QT JAZZ
HEELS BAGS
Music video by QT JAZZ performing HEELS BAGS. 2012 SO JAZZY ENTERTAINMENT
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Daylyt was involved in some controversy at his past iBattle Worldwide battle vs Cityy Towers when he and fellow battler Suspense engaged in a choking match, and he sat down with VladTV to explain the story.
Daylyt also dropped the controversial "Paul Walker" music video recently, that many consider to be disrespectful.
Daylyt Talks Choking Out Rapper During iBattle Match
Daylyt "Paul Walker"
iBattle Worldwide Presents: Daylyt Vs Cityy Towers (Chokes Showers at 30:40)
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It's Christmas season and the good folks over at Hyena House Entertainment brings us a very speacial "Glory Boyz Entertainment Christmas Carol" featuring Santa Ricky Ross, Young Chop, Fredo Santana and Lil Reese.
"Bang Bang!"
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First single off Fame's upcoming mixtape Hall Of Fame
Shot and directed by ( KariymMedia)
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Last week President Barack Obama ran into a couple of issues that were talked about across the world. First was the "selfie" he took with Danish Prime Minister Helle Thorning-Schmidt at the Nelson Mandela memorial. Then there was the fake deaf interpreter, Thamsanqa Jantjie, who made a mockery of the event with hand gestures that nobody understood.
Saturday Night Live had some fun with the situation during last night's show. Watch Jay Pharoah and Kenan Thompson clowning below.
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Check out the latest official music video from Ty Nitty for "Free Ox."
Produced by : 2 DEEP
Video By : Love & Loyalty Films
For All Info Contact : (646) 657-8465
@vinnythunn @Tynittymobb @teamdoubleL
For a new Video Every Sunday Subscribe to Love & Loyalty Films
https://www.youtube.com/subscribe_widg...
IG : TyNittyQB / VinnyThunn
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SAN ANTONIO (Associated Press) — Marcos Maidana overpowered heavily favored Adrien Broner to take the WBA welterweight championship, knocking him down twice in a unanimous decision Saturday night at the Alamodome.
The target of heavy trash talking leading up to the fight, Maidana was dominant in handing the brash Broner his first loss in 28 bouts. After the judges' scores of 115-110, 116-109 and 117-109 were announced in favor of the Argentine star, Broner ran out of the ring.
"I had to show a lot of heart to win this fight," Maidana said. "I did what I had to do to win."
Broner is nicknamed "The Problem," but Maidana (35-3) had the answer with power that the three-time world champion had never faced before.
"I'm OK. I'm still the three-time world champion in three different weight classes," Broner said. "Tonight, Maidana was just the better man, but we fought a hell of a fight. I hope the fans got what they deserved. ... I'm still going to live like we won the fight. I'm still going to party."
With the victory, Maidana set up a possible fight against Keith Thurman. On the undercard, Thurman stopped Jesus Soto Karass in the ninth round.
Maidana left little question of what he wanted to do, landing 231 of 663 power punches while connecting on only 38 jabs.
The power stunned the confident Broner, who was unable to use the fluid counter-punching that had resulted in 22 knockouts and made him one of the sports' top stars.
"I'll tell you one thing, make a rematch," Broner said. "I don't need a warm-up fight. I want a rematch,"
Maidana staggered Broner early in the opening round with an overhand right to the back of the head, causing the Cincinnati fighter to stumble trying to regain his footing. Broner attempted to wrap up Maidana as Broner attempted to wrestle free to land more power punches.
Maidana spent the entire opening round charging at Broner, trapping him against the ropes and throwing powerful combinations.
Maidana sent Broner tumbling into the ropes early in the second round with a lunging left hook to the chin. After a standing eight count, Broner charged and wrapped up Maidana's upper legs in an attempt to recover.
Maidana landed 57 punches in the opening two rounds to only 13 for Broner, according to Showtime. Broner regained his balance after the second round, spending the next five rounds trading punches and clenches before Maidana regained control.
"Broner is a very good puncher," Maidana said. "He's a very good boxer, very good puncher. Yes, I felt his blows."
Maidana floored Broner in the eighth round with a left to the midsection and an overhand right. After a standing eight count, Broner again went to the canvas after taking a head-butt to the jaw. Amid heavy booing, Broner remained on the canvas and in a corner for about 3 minutes before returning to action.
In the ninth round, Maidana again stunned Broner, unleashing combination after combination that Broner was struggling to avoid. Broner again regained his feet in the 10th round, but was only able to exchange blows with Maidana the remainder of the fight.
