C.’s shining moments in his brief career.
3.”Xxplosive” — Dr. Dre (1999) Album: 2001 This album cut from Dr. Dre’s Chronic 2001 was never released as an official single, but it surely felt like one. With its sampling of Soul Mann & The Brothers’ 1971 song, “Bumpy’s Lament”, “Xxplosive” was a proper update of the G-Funk sound Dre ushered in; a funky, soulful sound bed for Kurupt’s ferocious first verse, and Nate Dogg’s bluesy 16.
2. “Deep Cover” — Dr. Dre (1992) Album: Deep Cover (Music From The Original Motion Picture Soundtrack) Most noted for being the song on which a young rapper named Snoop Dogg was introduced to the world (then named Snoop Doggy Dogg), “Deep Cover” was a haunting cut with hardcore lyrics to match the beat’s gritty mood.
1. “Nuthin But A “G” Thang” — Dr. Dre (1993) Album: The Chronic Dr. Dre and Los Angeles hip-hop were already on the map before the release of this 1992 single from his solo debut, The Chronic, but “Nuthin But A “G” Thang” made the whole country take seriously the contributions of G-Funk. The beat’s sneaky flutes and subtle guitar notes combined with the pavement pounding force of the thumping four-note bass line, woke people up to the idea that melody can indeed sound gangsta.
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