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New York, April 10th 2013

Ving Rhames, Steven Segal and DMX to join up in a mobsterfested, action loaded film – ‘Blame it On the Hustle’ underway this summer.

It is two years into the 20th anniversary of New Jack City, and those hungry for something that hits as hard are in for a treat. In late 2012 the clamor reached a fevered pitch, prompted by rumors about a BMF bio pic. What stirred the notion?

Outlets like Global Grind and Jet Magazine helped; along with internet chatter about a movie to be called ‘Blame It on the Hustle’. The fever spread, as the news teased there’d be a hot ensemble to entice us into action including: DMX, Ving Rhames, Mekhi Phifer, Bokeem Woodbine, Armon Assaunte, Jim Jones, even Waka Flocka – who has been hinted at appearing in what would be his first acting role.

When it comes to action, audiences have seldom been disappointed by cinema vet Ving Rhames. From getting medieval on ‘em in ‘Pulp Fiction’ to greeting the freshly risen dead in the 2012 Sci-fi ‘Zombie Apocalypse’ – he can always hit his mark. Heading up the stellar ensemble, Rhames will play Bigga Pearl in a story that reveals the inside of the first Urban Crime Syndicate set in present day New York.

Joining him will be an onscreen reunion for DMX (amid rumors of a Ruff Ryders reunion) and Steven Segal. Alongside the skills of Mekhi Phifer and the ever powerful presence of Bokeem Woodbine; viewers won’t be lacking seasoned performances. Gbenga Akinnagbe, Nicole Ari Parker and Dame Grease are also involved with the project.

The story revolves around the ‘The Hit Boyz’ - a group of young men contracted by the Italian Mafia to take out the various crime families who have managed to get a stronghold on organized crime. The conflict of the movie is based on what results from the love of money, greed and the effect of double crossing the mafia. The film also emphasizes how the negativity takes a good thing and turns it bad, while highlighting the intricacies of the related men and their families

If the internet buzz is any indication, ‘Blame it on the Hustle’ will be that one highly anticipated film that gives the punch that New Jack City did – action packed, a hot cast, with a powerful soundtrack – all elements the independent production team BIOTH, LLC promises to deliver. There is a reason the filmmakers are so dedicated to making a successful film; it documents their lives and how they shot to fame. It also takes us along the fall.

Set for a 2014 release, the production is heavily underway and waiting moviegoers won’t be disappointed with an outstanding high profile cast, helmed by a multiple Emmy award winning Cuban director; Agustin.

Blame it on the Hustle; LLC comprises an independent company of executive producers and film financiers. Production members bring over 35 years of combined industry experience, having successfully engendered projects from music to film and television. They bring impressive and dynamic relationships with renowned talents.

The film’s campaign will be spearheaded by the Tara Thomas Agency, along with PGWW Media, Double XXposure Media Relations, and budding media source Rants of Steele.

About Tara Thomas Agency:
Tara Thomas founded the agency after years of honing research and contacts within the entertainment industry. Building relationships over several years with acclaimed artists, she added momentum to the agency’s growth. While managing Miami based rapper JT Money for two years her circle expanded to include renowned figures such as Tony Mercedes and Damon Blackman. The agency is currently in development on new projects with the great Debra Antney.

 

Media Contact: Tara Thomas Agency
Name: Tara Thomas
Phone Number: 678-723-Tara
Email: tarathomas@tarathomasagency.com
Website: www.tarathomasagency.com

 

Get your next project distributed at @Raphenom.

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Check Out Hyphy Da Spider - The Mixtape 3 Apex

Hyphy Da Spider

The Mixtape 3 Apex

LISTEN/DOWNLOAD HERE

@HyphyDaSpider @IamHeadLessGang @TeamVOM HyphyDaSpider.com
http://hyphydaspider.bandcamp.com | Facebook.com/HyphyDaSpider
ReverbNation/HyphyDaSpider | Youtube.com/HyphyDaSpiderTv

 

Hyphy Da Spider returns with his highly anticipated 3rd Official Mixtape From (The Mixtape Series). With the release of this project the He shows his progression and evolution as an artist, Also His passion to Sing. while staying true to his witty rap style, clever rhyme schemes, and heavy-hitting punchlines that have helped him earn a underground following. Hyphy continued to raise the bar with this mixtape working with the likes of Prod. Preezy Beatz, and More. Enjoy! Follow The Movement @HyphyDaSpider @IamHeadLessGang @TeamVOM HyphyDaSpider.com

Get mixtape distribution at @Raphenom.