"I don't think he was on today," said Broner's trainer, Mike Stafford. "I thought it was a little closer than (the judges) had it, but I just don't think he was on tonight."
On the undercard, Thurman (22-0) stunned Soto Karass (28-9-3) with a left hook to the chin that had the Mexican fighter out on his feet. Defenseless, Soto Karass took four more heavy blows before the referee stopped the bout.
Soto Karass caught Thurman with an overhand right to the chin in the opening minute of the bout, staggering the Clearwater, Fla., fighter. Soto Karass followed it with another crushing right, but Thurman withstood the flurry and delivered his own staggering shots to the body and head to close the round.
"He made me bring it out from round one," Thurman said. "He was ready Round 1. I was dilly dallying in Round 1 and he turned the lights on and woke me up."
Earlier, Leo Santa Cruz (26-0-1) successfully defended his WBC super bantamweight championship, unanimously outpointing Cesar Seda. The judges scored the bout 116-111, 115-112, 117-110 for Santa Cruz, who landed 43 percent of his power punches in handing Seda his second loss in 27 fights.
Also, Beibut Shumenov stopped Tomas Kovacs in the third round to retain his WBA super light-heavyweight championship. Shumenov, from Kazakhstan, improved to 14-1. Kovacs, from Slovakia, dropped to 23-1.
Recap: Broner vs. Maidana - SHOWTIME Boxing
Adrien Broner Knocked Down By Marcos Maidana - SHOWTIME Boxing
Danny Garcia reacts to Marcos Maidana's upset over Adrien Broner: 'It's part of the game'
Bernard Hopkins Talks Broner Loss
Marcos Maidana - Post-Fight Interview - SHOWTIME Boxing
Keith Thurman Knocks Down Jesus Soto Karass - SHOWTIME Boxing
Keith Thurman TKOs Jesus Soto Karass - SHOWTIME Boxing
Pic Source: Associated Press
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Jay Mazo
GreenLightSonata Ft. Rayna King
Jay Mazo is a recording artist, songwriter, and record producer born in Colombia.While his mother was pregnant she received financial help from a well known cartel boss from their area In return she decided to name the baby after him. When Jay was 5 years old his mother moved their family to Las Vegas, Nevada to escape poverty and unwanted drug wars. He grew up in a low-income neighborhood in North Las Vegas. His childhood revolved around his love for sports, music, and film. Jay attended Northwest Career & Technical Academy, a magnet high school, where he majored in media communications. At the age of 16, he began working with two local artists to form a group. The group caught the attention of hip hop producer Mally Mall, who gave the group a chance to record a song in the same studio as some of their idols like Jay Z, Lupe Fiasco, and Andre 3000. Shortly there after the group split up due to creative differences.Jay moved to Los Angeles to attend film school.While taking a jazz class to fulfill his film scholastic requirements Jay was introduced to the music of Charles Mingus, an avant-garde jazz musician that inspired Jay's experimental and innovative style.http://www.jaymazo.com/
Thisis50 & Young Jack Thriller recently spoke with Bizzy Crook for an exclusive interview!
Bizzy talks about his new mixtape "84", Michael Jordan, growing up in Miami, his style of rap, Eminem being the reason he raps, his first rap, remembers a girl making him depressed & much more!
Follow @bizzycrook @jackthriller @thisis50
Birdman called into the SlowBucks SBOE Takeover on SHADE 45 to speak to DJ Whoo Kid. Another wild classic interview. Baby speaks on Drake, Lil Wayne, Nicki Minaj and Tyga. and is he signing Justin Bieber?
Follow @djwhookid on Twitter @justwhookid on Instagram and his website. To book DJ Whoo Kid email:djwhookidmp3@gmail.com.
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http://www35.zippyshare.com/v/31674553/file.html
http://www.sendspace.com/file/6x7uyn
http://www.sharebeast.com/ngdnsqm14gyw
https://www.mediafire.com/?6hfd9jkxuf37dfi
http://old.hulkshare.com/sfveu030l7nk
http://www.audiomack.com/album/nazdaq-brixx/29-ep
https://soundcloud.com/nazdaqbrixx/sets/29-ep
http://www.datpiff.com/mixtapes-detail.php?id=560606
Track listing
1. Dont worry about my Microphone (prod.atbeats)
2. Oh My (prod. Adothgod)
3. Money Pile (prod. June G)
4. You ft. Anna (R.I.T. Productions)
5. Grinding (prod. Lexibanks)
6. Trip (prod. Alegal)
7. Destiny (prod. Lexibanks)
The Buzzing Bronx Native Nazdaq Brxx is back again an EP called 29 with features 7 new songs and is currently working on From The Bronx to Wall Street 3 : The Rise to Power coming late January.twitter.com/Nazdaqbrixx
facebook.com/nazdaqbrixx
instagram:mrnazdaqbrixx
soundcloud.com/nazdaqbrixx
http://www.audiomack.com/artist/nazdaq-brixx
http://www.hulkshare.com/NazdaqB
http://nazdaqbrixx.bandcamp.com/
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During some down time on the set of the movie Fast and Furious, Tyrese Gibson and his good friend Paul Walker decided to have some fun.
