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The Game vs Meek Mill beef continues to expand beyond the two emcees to involve more people.

Individuals that have been drawn into the conflict include Dreamchasers affiliates Teefy Bey, Takbar and Omelly. As well as Beanie Sigel, Game's manager Wack 100 and now Brooklyn, New York native Maino.

If you're wondering how Maino became a part of this narrative, it has to do with the filming of Game's newly released Meek Mill diss video titled "Pest Control," which features some scenes that were shot in Brooklyn.

Maino objected to his borough being involved and responded by posting a photo of himself in Bed-Stuy that was captioned, "Not Here."

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A phone conversation was arranged between Wack and Maino to clear the air. However, there was some sort of miscommunication afterwards that led to Wack challenging the "All of the Above" hit maker to a fight on Tuesday, September 27.

"@mainohustlehard when they figure out your playing both sides my nigga your going to be in #IT," Wack captioned an Instagram photo. "Remember it wasn't just me on the phone. it was me you another nigga and a recording ..... I hope your not running around playing like you was aggressive!!! I say this with no disrespect all gangsta shit. Me & You gona run that fade as soon as I touch back. We know and I'm letting ya man know so they know you was real nice and spoke again a Phili nigga having any say so in #NY .... I'll have my #Brooklynteam line it up and I'll pull up ... No beef just a reconing.... The nigga that gave you that buck Fifty still running around Brooklyn my nigga this we all know."

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Maino quickly accepted the challenge. In doing so, he questioned why Wack went to Instagram when he could have called him on the phone.

“first off I Never spoke down on u to NOBODY!!! My perspective is the same as it always been. Same as I told u! I felt that niggas in my own Borrough was acting like Hoes to be in a video about a beef that had Nothing to do wit them or Brooklyn," Maino responded. "I told u that as I told some of the same people that was in the video the same thing. NEVER ever changed my tone. I was clear and if anybody else told u something different it is a Flat out lie. Me and u had conversation as MEN. Period. However, I can’t understand how if u heard something u didn’t reach out to me the same way. How GANGSTA is typing on Instagram when u know I’m reachable. My brother u can have every and anything u looking for. If u allow people to bleach ur Dome wit rhetoric then so be it. U can get ur fade, Caesar, flat top or baldy. Lmao u gotta be kidding me, ur man got my #…: im starting to really wonder about u brother. Ur Gangsta antics on social media looking questionable. But it’s always wuteva wit me. I’ll be ur Hucklberry brother. Somebody lied to u jack, and if u really wanted to get down to it u could’ve spoken to me and we could’ve solved it. But now u speaking on things u don’t know of. The homie that cut me IS NOT walking around Brooklyn. And nor has he ever been. Ain’t a nigga in this freeWorld done anything to me without Retribution homie. I’m around Gangsta. And please no more typing homie. I think at this point we both clear” 

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There was more communication between the two, which you can read below.

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Thoughts?

Shouts to the Shade Room and DJ Akademiks for the screen shots

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Video After The Jump

This is pure lyrical mayhem. Producer Domingo recruits Joell Ortiz, Chris River, Snow Tha Product, Token and living legend Big Daddy Kane for "Kill At Will:The Final Chapter."

The song will live on Domingo's "That's Hip Hop: Generation Next" album featuring the emcees mentioned above, as well as Oswin Benjamin, Denzil Porter, Nutso, Thanos, Zooka Joe and more.

The album will be released on October 14th. You can be order it now here: http://www.thatshiphopmusic.com/store

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Video After The Jump

The story of of brothers Demetrius "Big Meech" Flenory and Terry "Southwest T" Flenory is coming to the Starz network very soon.

It will chronicle the bother's rise from the streets of Detroit to become the leaders of the powerful Black Mafia Family (BMF).

Curtis "50" Cent Jackson and his business partner Randall Emmet will serve as executive producers.

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50 Cent and Randall Emmett

"BMF COMMING SOON !!! This one is gonna be bigger then POWER," 50 captioned an Instagram photo of a young Meech and T.

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Not much has been revealed about the show's cast except that Lil Meech will portray his father. He sat down with DJ Smallz recently to talk about why Big Meech gave the green light to 50, taking acting classes to prepare for the role and the show being reality based.

DJ Smallz: Obviously your family has been pitched with a million ideas, i would imagine. Why was this one greenlit?

Lil Meech: My dad has always had respect for 50 Cent and Randall Emmett, who's also doing the show. It's always been a respect level between them and he just chose 50 to do it. Everybody love 'Power.' Everybody's seen how well they've done 'Power.' It's a good look.

DJ Smallz: Do you personally feel like this is too early for a show like this to come out? Or do you feel like this is the right time?

Lil Meech: I feel this is exactly the right time.