 

Tracklist

1.INTRO - On Da Side (J Dilla - Won't Do)download
2.Hatersdownload
3.HeadlessGang (2Chainz -Im Different)download
4.Light It Updownload
5.Later That Nightdownload
6.I Feel Your Paindownload
7.Don't Forget Medownload
8.Windows Breakdownload
9.I Be Cruzin..download
10.Some People.Ship.download
11.Diced Emotions (Rick Ross - Diced Pineapples ft. Wale, Drake )download
12.Attached To Youdownload
13.Who You Really Aredownload
14.One Night Stand (Bouns Track) - Fan Favorite

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YBE//Faculty presents
B. Stacks - "Real Only" | Official Music Video

Director - Amil Barnes
Executive Producer - Karina Santos

Follow B. Stacks on Twitter - www.twitter.com/thisisbstacks
Follow B. Stacks on Instagram - "ThisisBStacks"

Download "Root Of All Evil" on Datpiff at
www.datpiff.com/B-Stacks-ROAE-Root-Of-Al­l-Evil-mixtape.460794.html

Music Video Production by The Cabinet and Mount Columbia Productions

 

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Country singer Brad Paisley and LL Cool J have teamed up for a new song called "Accidental Racist." Their intentions were good, but the song is getting slammed across the country and LL is taking the brunt of the heat.

 

Check out the lyrics below and some of the comments being aimed at the Queens rapper/actor.

 

(Brad Paisley)

 

To the man that waited on me at the Starbucks down on Main, I hope you understand
When I put on that t-shirt, the only thing I meant to say is I'm a Skynyrd fan
The red flag on my chest somehow is like the elephant in the corner of the south
And I just walked him right in the room
Just a proud rebel son with an 'ol can of worms
Lookin' like I got a lot to learn but from my point of view

I'm just a white man comin' to you from the southland
Tryin' to understand what it's like not to be
I'm proud of where I'm from but not everything we've done
And it ain't like you and me can re-write history
Our generation didn't start this nation
We're still pickin' up the pieces, walkin' on eggshells, fightin' over yesterday
And caught between southern pride and southern blame

They called it Reconstruction, fixed the buildings, dried some tears
We're still siftin' through the rubble after a hundred-fifty years
I try to put myself in your shoes and that's a good place to begin
But it ain't like I can walk a mile in someone else's skin

'Cause I'm a white man livin' in the southland
Just like you I'm more than what you see
I'm proud of where I'm from but not everything we've done
And it ain't like you and me can re-write history
Our generation didn't start this nation
And we're still paying for the mistakes
That a bunch of folks made long before we came
And caught between southern pride and southern blame

 

(LL Cool J)
Dear Mr. White Man, I wish you understoodWhat the world is really like when you're livin' in the hoodJust because my pants are saggin' doesn't mean I'm up to no goodYou should try to get to know me, I really wish you wouldNow my chains are gold but I'm still misunderstoodI wasn't there when Sherman's March turned the south into firewoodI want you to get paid but be a slave I never couldFeel like a new fangled Django, dodgin' invisible white hoodsSo when I see that white cowboy hat, I'm thinkin' it's not all goodI guess we're both guilty of judgin' the cover not the bookI'd love to buy you a beer, conversate and clear the air But I see that red flag and I think you wish I wasn't here


I'm just a white man(If you don't judge my do-rag)Comin' to you from the southland(I won't judge your red flag)Tryin' to understand what it's like not to beI'm proud of where I'm from(If you don't judge my gold chains)But not everything we've done(I'll forget the iron chains)It ain't like you and me can re-write history(Can't re-write history baby)


Oh, Dixieland(The relationship between the Mason-Dixon needs some fixin')I hope you understand what this is all about(Quite frankly I'm a black Yankee but I've been thinkin' about this lately)I'm a son of the new south(The past is the past, you feel me)And I just want to make things right(Let bygones be bygones)Where all that's left is southern pride(RIP Robert E. Lee but I've gotta thank Abraham Lincoln for freeing me, know what I mean)It's real, it's realIt's truth


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Spotted at HipHopWired

 

 

 

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Stay tuned for part 2!