Watch Paul imitate Vin Diesel in this hilarious clip. "That's right... Diesel time, b*tches."
Rest in peace, Paul.
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Chi Ali recently linked up with Jadakiss of The Lox to shoot an official music video for their collaboration entitled "G Check." Dres from Black Sheep and Mysonne from US Entertainment popped up for a cameo. Directed by Mike D'Angelo.
Check out the exclusive behind the scenes video below.
Follow Chi Ali on the Web:
Daniel Azure President of Azure Ventures is currently managing both Chi Ali and Dres from Blacksheep.
For All Business Affairs Domestic and International Contact:
Daniel Azure
President of Azure Ventures
Email: azureventures@gmail.com
Facebook - www.facebook.com/AzureVentures
Twitter - www.twitter.com/AzureVentures
Instagram- www.instagram.com/azureventures
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Words by Daniel Isenberg @StanIpcus for Nahright
Nowadays, you might catch DJ Whoo Kid rocking a party in Dubai surrounded by foreign models, or interviewing A-list rappers and celebrities on his Shade 45 radio show. But back in the late ’90s and 2000s, he was running around New York City, killing the mixtape game. Many people’s first introduction to Whoo Kid was through his work on the infamous string of G-Unit mixtapes that helped turn 50 Cent into a rap superstar. And before that, he was in the mix with fellow Queens tape monsters like DJ Clue and DJ Envy, chasing after exclusives, trying to make a name for himself, and stay one step ahead of the competition.
In Part 1 of our Mixtape Memories interview with DJ Whoo Kid, he takes us back to his first introduction to making mixtapes, and recalls the ins and outs of his hustle to get exclusive songs, and also how he would tell elaborate lies to Def Jam personnel to get free records. Plus, he goes into detail about the time Big Pun kidnapped him over the release of a diss record, his legendary mixtape collaborations with Stretch Armstrong and G-Unit, and how his craftiness creating 50 Cent duets with unreleased Biggie and 2Pac acapellas had both Puff Daddy and Suge Knight trying to hunt him down. Read below, and stay tuned for more crazy antics and stories in Part 2, coming soon. Sada pop!
Influences/First Mixtape Experiences
DJ Whoo Kid: “The first time I made a tape was at my boy’s house. I used to hang with these Haitians that looked like they were Puerto Rican, but they were actually Haitian. DJ Cash, well, he was known as Blinthon—everyone thought he was my cousin because we went to the same college—he had turntables. I couldn’t afford turntables back then. They were like $1,000 or some bullshit each. I used to just practice and fuck around. He had all the records. And for me, it was like a hobby. I would to go to his house and do blend tapes. At that time, the Ron G tapes were out, Kid Capri had a mixtape. I was in college, so I was like eighteen or nineteen. This is like ‘92.
“Then, this DJ named Dirty Harry came out, and he was a Queens DJ. And [I heard his tapes], and I was like, ‘Holy shit.’ Meanwhile, I was living next door to Clue. Clue and Envy both lived down the block, across from each other. So I was already influenced by what Clue was doing. But Clue was stealing music, and I didn’t have any connections at that time.
“I tried to emulate what Dirty Harry was doing, but Dirty Harry was doing like digital blending with his mixes, using like an early type of Pro Tools. He was ahead of his time. I was doing it the old school way, mixing like [Michael Jackson’s] ‘The Way You Make Me Feel’ with Rakim. I’d get an R&B acapella and mix it with a hip-hop joint that was new, like Das EFX or whatever. And blends were hot back then. If you did an ill blend, people would love it. But I still wasn’t a known DJ. I just did it because that’s what I wanted to hear. I just loved the mixes. Dirty Harry, Ron G, Kid Capri, I used to look up to those dudes.
“I made a cassette tape called The Afterparty. That was my first tape. Then professionally, when I started doing hip-hop mixtapes, I went heavy with The Afterparty [series]. I would come out with the exclusives [on my hip-hop tape], and then if I wanted a little extra money because I was hot, I would come out with a blend joint. But back then, all I had was blends.