DJ Smallz: 50's been quoted as saying "this show's going to blow you away." Can you explain if it's going to be a fictional story about the BMF or is it going to delve into the real history of the group's rise and fall?

Lil Meech: This is going to be 100% truth. 100% the rise and fall. It's gonna be completely non-fictional. It's gonna express everything, show everything.

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Watch the full interview above.

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Video After The Jump

Kevin Hart's alter ego Chocolate Droppa is preparing to release his debut rap album.

He recently sat down with Big Boy TV to talk about Nelly, T.I., Kanye West, Future and 2 Chainz stealing his style, album features, battle rapping and spits a freestyle.

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David Banner has won his $150,000 lawsuit against Lil Wayne's Young Money Records.

The Mississippi rapper and producer sued Young Money in July of 2015, for non payment of royalties for his production on the songs "Pussy Monster" and "La La" off of Wayne's 2008 album "Tha Carter III."

In addition, Banner said he had not been properly compensated financially for his work on the song "Streets Is Watchin" from the 2009 "We Are Young Money" compilation album.

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At the time the lawsuit was filed Wayne's reps claimed Cash Money Records, the parent company of Young Money, was responsible for the payments.

TMZ reports that the judge in the case wasn't buying that excuse.

Wayne failed to respond to the lawsuit, resulting in Banner being awarded a default judgement of $164,303.19, which includes interest.

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Video After The Jump

French Montana's "MC4" project is due out on October 14th. Here's an official music video for a song off of it titled "Brick Road." The track was produced by Harry Fraud.

"MC4" is available for pre-order on iTunes: https://itunes.apple.com/us/album/mc4/id1120358303

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Video After The Jump

Check out Nipsey Hussle's new music video for "Clarity" featuring Dave East and Bino Rideaux. This is off of Neighborhood Nip's "Slauson Boy 2" mixtape, out now on Datpiff: http://www.datpiff.com/Nipsey-Hussle-Slauson-Boy-2-mixtape.799363.html

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12352365471?profile=original

Video After The Jump

The stories about Beanie Sigel getting knocked out by a member of Meek Mill's Dreamchasers squad are no longer just rumors.

TMZ obtained footage of the 42-year old rapper laid out backstage at the Wells Fargo Center in Philadelphia during The Bad Boy Family Reunion Tour Friday, September 23. (http://www.tmz.com/videos/0_l23ku46v)

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Teefy Bey, a Meek affiliate, can be clearly be seen walking away from the incident in the clip.

If the name sounds familiar it's because Ar-Ab claimed the Do4Self Records CEO was extorting Meek in the diss song "Back to Back."

"I know that you gotta pay Teefy / I heard that you gotta pay weekly," Ab raps.

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Teefy Bey (center) says Beanie Sigel broke street code by talking to The Game about Dreamchasers business.

In a new interview with HipHopSince1987, Teefy, speaks on why he felt like Beanie needed to be dealt with harshly.

"He backdoored niggas with Game and them. Telling niggas information that only the camp know," Teefy explains. "And not the information that you (ghostwrote on Meek's OOOUUU diss), 'cause you didn't. The information was worse than that y'all. You ain't gonna try to play me or play my family out. Play my niggas out for a nut ass nigga named Game. You broke the code of ethics of the streets."

Teefy added that he is not extorting Meek and has never received a dime from him.

Watch the full interview (https://youtu.be/4w_cNu4kLn8). Teefy addresses the Beanie Sigel situation beginning at 8:08.

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Video After The Jump

Gucci Mane releases an animated music video for the song "All My Children" off of his "Everybody Looking" album, available now on iTunes: https://itunes.apple.com/ca/album/everybody-looking/id1135576036

Director: yashxana
Animator: Pangea Vision


Official Ice Cream Dad Hats available here: http://atlr.ec/IceCreamDadHatsYT


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Twitter - https://twitter.com/gucci1017
Facebook - https://www.facebook.com/guccimane
Website - http://guccimaneonline.com/

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Lil Wayne has scored a major victory in his legal battle with Birdman and Cash Money Records.

The New Orleans rapper and his lawyers have been attempting to get an accounting of where $70 million of a $100 million advance from Universal Music Group, that was supposed to be split between Cash Money and Young Money Records went.

Birdman claims the funds were used to pay royalties, recording costs and for marketing.

Wayne's legal team isn't convinced that's true.

According to TMZ, the 20,000 pages of legal documents Birdman previously handed over to Weezy's lawyers have been deemed useless. They want a more accurate accounting and a judge agrees, ordering the Cash Money Records co-owner to open his company's books.

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The accountants at Cash Money haven't done a good job keeping track of where funds have been allocated, but the judge in the case isn't accepting that as an excuse and has given Birdman 30 days to comply with the ruling.

Wayne is currently suing Cash Money for $51 million.

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