Thisis50 & Young Jack Thriller recently spoke with Rain Pryor for an exclusive interview!

She speaks on being the daughter on Richard Pryor, winning a NAACP award, Richardtouching racial issues, being on 'Head of the Class', if she ever pretended to be white to fit in, her plays "Colorism" and "Fried chicken and latkes", growing up poor & much more!

Follow @rainpryor @jackthriller @Thisis50

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Video After The Jump

 

Simone Shepherd and Torrei Hart are back with a new comedy sketch, and this time they bring DeStorm Power. Check out this episode of "Instagram Flexin."

 

Instagram-Flexin

 

Fraudulent behavior displayed by lame people, a.k.a. bum b*tches, on Instagram. In their efforts to appear cooler than they are.

 

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Simone Shepherd @SimoneShepherd

Torrei Hart: @Torrei_Hart

DeStorm Power: @DeStorm
Director: @KingBach





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Spider Loc and Cash Daddy link up for this new mixtape, Streets May Be Icy: The Realist. The project has 13 tracks with features from Hot Rod, Kim King, D'Amonte, Khadija and more.

 




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Rick Ross has someone in his corner when it comes to his controversial lyrics on the song "U.O.E.N.O."

 

Put molly all in her champagne / She ain’t even know it / I took her home and I enjoyed that / She ain’t even know it," Ross raps in the song.

 

YMCMB rapper Tyga spoke to Justin Credible of Los Angeles radio station Power 106 about the song. In his opinion rappers speak out about real life events they might not necessarily participate in themselves. He defended Ross' right to say those lyrics.

 

"We've all got friends who have been to jail, that sold drugs or whatever. Sometimes you gotta be the voice for them people," Tyga said. "That's what rap is. Even with [2Pac]. 'Pac would talk about having kids [and] his baby mama getting on his nerves, but that stuff he was talking about he was the voice. For [protesters] to talk to Ross...I seen they petitioned in front of a Reebok store. What he said, that's like freedom of speech. It wasn't even his record. For them to do all that off of a mixtape song that wasn't even his is kinda like...You just got those groups that wanna sign a petition. They don't even know what they're petitioning for."

 

UltraViolet is the group that protested in from of Reebok's store last Thursday. According to TMZ their 400,000 members have been joined by 150 rape survivors calling for Reebok to drop Ross.

 

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"Every single day that Reebok continues rewarding Rick Ross with a lucrative endorsement deal, Reebok is condoning rape," the group says.

Do you agree with Tyga on Ross' lyrics? Or has the MMG boss crossed the line?

 

 

 

 

 

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Music video by Wem performing "Surprised Myself Too" off Intellectual Arrogance
(Explicit). ©: 2013 Heartbreaker Records

http://www.itsmewem.com
http://www.twitter.com/RealWem
http://www.instagram.com/RealWem
Download Intellectual Arrogance via Datpiff.com FREE: http://www.datpiff.com/Wem-Intellectu...

Directed by:
@antuksmovement @jordanbeckham @jeffreyhilty & @RealWem
www.antuks.com - booking: info@antuks.com
www.jordanbeckham.com

Fashion Designer/Stylist: MJ Whalen
@mjwhalendesign
www.mjwhalendesign.com & www.knewwd.com

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After recently dropping a music video for "High School" featuring Lil Wayne, Nicki Minaj bounces right back with new visuals off of her Pink Friday: Roman Reloaded - The Re-Up album. This latest one is for "Up In Flames."