“I made three hundred [copies of my first tape] and put them out on Jamaica Avenue, and was running around like I was famous. I used to have [DJ Clue’s] dubbing machine, but [he] was so famous that he never knew. The dubbing machines were like $3,000 at that time. So I would have his dubbing machine, and copy all my tapes, and give it back to him before he knew about it.
“You’d put in one master, and [the dubbing machine] would copy like three other tapes [at once]. It was painstaking. You’d have to sit there [dubbing them yourself over and over]. But I had to. When he would leave his parent’s house, [I’d go borrow the machine]. We were all on the same block. I went to Queensborough [Community] College with him, and then he quit and took up DJing professionally. I stayed a little longer before I quit. I definitely got influenced by him. He had the Nissan Sentra, the box one, then went to like a BMW 320i or some shit. I was like, ‘This motherfucker got a Beemer, son! Fuck that shit, nigga! I’m gonna start doing tapes!’
“People hated Clue because he probably was in the right place at the right time, but he knew how to maneuver to get the exclusives. Stealing exclusives was big. The day I really knew I wanted to be a DJ is when Biggie was on Hot 97 talking about, ‘I want to kill DJ Clue for leaking ‘One More Chance.’ It’s unfinished. It’s one verse.’ But to a DJ, one verse is enough. You’re gonna buy the CD, but we got the record [before it came out in stores]. This is the record. So it was the adrenaline rush of an artist looking for you, and you know you ain’t supposed to put this out. And the fans, they went crazy, like, ‘Oh shit, a new Clue tape’s coming out with more [exclusives].’”
Getting Exclusives
“After I did the blends for a good year and change, I linked up with Clue’s camp. And Envy, who was like his underboss DJ, he introduced me to how to get exclusives. So I would get in their whip, and go through to all the labels with them. Back then, Justo (RIP), he was at Sony I think. We would go there and meet the A&Rs, and they’d give us DATs. Some A&Rs would give us unfinished stuff. But the number one places where we used to get the music from was the rap magazines. They had to rate the albums, so [the labels] had to send them [advanced copies]. And these guys that are rating the albums are making like $5 an hour, or they’re interns. So we’d show up with $300 or $400, like, ‘Give us all the albums you got here,’ and they’d give you all of them. That’s why labels started ink-marking the [audio], putting a drop, or saying, ‘Property of Interscope’ or whatever. So then the people who would rate them, that drop would be on their copy, and [the labels] could figure out who gave [the music to the mixtape DJs]. But for us, it was strictly some hustle shit.
“Another way we would get songs was from mixers. They don’t get paid either, and they’re there mixing the shit until six, seven in the morning. They have all those recording DATs on the wall, and there’s one DAT that records the whole session. So there would be different versions. That’s why we had Biggie rapping Lil’ Kim’s verses on ‘Queen Bitch,’ talking about sucking dick and all this shit. So we’d save those for a month where we had no exclusives. Like, we know [it’s him doing a reference track for Lil’ Kim], but it sounds fucked up. [Laughs.] I still have a lot of those kind of songs.
“[The labels] didn’t understand it. We didn’t even understand it. We just saw it as a way to make money. [If I have a Biggie exclusive], I’m outta here! But I used to look at DJ Clue like, ‘You’re putting out all this new shit. You’re down with Jay Z and all these guys.’ It was too competitive. Every time I’d go to the store [trying to sell them my tapes, they’d be like], ‘Oh, we got Clue, we don’t need your shit.’”
To read the full interview head over to Nahright.
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Lil Durk keeps the music coming as he releases the official video for "52 Bars Part 3." The clip was shot by Rio Productions.
Follow Lil Durk on Twitter:
Masspike Miles drops off the third installment of his Skyy Miles mixtape series. The 12-track project features Fred The Godson, Brykln Breed, J'Rell and more.
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Chris Webby gathers a bevy of sexy women and some of his favorite sticky icky to get "Down Right" in his latest music video.
The track is off of his Homegrown EP, which is available now on iTunes https://itunes.apple.com/us/album/homegrown/id733065710.
T-Pain proclaims "the Auto-Tune King is back" on his new remix to Future's record, "Shit." Produced by Mike Will Made It.
Follow Teddy P online.
Thisis50 & Ashlee Ray recently spoke with Young Chris for an exclusive interview!
Young Chris speaks on the Vital Signs EP, label situation, Jay-Z always being there for him with advice, doesn't agree with the Meek Mill/ Cassidy beef, the "control" verse from Kendrick Lamar & much more!
Follow @youngchris @Ashlee_Ray @thisis50
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