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Video After The Jump

 

Drizzy Drake linked up recently with Meek Mill to record one of the hottest records in the streets in "Amen." The two got a chance to perform it live during Drake's recent "Club Paradise" tour stop in Detroit, Michigan.

 

The song is featured on Mill's new mixtape "Dream Chasers 2"

 

Filmed by Jon J


 

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Video After The Jump

 

Chris Brown links up with G.O.O.D Music's Big Sean and Taylor Gang General Wiz Khalifa for his brand new "Till I Die" video. The song will be featured on Chris' upcoming fifth studio album "Fortune," which drops on July 3rd.

 

Breezy dedicated the clip to late Beastie Boys rapper Adam "MCA" Yauch.


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Pics After The Jump

 

Dr. Dre and Black Hippy member Kendrick Lamar have been hard at work in the lab working on Kendrick's new album "Good Kid in a Mad City." The duo took a break of sorts recently to shoot a video for their collaboration "The Recipe."

 

Peep a few pics from the set below courtesy of HHNM.

 

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To help hit our goal of 1 billion meals, let's spread the SK love for the new 50 Cent and Joan Rivers spot.

 

For the next 24 hours, every 1 share of this post = 1 meal we'll donate to the World Food Programme. Let's push for 10,000. Start sharing by clicking HERE.

 

Like the official Street King Facebook page http://www.facebook.com/StreetKing

 

Follow the Street King official Twitter page https://twitter.com/#!/StreetKing


 

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"Niggas In Paris" Paris Version [Video]

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Video After The Jump

 

The concept

Using the "Niggas in Paris" soundtrack, the video features a sequence of known and unknown black people, in their own universe. The goal is to show that this diversity is a driving force in creating the unique charm & atmosphere that the city of lights exudes. Authentic and original/innovative, this video is a fresh take on a song that has quickly become a classic and serves as a great notice to Jay-Z and Kanye's upcoming visit to Paris.
With this video, the + l'infini's team hopes to transcend the cultural and social differences of our worlds and cement a link between the American and French Black communities.




 

 

 

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Video After The Jump

 

Jay-Z, Kanye West and Frank Ocean declare war on the establishment in the exciting new video for "No Church In the Wild" off of The Throne's highly successful album. The Romain Gavras-directed clip was shot in Prague earlier this year.

 

Cop "Watch the Throne" from iTunes


 

 

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Video After The Jump

 

Big Fendi links up Jadakiss, Styles P and Trae Tha Truth for an alternate version of "We Gettin Money," which can be found on The Come Up DVD Volume 23. The original audio can be found on Jada's latest mixtape the "Consignment."


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Author Robert Greene and 50 Cent are about to release a comic book version of their best selling book 'The 50th Law' through SmarterComics. Illustrated by Dave Crosland, the comic book will be available on October 10, 2012 and can be pre-ordered from Amazon.

 

Preview pages from the book HERE

 

It's a hustler's ambition. Close your eyes. Listen. See my vision... It's THE 50TH LAW. Focus your hustler's eye on this comic book adaptation of my secret to success. Find out how I went from the hard life in Queens to the top of the music charts -- and the business world. Curtis "50 Cent" James Jackson III


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50 Cent and DJ Drama just teamed up to drop the very successful Gangsta Grillz project "The Lost Tape." Vibe caught up with the pair at G-Unit's New York office to talk about the tape, Diddy, Cam'Ron, Precious Paris and more.

 

Check out an excerpt from the interview below.

 

VIBE: Drama now that the tape is out and everyone is digesting it and tweeting about it, is the pressure off you?
Drama: This my kick my feet up time. Just kind of marinating and seeing what the feedback and the response is.

 

I know that this has been a long time in the making.
[50 Cent walks into his own office where Drama is being interviewed on speakerphone]

 

50 Cent: What the f*ck is up? Drama, what’s good?


50, I was just talking to Drama about the tape.
50 Cent: He killed it for me. The 2 Chainz remix, he’s responsible for that. Some artists ain’t really open to you helping them in different ways but they usually aren’t very successful artists. The successful artists, they take on the challenge. Because I feel like I can rap to anything. Regardless of—a lot of times I stay away from styles because when I fell in love with the culture it was important that you had your own identity and your own style and they would be like ‘oh this reminds me of the old Fif’ and I’m intentionally using my style.

 

I hear you. In the ‘90s, if you were from New York, you’d rap like you’re from New York.
50: A lot of things changed. Things cycle. Like in fashion, it’s the same. Instead of the hippies, they’re hipsters, instead of the pants being bell bottoms, they’re tighter because of skateboard culture emerging at the same time. For me when I look at—The things that I fell in love with within the culture, there’s no longer a lot of that representation out here. So, I feel like it’s important that I represent that. Even if it’s not exactly with what is the trend for the moment because we cycle [in hip-hop]. Before 50 Cent, there was DMX and “Get At Me Dog.” “What Up Gangsta” was for Get Rich Or Die Trying.

 

And that “Riot” record you mentioned is poppin’. Were there anymore records that Drama brought to you like ‘Yo, you need to spit over this?’
50: He inspired the OJ joint. But I actually met 2 Chainz and I like him—not necessarily everything that he says in rap or everything that he may do in life but I like him on a personable level like when we actually got a chance to talk man to man. So, I want to see him win. So, I take it and I make it—I’m actually writing both of us on to the record. Instead of—I wrote everybody else out of their own when I came up.

 

It’s got to be hard to see the things you’ve done 10 years ago working for new rappers. Like the joint you did with Bun B, “As The World Turns,” if some new rapper put that out today, fans would be like ‘oh sh*t, he’s killin’ it.’
50: Bun and Pimp C , when we—that actual song was done before “Big Pimpin’” —that just shows how people pay attention. That’s why Jay-Z is as successful as he is. He saw the move but I didn’t . Then I got shot, I was gone and he did the other one.

 

You really think so?
50: They don’t miss no beats. Look who we talkin’ bout. It’s all good. I look at—each one of those opportunities to do different things. Like I see artist’s momentum, true momentum versus what record companies think. They go out prematurely. Like in Future’s case.

 

You think “Tony Montana” came out a little too early?
50: Not the song. I think they actually launched his album too early.

 

Build it up more and get 50 Cent on a record [Laughs]?
50: He’s talented, that would’ve helped.

 

That “Same Damn Time (Remix)” with Diddy and Luda is retarded. The way Diddy rapped on that is almost how he rapped on your “I Get Money (Remix)” years back
50: [Laughs] Puffy’s wack. As an artist, tell the truth.

 

I mean when he has dope people writing his sh*t he’s not wack. When he’s got somebody writing his sh*t that’s ill, we still love it.
50: People who say they sing songs just because they enjoy the music, they’re usually more believable. He’s the best producer and business man. His contribution to hip-hop culture is the remix. I acknowledge that.

 

To check out the rest of the interview head over to Vibe.

 

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