 

Directed by @GRIZZLEEMUSIC

 

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Goonie Gang leader AR-AB presents P-90 "Trappin Not Rappin" freestyle

Bookarabtgop@gmail.com
Twitter: Arab_TGOP
IG: Ar_Ab_32

Pick up his new mixtape "M.U.D. Musik (Motivation Under Distress)" Download it for free from Datpiff http://www.datpiff.com/AR-AB-MUD-Musik-Motivation-Under-Distress-mixtape.424993.html?utm_campaign=piff.me&utm_source=http://t.co/GATWG5RVXY&utm_medium=piff.me

Follow AR on Twitter @ArAb_TGOP
https://twitter.com/ArAb_TGOP

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Snnop Dogg was in full clown mode on the latest episode of GGN News. His guest was Harlem rapper Azealia Banks. Snoop passed her the blunt, sent flirty messages to her sisters, saluted her for being a "chocolate diva," told her ex-boyfriend he would send him a care package for getting his heart broken and danced to some of her music.

 

Stormy Fronts gave a freaky weather report and predicted it would rain on Monday because she's a squirter.

 

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Peep the hilarious episode below.


 


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Rich Boy stopped by Sway in the Morning recently to promote his new album, Break the Pot. The project is Rich's first since 2007. The Alabama rapper performed "Glasses in the Air," "Break the Pot" and "Throw Some D's."

Break the Pot in stores today.

 

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"Break the Pot" x "Throw Some D's"

 


 

 

"Glasses in the Air"

 


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The city of San Francisco stars opposite Locksmith in this visual off The Green Box which drops May 7th on www.IAMLOCK.com. The video is directed by Locksmith & Brian Storm.

Follow Locksmith:

Twitter
@dalocksmith
http://twitter.com/dalocksmith

Instagram
@dalocksmith
http://instagram.com/dalocksmith

Facebook
http://facebook.com/iamlocksmith

www.IAMLOCK.com

 

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After releasing two of the best R&B and Hip Hop albums of 2012 respectively, Miguel and Kendrick Lamar wouldn't seem cocky if they assumed they have their fields covered.

 

The two L.A. artists land on the cover of Vibe's 2013 "Big List" Issue.

 

Check out an excerpt of their cover story written by John Kennedy and their photo shoot with Steven Geomillion and Dennis Leupold below.

 

VIBE: First off, congrats on being dubbed musical geniuses of the current generation. Had you two met before the shoot?

MIGUEL: I never met Kendrick before this.

KENDRICK LAMAR: Even though we're both from L.A., we never met.

Wow, really?

MIGUEL: [Laughs] He's just joking around. We got to work before and chopped it up for a quick second. As much as I love the fact that we get to be on the cover, it's cool when it's people that you really fuck with and you're a fan of.

KENDRICK: Definitely, and it makes it easier when we do get back into the studio together. Because in the last couple of years I've [learned] you can't really jump in a studio with everybody 'cause the energy is not there. To vibe with someone on a personal level makes the music sound so much better.

What was your first impression of each other’s music?

KENDRICK: First time I heard Miguel, it was a video actually. What was the first video on BET?

MIGUEL: If it was the one with J. Cole, then that's "All I Want Is You."

KENDRICK: It was the joint before that, early in the game. Whatever it was, it was dope. Something new, something fresh. When I found out that he's from the town, that made him even more official 'cause we don't get too many vocalists getting light and love on the actual talent.

MIGUEL: I gotta say that Section.80 tape was it. What I liked most is the perspective. There's a song where Kendrick is like—I'm gonna f*ck up the lyrics—How do you talk about money, religion and street life all at the same time. I know I f*cked it up, Kendrick. My bad, bro.

KENDRICK: Nah, you good. Exactly. That's it.

MIGUEL: I just like that it's an honest perspective. Sometimes you listen to MCs and you're like, This shit sounds cool, the verse and the cadence or whatever, but when you look at the artist, it just doesn't translate. I don't get that from Kendrick. Younger artists, we're all striving to be ourselves. He's one of the best examples of that.

KENDRICK: Likewise. As far as Miguel, one thing I said these past couple of years, from an R&B perspective, I always felt like it's been missing the depth of actually telling a story. Everything on the radio has been cliché. But when you get a body of work like Miguel's, you hear actual intricate details and lines where it's not just saying, Come here girl, blah blah blah.

MIGUEL: [Laughs]

KENDRICK: You're hearing the steps to get there. And that's the part of R&B that's been missing for a long time. To actually hear somebody new doing it and taking pride in such intricate details that make the song that much better, it makes you wanna ride to it all day. I come from that world of oldies and gangster rap. My pops probably played more R&B and vocalists in the house than gangster rap, so I always listened for lyrics and the shit that make the women feel good. Once they like it, you know the dudes gon' follow it right after, so you gotta be up on your shit.

You’re both carrying the torch as the leaders of the new generation. How do you define musical genius?


KENDRICK: Somebody that don't really have any boundaries, that's not confined to the traditional structure of a song or traditional sounds. When you listen to "Adorn," it feels like he's not even trying to structure a radio joint. He just felt the music, felt the instrumentation and wrote the track.


MIGUEL: Good looks, bro. My favorite artists always took whatever they loved out of music and made it their own. It was their take on it. Kendrick is one of those people where I can hear Ice Cube's first two albums' influence. I get the street edge, but then I hear like the poetic player, smoothness, creativity and smart street savvy of Andre onAquemini. That juxtaposition is what I hear in Kendrick, but it's his own take. If you listen to my shit, you're gonna hear Prince, Marvin Gaye, Led Zeppelin or a little bit of the Beatles. That's where I'm pulling from.

Some of the most genius artists have thrived when taking chances and innovating. How important is that? Does that set up for the inevitable dud?


KENDRICK: That's the chance you gotta take. Who knew when Jay-Z sampled Annie that it would blow up? That could've been a disaster; you wouldn't even be speaking about Jay-Z right now. But that was a chance he was willing to take. 808s & Heartbreak could've ruined Kanye, but he did it so smooth and different, it just felt right. And that's one of his greatest albums. He wasn't really rapping on it, but that was a chance he took to be ahead of the game. Those are genius minds. And that's good for the culture of hip-hop, to know that we have people in the game before us that are willing to explore. It gives me a little more confidence in what I'm doing when I think back on all the emcees that have done that.

What’s the biggest risk you’ve taken artistically? One that went over surprisingly well and one that might’ve gone over people’s heads?


MIGUEL: Sh*t, well this whole album—overall it doesn't sound like any other R&B album that's been put out in the past decade. The only album I would say sounds as alternative would be A Beautiful World by Robin Thicke, and that was like 2003. Since then, I haven't heard a commercial album sound as alternative as this one. Including those psychedelic influences for R&B was a huge risk. I honestly was nervous to put it out. I remember having a conversation with Mark, my A&R, like, "Man, I don't know if they're gonna get this sh*t. It may be bad." And he was like, "I love the album." And I love it, too; I'll be proud of it when I'm 80, because I know what I was going through when I was writing, producing and creating it. It's really cool to get attention from outlets that never really paid attention to me or my music before this album. On the opposite end, risks that I didn't even know I was taking—I look back on photos [from All I Want Is You] and the way I was dressed is not something I'd do again. If anything, when you do take risks, you become either more confident because you're going to be criticized and speculated, and those conversations are gonna cross you and you're either sure of yourself and what you believe in or you're torn down.


KENDRICK: I definitely agree. Making good kid, m.A.A.d city was a risk in itself. The idea of a concept record has been lost for a long time—will that translate to 16-year-old kids in high school rather than the super energetic joint on the radio? I definitely had that in the back of my mind when I was creating this album. But having that thought process gave me confidence in knowing that ain't nothin' new under the sun. By me doing this, it can be fresh and something new to the kids that are not used to a record that has skits intertwined within the songs and a whole album breakdown. Overall, what I talk about in my music is another huge risk. When you think of the West Coast, you immediately think of crazy-type street credibility. To come from that place but not glorify it is a challenge in itself.


To read the rest of the cover story head over to Vibe.

 

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